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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Reviving a Music Program & Ryan Lynch on “Sounds from the Spires”

Richard J. Clark · January 16, 2015

UMPSTARTING A NEW CHOIR is always a challenge. Very often, a new director walks into a situation where there is a small program in need of bolstering. This may also involve igniting new programs. Doing so in a parish setting – “in the trenches” – is also very challenging. But it’s a challenge everywhere!

A glimpse into such a parish is St. Raphael’s Parish in Medford, Massachusetts where Ryan Lynch took over as Director of Music and Organist a little more than a year ago. Having no adult choir whatsoever, he also revitalized a small youth choir which now includes thirty-five children. Like many music directors, he is now teaching in the parish school, working with children from kindergarten through fifth grade. (Ryan Lynch is also very frequently heard for the Archdiocese of Boston’s televised masses on Boston Channel 7, WHDH.)

T TWENTY-EIGHT YEARS OLD, Mr. Lynch is certainly part of a new generation of musicians advocating for chant and traditional music of the Church. In doing so, the choirs at St. Raphael’s Parish have grown solidly with very capable and young volunteers.

When starting a new choir from scratch, Mr. Lynch has been wise in selecting repertoire that is simple, but substantial. He has relied a great deal on Richard Rice’s Simple Choral Gradual, the Chabanel Psalms, and Andrew Motyka’s Laudate Dominum Communion Antiphons. He is also slowly introducing the simple, yet essential Gregorian Chants of the Church. An indispensable resource for this is Richard Rice’s Parish Book of Chant.

Conventional wisdom assumes that popular styles of music will attract larger congregations and choirs. However, one cannot argue with the results at St. Raphael’s Parish, especially given greatly improved congregational singing, a revived adult choir, and the large numbers in his youth choir. While exceedingly versatile in handling different musical styles, his approach in laying a foundation of traditional sacred music of the Church has yielded much fruit in a short time. (Interestingly, this is often achieved with contemporary chant and choral based compositions.) This path takes courage and support from the pastor. Fr. Kevin Toomey, clearly has his trust in Ryan’s approach.

One final ingredient to infusing life into new programs one that Ryan has in abundance: interpersonal skills. Despite his youth, he demands respect by giving it. His singers of all ages love singing with him. In short, he is another parish musician who views his life’s work as service to the Church. Good-hearted and talented people respond quite positively to this philosophy. They want to take part in this service to God and others.

ECENTLY, RYAN LYNCH had a guest appearance on “Sounds from the Spires” on on SIRIUS XM 129 Radio, The Catholic Channel. The show is hosted by Dr. Jennifer Pascual, Director of Music at Saint Patrick’s Cathedral in New York City. This interview gives a bit of a glimpse for non-musicians of the daily life and challenges of a parish church musician. This was especially fitting after a busy Christmas Season!

• PODCAST • Here are some excerpts from “Sounds form the Spires” broadcast on 1.10.2015:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“One of his most cherished wishes was to promote congregational singing wherever possible, for he held it to be most instructive for people of all classes and a powerful means of arousing an intelligent interest in the beauties of our sacred liturgy, especially in regard to the holy Sacrifice of the Mass. He loved to dwell in this respect upon the remarkable results achieved in parishes where the congregation had been taught to sing correctly the different portions of the Mass in plain chant.”

— Cardinal Merry del Val, speaking of Cardinal Sarto

Recent Posts

  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches

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