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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“What Must Be Sung Is The Mass” • Susan Benofy

Jeff Ostrowski · February 16, 2015

274 St. Isaac Jogues Illuminated Missal, Lectionary, & Gradual USAN BENOFY of Adoremus Bulletin published an article for the February 2015 edition called: What Must Be Sung Is The Mass. She begins with an important quote from Bugnini’s Consilium about the importance of singing the Propers. She continues:

“For decades there were virtually no musical settings for the Propers in English. And some of the Proper texts still have no officially approved English translation. In the last few years, however, there has been increasing interest in setting the Proper texts to music.”

In her article, Susan includes information about the Jogues Illuminated Missal. Here’s some of what she wrote:

• The Ordinary of the Mass in English and Latin set in parallel columns. This section also contains a large number of full-color illustrations: reproductions of ancient manuscripts of the text and music of the Mass, sacred art, and photographs of various moments in the Mass.

• Readings from the Lectionary for years A, B, and C are included (in English).

• Texts of the processional chants (Introit, Offertory, and Communion) from the Graduale Romanum in both Latin and English. The English text is taken from the Gregorian Missal translation.   [Note: For important reasons.]

• Texts of the chants between the readings are given in both the older and newer forms. The Gradual and Alleluia (or Tract) are given in both Latin and English (Gregorian Missal translation). In addition the Responsorial Psalm (with musical notation for the people’s response) and Alleluia or alternate acclamation used in Lent from the US Lectionary are given in English. Musical settings and organ accompaniment for the Responsorial Psalms and Gospel acclamations can be downloaded or ordered at the website.

• Sequences for Easter, Pentecost, and Corpus Christi are given with the Propers for the day in an English metric text with musical setting. The Latin and a literal translation are given in an Appendix. Musical notation for the Latin text of the Pange Lingua is given in the Holy Thursday section.

• Finally, the text of Benediction for the Blessed Sacrament is included with musical notation for the O Salutaris and the Tantum Ergo. A musical setting of the Ordinary of the Mass is given.


I HESITATE to say anything negative about Susan’s article, but she could have added more resources by visiting this website. Moreover, she said the following about the Revised Grail:

On November 11, 2008, the US Conference of Catholic Bishops approved the Conception Abbey Revised Grail Psalms for use in future editions of US liturgical books, including the Lectionary.

That’s not accurate according to what I’ve been told. It turns out the Revised Grail is going to be revised again! So all the books that currently use that translation—such as GIA Worship IV—are doubtless regretting their effort to get “ahead of the curve.” The question is, what will they call the new version? The “twice revised” Grail? Very confusing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Jogues Illuminated Missal Lectionary Gradual Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

It is clear the Church is facing a grave crisis. Under the name of “the new Church” and “the post-conciliar Church,” a different Church from that of Jesus Christ is now trying to establish itself: an anthropocentric society threatened with imminent apostasy which is allowing itself to be swept along in a movement of general abdication under the pretext of renewal, ecumenicism, or adaptation.

— Cardinal Henri de Lubac (29 August 1967)

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