• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Sing Prayerfully

Andrew Leung · February 12, 2015

323 Andrew Leung T HAS BEEN SAID: “He who sings prays twice.” However as church musicians, we don’t always feel prayerful and peaceful when we are singing and playing during the Liturgy. Recently, I heard from some friends that singing at Mass was never a peaceful and prayerful experience for them, but a stressful one. A lot of times, we worry about whether the choir is singing too slow, pronunciation of the text, messing up the rhythm, missing an entrance in a polyphonic piece, making mistakes on a melody or harmony, etc. Should the Mass be a prayerful experience for the musicians?

YES! I am sure that most of you will agree that singing the Mass is not just a performance, but a prayer. The music at Mass should be for the glorification of God and the sanctification of the faithful. Musicians, as part of the faithful, should be sanctified by the Liturgical Music too. When we sing at Mass, it is understandable that there might be a little nerve just like what we would experience in other performances. However, this nerve shouldn’t affect us too much spiritually.

If Liturgical Music is a prayer, when do we begin praying? The prayer should start way before the Mass. In fact, we should make our personal practices and group rehearsals part of the prayer. It is a long process of prayer that the congregation will never experience. It is like saying the rosary. A rosary is formed by many “Our Father”, “Hail Mary”, “Glory be” and other prayers and devotions. Before Mas, we practice the pieces over and over again just like how we say the “Hail Mary” fifty times in a rosary. Each “Hail Mary” is a short and simple prayer, but when they are all linked together, they become part of a long prayer, the rosary. Similarly, we make a lot of mistakes and pauses during rehearsals. And when we put all our works and efforts together at Mass, the prayer is finally completed. That is why preparations and practices are very important for church musicians.

HERE ARE A FEW THOUGHTS and suggestions on how one can make “church singing” more prayerful.

First, Spiritually:

1. Understand the idea of “Sing the Mass, not Sing at Mass.” To “Sing at Mass” would be to make our singing a performance only. On the other hand, to “Sing the Mass” is to make our singing a prayer. Always starts and ends the rehearsal or the “performance” with a prayer to remind ourselves to make the music a prayer to God.

2. Know the text. A good piece of Sacred Music should have a scriptural text, or sometimes the text would be taken from other traditional prayers. In order to sing prayerfully, we need to make sure we know what we are singing, especially when the text is in a foreign language.

3. Observe sacred silence, especially in our own prayer time. As musicians, we are constantly participating the Mass externally through singing or playing. It is important that we do not forget the internal participation and to listen to God through silent prayer and meditation.

And now, more Technical:

1. Know the Strengths and Weaknesses. As choir directors, we need to know our choirs’ strengths and weaknesses; and as singers, we need to know our own strengths and weaknesses too. If singing the Mass is a stressful experience for you, you should try to find out what is stressing you out.

2. Find the Right Repertoire. One of the main reasons why singing the Mass is so stressful for some people is because repertoire is too difficult. For example, the Tract might be too long and hard for a choir. Then maybe you would like to consider singing it in psalm tone until your choir is comfortable with long and melismatic chant. It is more important to sing well and pray well than to sing a challenging piece.

3. Use your Rehearsal Time Wisely. If singing the Mass is a stressful experience for you, consider lengthening your rehearsal time so that you can spend more time learning and practicing. In order to master a piece of music, you will need to be able to sing the piece comfortably during rehearsal. You might also want to consider spending some time during rehearsals on solfege exercises and other vocal exercises to increase your skill level.

I hope my suggestions help to make singing the Mass a prayerful and peaceful experience for you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • Offertory (9 Nov.)
    This year, the feast of 9 November replaces the Sunday. The OFFERTORY ANTIPHON (PDF file) for 9 November is exceedingly beautiful. The ‘Laterani’ mansion at Rome was the popes’ residence for a thousand years. The church there still is the cathedral church of Rome—“Mother and Head of all churches of the City and of the World,” says the inscription over the entrance. It is dedicated to Our Holy Savior, but has long been commonly known as “St. John Lateran” owing to its famous baptistery of St. John the Baptist. In this church, the pope’s own ‘cathedra’ (episcopal chair) stands in the apse.
    —Jeff Ostrowski
    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

At the Council of Trent, the subject was raised whether it was correct to refer to the unconsecrated elements of bread and wine as “immaculata hostia” (spotless victim) and “calix salutaris” (chalice of salvation) in the offertory prayers. Likewise the legitimacy of the making the sign of the cross over the elements after the Eucharistic consecration was discussed.

— ‘Fr. Uwe Michael Lang, Cong. Orat.’

Recent Posts

  • PDF Download • “Music List” for 9 November
  • “Music List” • 9 Nov. (Dedic. Lateran)
  • PDF Download • Offertory (9 Nov.)
  • Exclusive Interview • Hannah Houston w/ Mæstro Richard J. Clark
  • Job Opening • $65,000 per year +

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.