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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“What Must Be Sung Is The Mass” • Susan Benofy

Jeff Ostrowski · February 16, 2015

274 St. Isaac Jogues Illuminated Missal, Lectionary, & Gradual USAN BENOFY of Adoremus Bulletin published an article for the February 2015 edition called: What Must Be Sung Is The Mass. She begins with an important quote from Bugnini’s Consilium about the importance of singing the Propers. She continues:

“For decades there were virtually no musical settings for the Propers in English. And some of the Proper texts still have no officially approved English translation. In the last few years, however, there has been increasing interest in setting the Proper texts to music.”

In her article, Susan includes information about the Jogues Illuminated Missal. Here’s some of what she wrote:

• The Ordinary of the Mass in English and Latin set in parallel columns. This section also contains a large number of full-color illustrations: reproductions of ancient manuscripts of the text and music of the Mass, sacred art, and photographs of various moments in the Mass.

• Readings from the Lectionary for years A, B, and C are included (in English).

• Texts of the processional chants (Introit, Offertory, and Communion) from the Graduale Romanum in both Latin and English. The English text is taken from the Gregorian Missal translation.   [Note: For important reasons.]

• Texts of the chants between the readings are given in both the older and newer forms. The Gradual and Alleluia (or Tract) are given in both Latin and English (Gregorian Missal translation). In addition the Responsorial Psalm (with musical notation for the people’s response) and Alleluia or alternate acclamation used in Lent from the US Lectionary are given in English. Musical settings and organ accompaniment for the Responsorial Psalms and Gospel acclamations can be downloaded or ordered at the website.

• Sequences for Easter, Pentecost, and Corpus Christi are given with the Propers for the day in an English metric text with musical setting. The Latin and a literal translation are given in an Appendix. Musical notation for the Latin text of the Pange Lingua is given in the Holy Thursday section.

• Finally, the text of Benediction for the Blessed Sacrament is included with musical notation for the O Salutaris and the Tantum Ergo. A musical setting of the Ordinary of the Mass is given.


I HESITATE to say anything negative about Susan’s article, but she could have added more resources by visiting this website. Moreover, she said the following about the Revised Grail:

On November 11, 2008, the US Conference of Catholic Bishops approved the Conception Abbey Revised Grail Psalms for use in future editions of US liturgical books, including the Lectionary.

That’s not accurate according to what I’ve been told. It turns out the Revised Grail is going to be revised again! So all the books that currently use that translation—such as GIA Worship IV—are doubtless regretting their effort to get “ahead of the curve.” The question is, what will they call the new version? The “twice revised” Grail? Very confusing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Jogues Illuminated Missal Lectionary Gradual Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“When there are women members, the choir’s place is to be outside the sanctuary.”

— “Musicam Sacram” (5 March 1967)

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