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Views from the Choir Loft

[español] ‘Twas in the Moon of Wintertime

Veronica Moreno · December 26, 2014

Una traducción del texto de Fr. David Friel del 26 de diciembre 2014
ÉRASE UNA LUNA DE INVIERNO
para nuestros lectores hispanohablantes.

IENTRAS CONTINUAMOS nuestra celebración del Nacimiento de nuestro Señor, aquí hay un hermoso villancico escrito por uno de nuestros patrones de CCW, San Juan de Brébeuf. Escribió el original en Wyandot (la lengua indígena Huron) como medio de evangelización.

En el himno, el padre de Brébeuf utiliza conceptos tradicionales de la religión Huron para transmitir la historia del Nacimiento de Cristo. Esta es “inculturación” en su sentido más verdadero y más saludable. Haga clic aquí para obtener una historia más completa de este villancico.

El autor fue un hombre valiente muy digno de nuestra emulación, y este es un hermoso poema muy digno de nuestra reflexión”.

Érase una luna de invierno,
ya huídos todos los pájaros,
que el poderoso Gitchi Manitou
envió coros de ángeles en su lugar;
en su luz, las estrellas se apagaron,
y los cazadores curiosos oyeron el himno:

R./ Jesús, tu Rey ha nacido,
Jesús ha nacido,
en excelsis gloria.

En una choza de leña rota
se encontró el tierno Niño,
un ropaje raído de piel de conejo
envuelve su entera belleza.
Pero a medida que se acercaban los valientes cazadores,
el canto del ángel sonó alto y fuerte: R./

La primera luna del invierno
no es tan redonda y hermosa
como era el anillo de gloria en
el indefenso Infante allí.
Los jefes de lejos se arrodillaron ante Él
con regalos de piel de zorro y castor.R./

Oh, hijos de la selva libre,
el canto de los ángeles es verdadero.
El Santo Niño de la Tierra y el Cielo
ha nacido hoy para ti.
Ven a arrodillarte ante el radiante Niño,
que te trae belleza, paz y alegría. R./

St. Jean de Brébeuf, c. 1643
(traducción de ccwatershed del la traducción de by J. Edgar Middleton, 1926, alt.)

¡Deseándoles a nuestros lectores mucha alegría a medida que continuamos dando la bienvenida a la Presencia de Cristo entre nosotros!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: CCWatershed en Español, spanish Last Updated: December 23, 2022

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt

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I am convinced that if the Church is to prosper in the present age, it cannot hesitate to embrace and support traditional Catholics, traditional liturgies and traditional moral values. “Do not conform yourself to this age,” St. Paul warned followers of Christ. (Rom 12:2)

— Most Rev. Thomas Tobin, Bishop of Providence (12 August 2022)

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