Views from the Choir Loft

Musical Resources • Third Sunday after Epiphany

Jeff Ostrowski · January 23, 2015

RESPONSES FOR HIGH MASS (single sheet)

PDF Score (Singer)

PROCESSIONAL HYMN • #901 Campion Hymnal — “The Word, Descending From Above”

PDF Score (Singer) • Organist: M. K.

ASPERGES ME

PDF Score (Singer) • Practice Audio (Singer) • Organist

PRAYERS AFTER ASPERGES ME

PDF Score (Singer) • Practice Audio (Singer)

INTROIT

PDF Score (Singer) • Practice Audio (Singer)

KYRIE ELEISON • from Mass XII

PDF Score (Singer) • Practice Audio (Singer)

GLORIA • from Mass III

PDF Score (Singer) • Practice Audio (Singer)

GRADUAL & ALLELUIA

PDF Score (Singer) • Organist

CREDO IV

PDF Score (Singer) • Practice Audio (Singer) • Organist

OFFERTORY ANTIPHON

PDF Score (Singer)

OFFERTORY HYMN • Omni Die Dic Mariae

PDF Score (Singer) • Organist P. C.

Practice Video for FSSP.la

SANCTUS

PDF Score (Singer) • Practice Audio (Singer) • Organist

Please learn the Morales Polyphonic Extensions as soon as possible.

AGNUS DEI

Polyphonic Verset by T. L. Victoria

COMMUNION ANTIPHON

PDF Score (Singer) • Practice Audio (Singer)

COMMUNION HYMN

PDF Score (Singer) • Organist: M. K.

Practice videos for FSSP.la • SOPRANO • ALTO • TENOR • BASS

RECESSIONAL HYMN • #916 Campion Hymnal — “Prayer To The Mother Of Christ”

PDF Score (Singer) • Organist P. C.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

“Tonus Solemnior” • How old is it?

In the 1962 Missal, a section called “præfationes in tono solemniore” contains ornate melodies for the Preface. An article posted on the blog of the Church Music Association of America claims the tone comes from “the late 19th century” and said its elimination “is one of the very few good things which the post-Conciliar reform did for Gregorian chant.” The author said: “The Roman solemn preface tone is already beautiful enough, there was no need to give a more Romantic feel.”

Some have asked us whether the tonus solemnior comes from “the late 19th century.” It does not. Their author was wrong by at least 400 years. I have seen this tone in MSS from the 1400s—and it may go back even further. Here is an example from 1494AD. And here’s another from the 1400s. The FSSP priests use these tones on high feasts, and the effect is unforgettable.

—Jeff Ostrowski

6 January 2022 • Quick!

A short version of the INTROIT for the feast of the Epiphany has been added to the Saint René Goupil Gregorian Chant Website.

—Jeff Ostrowski

Confusing Feasts of Christmas

Whether one considers the Missale Vetustum or the post-conciliar calendar—or even the 1908 calendar—the feasts which follow Christmas are very confusing. Last year I created this comparison chart. I hope you find it helpful. As far as I can tell, my chart is the first effort to carefully detail the changes made to post-Christmas feasts (unless we also count the rather basic one by Lauren Pristas).

—Jeff Ostrowski