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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sing Prayerfully

Andrew Leung · February 12, 2015

323 Andrew Leung T HAS BEEN SAID: “He who sings prays twice.” However as church musicians, we don’t always feel prayerful and peaceful when we are singing and playing during the Liturgy. Recently, I heard from some friends that singing at Mass was never a peaceful and prayerful experience for them, but a stressful one. A lot of times, we worry about whether the choir is singing too slow, pronunciation of the text, messing up the rhythm, missing an entrance in a polyphonic piece, making mistakes on a melody or harmony, etc. Should the Mass be a prayerful experience for the musicians?

YES! I am sure that most of you will agree that singing the Mass is not just a performance, but a prayer. The music at Mass should be for the glorification of God and the sanctification of the faithful. Musicians, as part of the faithful, should be sanctified by the Liturgical Music too. When we sing at Mass, it is understandable that there might be a little nerve just like what we would experience in other performances. However, this nerve shouldn’t affect us too much spiritually.

If Liturgical Music is a prayer, when do we begin praying? The prayer should start way before the Mass. In fact, we should make our personal practices and group rehearsals part of the prayer. It is a long process of prayer that the congregation will never experience. It is like saying the rosary. A rosary is formed by many “Our Father”, “Hail Mary”, “Glory be” and other prayers and devotions. Before Mas, we practice the pieces over and over again just like how we say the “Hail Mary” fifty times in a rosary. Each “Hail Mary” is a short and simple prayer, but when they are all linked together, they become part of a long prayer, the rosary. Similarly, we make a lot of mistakes and pauses during rehearsals. And when we put all our works and efforts together at Mass, the prayer is finally completed. That is why preparations and practices are very important for church musicians.

HERE ARE A FEW THOUGHTS and suggestions on how one can make “church singing” more prayerful.

First, Spiritually:

1. Understand the idea of “Sing the Mass, not Sing at Mass.” To “Sing at Mass” would be to make our singing a performance only. On the other hand, to “Sing the Mass” is to make our singing a prayer. Always starts and ends the rehearsal or the “performance” with a prayer to remind ourselves to make the music a prayer to God.

2. Know the text. A good piece of Sacred Music should have a scriptural text, or sometimes the text would be taken from other traditional prayers. In order to sing prayerfully, we need to make sure we know what we are singing, especially when the text is in a foreign language.

3. Observe sacred silence, especially in our own prayer time. As musicians, we are constantly participating the Mass externally through singing or playing. It is important that we do not forget the internal participation and to listen to God through silent prayer and meditation.

And now, more Technical:

1. Know the Strengths and Weaknesses. As choir directors, we need to know our choirs’ strengths and weaknesses; and as singers, we need to know our own strengths and weaknesses too. If singing the Mass is a stressful experience for you, you should try to find out what is stressing you out.

2. Find the Right Repertoire. One of the main reasons why singing the Mass is so stressful for some people is because repertoire is too difficult. For example, the Tract might be too long and hard for a choir. Then maybe you would like to consider singing it in psalm tone until your choir is comfortable with long and melismatic chant. It is more important to sing well and pray well than to sing a challenging piece.

3. Use your Rehearsal Time Wisely. If singing the Mass is a stressful experience for you, consider lengthening your rehearsal time so that you can spend more time learning and practicing. In order to master a piece of music, you will need to be able to sing the piece comfortably during rehearsal. You might also want to consider spending some time during rehearsals on solfege exercises and other vocal exercises to increase your skill level.

I hope my suggestions help to make singing the Mass a prayerful and peaceful experience for you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The only really effective apologia for Christianity comes down to two arguments: namely, the _saints_ the Church has produced and the _art_ which has grown in her womb.”

— Josef Cardinal Ratzinger (Interview, 1985)

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  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing

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