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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sing Prayerfully

Andrew Leung · February 12, 2015

323 Andrew Leung T HAS BEEN SAID: “He who sings prays twice.” However as church musicians, we don’t always feel prayerful and peaceful when we are singing and playing during the Liturgy. Recently, I heard from some friends that singing at Mass was never a peaceful and prayerful experience for them, but a stressful one. A lot of times, we worry about whether the choir is singing too slow, pronunciation of the text, messing up the rhythm, missing an entrance in a polyphonic piece, making mistakes on a melody or harmony, etc. Should the Mass be a prayerful experience for the musicians?

YES! I am sure that most of you will agree that singing the Mass is not just a performance, but a prayer. The music at Mass should be for the glorification of God and the sanctification of the faithful. Musicians, as part of the faithful, should be sanctified by the Liturgical Music too. When we sing at Mass, it is understandable that there might be a little nerve just like what we would experience in other performances. However, this nerve shouldn’t affect us too much spiritually.

If Liturgical Music is a prayer, when do we begin praying? The prayer should start way before the Mass. In fact, we should make our personal practices and group rehearsals part of the prayer. It is a long process of prayer that the congregation will never experience. It is like saying the rosary. A rosary is formed by many “Our Father”, “Hail Mary”, “Glory be” and other prayers and devotions. Before Mas, we practice the pieces over and over again just like how we say the “Hail Mary” fifty times in a rosary. Each “Hail Mary” is a short and simple prayer, but when they are all linked together, they become part of a long prayer, the rosary. Similarly, we make a lot of mistakes and pauses during rehearsals. And when we put all our works and efforts together at Mass, the prayer is finally completed. That is why preparations and practices are very important for church musicians.

HERE ARE A FEW THOUGHTS and suggestions on how one can make “church singing” more prayerful.

First, Spiritually:

1. Understand the idea of “Sing the Mass, not Sing at Mass.” To “Sing at Mass” would be to make our singing a performance only. On the other hand, to “Sing the Mass” is to make our singing a prayer. Always starts and ends the rehearsal or the “performance” with a prayer to remind ourselves to make the music a prayer to God.

2. Know the text. A good piece of Sacred Music should have a scriptural text, or sometimes the text would be taken from other traditional prayers. In order to sing prayerfully, we need to make sure we know what we are singing, especially when the text is in a foreign language.

3. Observe sacred silence, especially in our own prayer time. As musicians, we are constantly participating the Mass externally through singing or playing. It is important that we do not forget the internal participation and to listen to God through silent prayer and meditation.

And now, more Technical:

1. Know the Strengths and Weaknesses. As choir directors, we need to know our choirs’ strengths and weaknesses; and as singers, we need to know our own strengths and weaknesses too. If singing the Mass is a stressful experience for you, you should try to find out what is stressing you out.

2. Find the Right Repertoire. One of the main reasons why singing the Mass is so stressful for some people is because repertoire is too difficult. For example, the Tract might be too long and hard for a choir. Then maybe you would like to consider singing it in psalm tone until your choir is comfortable with long and melismatic chant. It is more important to sing well and pray well than to sing a challenging piece.

3. Use your Rehearsal Time Wisely. If singing the Mass is a stressful experience for you, consider lengthening your rehearsal time so that you can spend more time learning and practicing. In order to master a piece of music, you will need to be able to sing the piece comfortably during rehearsal. You might also want to consider spending some time during rehearsals on solfege exercises and other vocal exercises to increase your skill level.

I hope my suggestions help to make singing the Mass a prayerful and peaceful experience for you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Thus in 1905 the Vatican Kyriale appeared with rhythmic signs and the following legend: “Præsens exemplar, rhythmicis signis a Solesmensibus monachis ornatum, typicae Vaticanæ editioni de cætero plane conforme repertum est.” (This copy, provided with rhythmic signs by the monks of Solesmes, completely agrees in every other respect with the Vatican original.)

— Dom Gregory Hügle, OSB

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