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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Preparing for Candlemas

Veronica Brandt · January 24, 2015

Candle clip art ANY YEARS AGO WE BRAVED the local Greek Orthodox candle factory, part of their monastery. They have a sign at the entrance with the dress code and there’s a donkey and they have the most beautiful chapel with wall to wall icons and candles and it is awesome. We bought a box of candles a little over a foot long each. They are a rather bright orange colour, but burn well and have lasted all these years – the last two are just under half burnt, and Candlemas is coming.

Buying a year’s supply of candles to be blessed is just one part of preparing for Candlemas – the feast of the Presentation of Our Lord and the Purification of the Blessed Virgin Mary. It falls 40 days after Christmas on the 2nd of February. That’s the Monday after next.

I mentioned Candlemas to a young member of another choir and she said that the thing she hates about Candlemas is having to hold a candle in one hand and a heavy Liber in the other and sing. That’s because there’s a procession.

Now as a non-choir youngster I loved processions. The thing that annoyed me though, was when I got stuck in the middle of a non-singing bunch of congregants and couldn’t hear the choir and didn’t know the music that well anyway.

So, to prepare for Candlemas – Learn The Music! Now is a great time to start. There are two Sundays to recruit singers and next Saturday you could have a big Farewell to Alleluia Party with Candlemas choir practice.

What follows is the music for the Extraordinary Form as I understand it.

The first antiphon is very easy – Lumen ad Revelationem Gentium. You’ll be humming it all day. This is sung for the distribution of candles. It’s on page 11 of A New Book of Old Hymns and I made this short recording for my choir.

Adorna thalamum is the first antiphon for the procession.

It revolves around one note – Do. If you can get that one note in your head then you will never be too far off track.

At the end of the procession comes Obtulerunt, which is a Responsory – that means there is a small part which is repeated, which is very handy when you are learning new music. I run through this piece in this recording.

You can download a handy pdf of the music for the procession and the propers of the Mass from the Institute of Christ the King. They include an extra antiphon for the end of the distribution of candles, which I understand was removed in 1960. It sounds like many places leave out the second antiphon for the Procession –

The introit and the gradual use some very familiar musical patterns. If you are already familiar with the Gregorian chant propers they will be easy to learn, otherwise they will be well worth learning. They can be found among the recordings from Sao Paolo, Brazil.

If you are in the vicinity of Glenbrook in the Lower Blue Mountains, NSW, Australia, on Monday 2nd February, there will be Mass and Procession starting at 10.30am at St Finbar’s Catholic Church. The church may look odd, but the acoustics are fantastic.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

It is necessary to address Bishop Trautman’s statement that “recent directives of the Congregation aimed at ICEL’s work appear to require a word-for-word, syntax-for-syntax correspondence between the Latin and the English texts.” I am happy to clarify that this certainly is not the intention of the Congregation, since the successful translation of the liturgical texts cannot be achieved by such a wooden mechanism.

— Jorge Cardinal Medina Estévez (13 May 2000)

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