Views from the Choir Loft

Patience, Patience, Patience

Dr. Lucas Tappan · February 5, 2015

OR SEVERAL WEEKS I stood in front of fourteen probationers during our weekly rehearsal. (Yes, that is too large a group, but more about that in another post.) This lively bunch of 8 boys and 6 girls had been working hard, but knew they were nearing break time—the rehearsal is 2 hours long with a 10 minute break in the middle—and of course a couple of boys were getting restless. (What boy wouldn’t in an after school rehearsal like this, right?)

I decided to take a moment to teach a lesson as well as impart some culture before the really important stuff—like snack time—began. I started recounting a story from Hillaire Belloc’s Cautionary Tales for Children ¹ about a boy named Jim and the importance of listening to those in authority. I barely had time to tell them about “Jim, who ran away from his nurse” when a little girl got so excited that she stammered, “and, and…and he was eaten by a lion.” Right afterward a boy mentioned another story he knew out of the same book and now all the kids were talking and laughing. It wasn’t long before I had lost all control—time for break! True, my plan didn’t work, but at least they knew about Hillaire Belloc; I guess Catholic culture isn’t completely dead!

I bring this up because before you ever begin working with children you must realize that while it is fun, it can be overwhelming at times. I have known people who began teaching music in the class room and within a couple of years decided they would rather work for a bank. So, I tell you Patience, Patience, Patience in Adversity. You will make it in the end!

Lastly, as I begin blogging here, I have decided to make two weekly posts: one around Monday that will deal with the practical aspects of children’s choirs and choir schools in general; and one around Thursday dealing with the practical aspects of sight-singing and ear training. I hope you enjoy reading them as much as I enjoy writing them.

NOTES FROM THIS ARTICLE:

1 If you have never read these stories, read them with your children TONIGHT! They make for great, very politically incorrect bed time reading

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

“Simplified” Keyboard Accompaniment (PDF)

I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.

—Jeff Ostrowski

‘Bogey’ of the Half-Educated: Paraphrase

Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”

—Jeff Ostrowski

Father Cuthbert Lattey • “The Hebrew MSS”

Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”

—Jeff Ostrowski

“Reminder” — Month of November (2025)

On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

Gospel Options for 2 November (“All Souls”)

We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”

—Corpus Christi Watershed

“Our Father” • Musical Setting?

Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?

—Jeff Ostrowski

Agnes De Mille: “When I see my work, I take for granted what other people value in it. I see only its ineptitude, inorganic flaws, and crudities. I am not pleased or satisfied.” — Martha Graham: “No artist is pleased.” ADM: “But then there is no satisfaction?” — MG: “No satisfaction whatever at any time,” she cried out passionately. “There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

— “Martha Graham on the Life-Force of Creativity”