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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Elvis Presley, Offertory Processions, & “Alius Cantus”

Jeff Ostrowski · February 2, 2015

384 Offertory Procession 1940s ACK IN 2013, we uploaded the complete 1965 Missal, which has generated a considerable amount of interest among those seeking to understand the reformed rites. I was recently made aware of an incredible video which shows an “Offertory Procession” from the 1960s:

      * *  Video • Elvis Presley & 1965 Missal

I’m not kidding. Click the link to see for yourself.

If you scroll down, you’ll see that Offertory processions and “versus populum” were started before the 1960s in some locations. Progressive liturgists of the 1940s justified processions at the Offertory because “the rubrics don’t specifically say they cannot be done.” However, when today’s priests try to reintroduce more traditional practices by means of “mutual enrichment,” these same liturgists complain. A double standard appears to be at work…

In any event, I would say three things about this video: *

1. A most destructive force at work after the Second Vatican Council has been a “loophole” which allows musicians to substitute alius cantus congruus (“anything else appropriate”) for the official Propers assigned by the Church. Only recently have books such as the Jogues Pew Missal made the official texts accessible to congregations. Hopefully more parishes will consider using these assigned texts (in English or Latin).

2. People justify alius cantus congruus in the name of “people participating at Mass.” They fail to realize that when you replace the official texts and sing something else—like Elvis did in that video—you’re no longer participating at Mass the way the Vatican II fathers desired.

3. Everything says something. Everything. If we eliminate the Mass Propers, we must replace them with something. Therefore, we cannot fault Elvis for what he did in that video.

376 Facing the People 1954 377 Facing the People 1965 378 Facing the People 1947 379 Facing the People 1965

P.S.

Based on a quick Google search, I assume the video clip comes from a movie I’ve never seen called Change of Habit. Obviously, a film is not real, but in this case, it gives us a glimpse into what was happening in some Catholic Churches during the 1960s.




NOTES FROM THIS ARTICLE:

*   Regarding number 1, the GIRM says any substitute texts must be approved by the local bishop. The USCCB Committee on the Liturgy—in clear contradiction to the GIRM—declared that this requirement can be ignored. However, several Canonists have said the USCCB does not have the power to overrule the GIRM, and official replies by the Pontifical Commission for the Interpretation of the Code of Canon Law support this view.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: 1965 Missal, Hymns Replacing Propers Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

Oh, what sighs I uttered, what tears I shed, to mingle with the waters of the torrent, while I chanted to Thee, O my God, the psalms of Holy Church in the Office of the Dead!

— ‘Isaac Jogues, upon finding Goupil’s corpse (1642)’

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