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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Father Richard McBrien & The Passing Of An Era

Jeff Ostrowski · January 26, 2015

425 Fred Thompson HOEVER CAME UP with the phrase “speak no ill of the dead” surely had good intentions, but there’s a problem here.

People who cite that phrase have no qualms about recounting the history of Adolf Hitler (who’s dead). The same people are comfortable speaking of Watergate and the involvement of Richard Nixon (who’s dead). Thousands more examples could be given. Only a hypocrite, then, would contend that objective facts about someone’s life are off limits once they’ve passed into eternity. Whether we like it or not, the objective facts remain.

That’s why, for example, I have no problem discussing Watergate, even though Richard Nixon died in 1994.

When I heard about the death of Fr. Richard McBrien, I found myself reflecting upon old questions which refuse to go away. Along with so many Catholics, I asked, “How could this man have remained a priest, while publicly denying so many fundamental Catholic teachings?” After all these years, I still don’t have an answer. In 2008, McBrien was asked why he remained in the Catholic Church. He answered, “I was born in it.” He failed to give the only correct answer, demonstrating that he lacked a basic understanding of the Faith. It is unacceptable to be a Catholic merely because one “was raised” Catholic or “feels comfortable” around Catholics. The only correct reason to be Catholic is that one believes in the truth of the Catholic Faith. 1

Much has been written concerning McBrien’s dissent. It bothered me tremendously that he usually wore his Roman collar only when he appeared on television. He even admitted it, declaring, “My Roman collar is my television uniform.” Hearing this makes me so agitated—and it doesn’t help that I’m half Irish. Appearing on television is the one time HE SHOULD NOT have worn his Roman collar. I would not object if he only wore his collar when caring for the poor, but appearing on television dressed as a priest while disssenting from the central truths of the faith I consider shameful. For the record, Fr. McBrien was not alone. Many years ago, I worked for a priest who always wore a Hawaiian shirt. Once—when an FSSP priest who always wore the cassock visited him—he emerged from his rectory wearing a cassock!  But only for that day.

As I’ve said, I cannot explain why someone like Fr. McBrien was allowed to remain a Catholic priest, but perhaps Bishop Fulton Sheen hit the nail on the head when he said, “If the Church were as holy and perfect as some would want, those same people would be too ashamed to seek admittance, because of their great sins.” That is to say, we should focus on our sins, not the errors of others. As usual, Sheen is right—but it’s not always easy.

EVEN IN THIS AGE OF LIES, there are still a few things—albeit only a very few—people will not tolerate. For example, after the Watergate tapes were made public, people would not tolerate Richard Nixon condemning “dishonest politicians.”

This has led to a surprising liturgical development. For years, those seeking to eliminate the Traditional Latin Mass insisted upon tolerance for diversity in worship. Therefore, when Catholics choose the Extraordinary Form, there’s nothing these folks can say without coming across as horrendous hypocrites. It never occurred to them that so many would ardently desire this venerable rite. They concentrated so strenuously on promoting “liturgical diversity” and “letting everyone have what he prefers” they boxed themselves into a corner.



NOTES FROM THIS ARTICLE:

1   Without question, other factors can also contribute. Fr. McBrien mentioned some other reasons, but failed to give the only authentic answer; which is kind of scary considering the education he received.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Watergate Scandal Last Updated: September 25, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Let us ponder the incontrovertible fact that Eucharistic Adoration in the Ordinary Form (“Novus Ordo”) is always and everywhere celebrated “ad orientem.” Why, then, is there such opposition to Mass being celebrated in that way, which is actually stipulated by the 1970 Missal rubrics?

— A Benedictine Monk (2013)

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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