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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Five Things Directors and Choirs Must Remember This Week

Richard J. Clark · March 27, 2015

ELCOME TO Holy Week. For many, preparations have been well underway and are still ongoing. But once the onslaught of liturgies begins, it’s a bit like the morning of a final exam: One can’t study or prepare anymore. Just be in the best mental and physical state possible. For us, that also includes spiritual.

So, why do we work so hard to prepare? Beyond the technical preparations, musical and liturgical, there are five essential things music directors should remind themselves, their choirs and instrumentalists:


1. WE WILL AFFECT PEOPLE IN WAYS WE WILL NEVER KNOW.

There are those who walk through the doors of our churches who carry burdens unknown to us. Sorrow, struggle, and suffering permeates our fragile existence, but so does joy. There is great opportunity for comfort, compassion and love. In prayerful, loving song, you may forever change the lives of someone you do not know in a way you will never know.

Furthermore, for Elect and Candidates of the Church, the Easter Vigil is a night of life-changing importance. Your prayerful support, now, and during the period of mystagogy is critical.


2. THIS IS SOMETHING WE DO TOGETHER AS A CHURCH

While individuals may be experiencing different things in their personal lives, we are united in the Body of Christ. We are not only part of our local parish, but part of the Universal Church. This unity and universality is, in part, why our worship is ritualized. We are connected not only with our neighbors beside us, but with our brothers and sisters around the world. We are connected not only in the present day, but with the old Covenant with Abraham to the new Covenant mediated by Christ, so that we “may receive the promise of an eternal inheritance” (Heb 9:15) in the future.

In part this unity is why our sacred music ideally conveys a sense of timelessness and universality. Christ yesterday and today… All time belongs to Him…

Likewise, in this unity, everyone in your choir is important—not just those with more beautiful voices. We’re all singing and praying together.


3. EVERY TECHNICAL DETAIL—EVERY REHEARSAL IS A PRAYER

This is the Martha side of things. There is an overwhelming amount to do, but be mindful that all the tedious work and attention to detail is in service to the liturgy. It is in service to God and a great service to your sisters and brothers in the community.

But when the time comes, don’t worry about mistakes. Glitches will arise. Move on in prayer and don’t look back.


4. TAKE TIME FOR SILENCE.

This is the Mary side of things. Being constantly busy is its own kind of addictive drug designed to distract us from pain and even sometimes from joy! (Being emotional is hard work.) At the end of your pre-liturgy warmup or rehearsal, be sure to leave the choir several minutes for quiet reflection and prayer. If desired, part of that time can also be used to look over a score of the first piece or two. Sing the incipit in your head. Then close the book.

Remember to allow room for the Spirit, for both musical and prayerful inspiration. Place yourself in the center of the music and revel in every moment of prayer that comes forth. In achieving this end, the value of stillness and silence cannot be underestimated.


5. GIVE THANKS.

Expressing gratitude should become a mindful habit. Choirs can never be thanked enough. Of all the ministries of your church or parish, those in the choir usually volunteer the greatest number of hours all year round. So, thank your choir now, and always.

Consider how lucky we are to have people in our lives not only to make music with, but to pray with. To do so at the same time is an extraordinary privilege. Don’t forget it, and never take it for granted.

So, get on your knees and thank God for the gift of music, through which we may sing His praises, comfort the distressed, and experience the boundless joy of God’s love.

And while you’re at it, thank your choir. Again.

Have a blessed Holy Week!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Holy Week Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski
    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

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