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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Gems in Latin and English

Veronica Brandt · March 14, 2015

Latin Hymns Fortescue YMNS CAN SOOTHE A FRAZZLED soul. There is a rhythm to them which invites singing along. The mind can tune in gradually. There is the repetition—by three verses you can usually join in, even if you never heard it before.

There is a whole treasure trove of Latin hymns. I have had a go at collecting them over at A New Book of Old Hymns. The thing that started me collecting was hoping to sing along with understanding. The choir would sing from their Libers and there were no translations easily available in the pew.

Now I know there have been many similar collections made, such as

• 1957 Mass and Vespers with Gregorian Chant—the Liber Usualis with English translations;

• The Parish Book of Chant by Richard Rice 2013;

• Chants of the Church, 1953 and again in 1954 with modern notes, available under Additional chant anthologies at Musica Sacra’s collection of Latin Chant and also in print through Lulu;

• and Latin Hymns by Fr Adrian Fortescue.

This latter is beautifully done. It is designed for a particular congregation, as described in the preface:

This book is meant to serve a practical purpose. In our church on Sunday evening, during and after Benediction, we sing various Latin hymns or antiphons. Since Compline hardly ever changes, an excellent way to remember the feast of season is to sing the Vesper hymns of the day, with its versicle and collect at Benediction. We have also a number of beautiful hymns about the Blessed Sacrament, our Lady, the Church, and so on. But if people do not understand what is sung, to them all is lost.   […]

Even if we do not have the chance to adorn a Sunday evening’s Benediction of the Blessed Sacrament in a church, we can enjoy these hymns whenever and wherever we have the chance.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Gregorian Chant, Hymnbooks Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“There’s a world of difference between a thoughtful, wise Catholic and a bitter contrarian. In spite of what is claimed on certain blogs, being addicted to cable news and twitter does not make one an intellectual.”

— Jeff Ostrowski

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