• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Regensburger Domspatzen

Dr. Lucas Tappan · March 23, 2015

LMT Regensburger Domspatzen HE CITY OF REGENSBURG, GERMANY (also known as Ratisbon), is beautiful on many accounts, not the least of which is the Cathedral of St. Peter and its famous choir, the Regensburger Domspatzen (literally “the Regensburg Cathedral Sparrows”), which celebrated its 1000 anniversary in 1975.  Msgr. Georg Ratzinger, brother of Pope Emeritus Benedict XVI, directed the choir for 30 years (1964-1994), since which time Roland Buechner has held the baton.  I would like to highlight this choir today for a number of reasons as we discuss the choir school in general and its role in the ongoing efforts to celebrate the Roman Rite in a worthier manner.

The choir at Regensburg is set up according to what I call the German model, meaning that while boys still form the treble lines, high school boys sing the lower parts in the choir, as apposed to the English tradition of having profession men, or university level choral scholars sing those parts.1 The choir’s sound tends toward a judicious use of vibrato (a continental sound) as opposed to a straight tone (an English sound), and the backbone of the choir’s repertoire, like that of Westminster Cathedral, is polyphony and chant.  At the same time, the choir sings much religious music in the German tradition as well as German folk music and art songs, which they perform in concerts across the world.  If you speak German, there is a wonderful video series about the choir on YouTube with a decent amount of footage of actual vocal instruction being given to new choristers. I have found them very helpful.

I would like to point out that while this choir is world class, I nevertheless feel that the quality of the singing is not at the level of Westminster Cathedral (this causes me incredible anguish because I have an unyielding passion for all things German) simply because it does not sing together in public as often as the choir as Westminster does (the choir at Regensburg sings for Mass on a more weekly basis).  The fact that Westminster usually perfects a polyphonic Ordinary and Gregorian Propers along with choral Vespers most days of the week brings about an incredible cohesion among all of its singers. Regardless, I would still love to see a choir of this quality in every major Catholic church in America.

Finally, I make my usual plea to all pastors, principals and musical directors to give the choir school a chance at your parish.  Think of how much good you could do if every child graduating from your school grew up  with Gregorian chant, simpler polyphony and good solid hymns as part of their spiritual formation.  Change the way they pray and you will change the way the believe!




NOTES FROM THIS ARTICLE:

1   If, like my parish’s soon-to-be choir school, your parish’s choir school ends after the 8th grade, what better way to keep your young male graduates involved in your music program than by having a special rehearsal for them one evening a week where they rehearse alongside other young men their age? The same can be done with the young women.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The creed at baptism may be said in either Greek or Latin, at the convert’s discretion, according to the Gelasian Sacramentary.”

— Father Adrian Fortescue

Recent Posts

  • Gospel Acclamation Verses … Nowhere Assigned?
  • False! • “Youthful” Music Attracts the Young
  • “I Don’t Care Anymore!” • Lead by Loving Example
  • Installment #2 • “Serious Problems with the Lectionary Translation”
  • PDF Comparison Chart • “Serious Problems with the Lectionary Translation”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up