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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Real Enemy: Mediocrity

Aurelio Porfiri · March 17, 2015

154 B16 T IS NOT INFREQUENT to read or hear, in church debates, about fights between conservative and progressive Catholics. Especially the last two pontificates—Benedict XVI and Francis—have polarized much of the Catholic world; as if we must select one side or the other to feel part of “society.” Of course liturgy and liturgical music have known similar situations, intensified after Benedict’s promulgation of the Motu Proprio Summorum Pontificum on 7 July 2007. The “liturgical wars” (to use the Anglo-Saxon term) became more and more violent, and the recent 50th anniversary of the first vernacular Mass by Pope Paul VI in the roman church of Ognissanti has once again brought the “liturgical problem” to the forefront.

Our liturgies—are they more effective and spiritually appealing in recent decades? I would say a clear “no.” The liturgy supposes a rite, and the rite assists passage from the DAILY LIFE DIMENSION to another dimension: the dimension of God. Anthropology has said a lot about rites of passage, especially in the studies of Arnold Van Gennep (1873-1957) and Victor Turner (1920-1983). In Italy, Aldo Natale Terrin and Roberto Tagliaferri—taking inspiration from Van Gennep and Turner—have presented to the liturgical community the problem of the rite and the importance of the limen (“threshold”). Having considered all the important contributions brought by these scholars on the topic of liturgy, we come to realize that the real problem is not between progressive and conservative Catholics, but between the attention to the dynamics of the liturgy and mediocrity.

MEDIOCRITY IS THE REAL ENEMY of liturgy and of liturgical music. In every diocese wherein we contribute, we must ask: where is the balance here? On the side of attention to the needs of the rite? Or is everything dominated by mediocrity? But what is mediocrity?

Mediocrity is the “virtue” of those who choose the medius; staying in a sort of limbo between good and evil. I mean, they are not bad…but not even good. They don’t access the limen; they prefer to stay on our side of the limen—a more comfortable position that does not disturb the dull existence they’re leading.

How many liturgies in our dioceses are the result of mediocrities? The causes are legion. For instance, we don’t have the courage to tell people they’re incompetent, so the liturgy pays for our lack of courage. When everyone—without any study or serious analysis of the liturgy and its needs—can decide how the rite should be performed or which songs should be sung you have mediocrity arising as the sun in the east. Experts may be dangerous, too; but you can imagine how dangerous are the ones who talk without any serious consideration of the liturgical discipline.

The situation, then, is dramatic. Some people are using the liturgy not to seek Christ, but for reassurance. They want to be confirmed on their (already accepted) medius state, continuing to use religion as a tool to feel better and avoid looking inside themselves. They refuse to accept that religion—and especially the meeting with Christ—is not a cup of tea every day at 5:00pm 1 but falling from a horse and accepting the blindness of sin and torment of “otherness.” Real liturgy is for daring hearts, not for uninspired mediocrities. If you don’t accept that in order to find yourselves you must lose yourselves, you will simply lose what you think you have found.



NOTES FROM THIS ARTICLE:

1   That is a rite, too, and in some cultures may have a very deep meaning.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform, Renewal of the Renewal Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“The unity of language in the liturgy is so great a treasure for the Church that no advantage could compensate for its demise.”

— Dom Anselmo Albareda (2 January 1953), Father Nicola Giampietro, page 249

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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