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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sixteen (16) Christmas Carols … In Latin!

Corpus Christi Watershed · December 20, 2014

On a Franciscan website, we found this clever PDF wherein Fr. Valentine Young has set common Christmas songs in Latin. A friend of CCW volunteered to type them out. Please let us know if you find any typos!

In addition to the below, from Father Valentine, you can also download Latin Christmas Carols.

I. Jolly Old Saint Nicholas

1. Laetus Sanctus Nicholaus
Aurem tende huc.
Ne dicas ulli vivo
Quid dicturus sim.
Vigilia proxima
Nunc care senex,
Me dicas quid mi feras,
Mi dic si potes.

2. Media nocte facta
Somno sopitus,
Per compluvium atrum
Rebus paratis,
Tibialia cuncta
Iam in ordine,
Meum erit minimum
Sine dubio.

II. Up On The House Top

1. In summa domi cervi stant,
Ecce Bonus Nicholaus
et per compluvium cum nugis
Pro pueris et puellis.

Chorus:
Sit, sit, sit, Quis non it?
Sit, sit, sit, quis non it?
In summa domi crepitus
Per compluvium venit Sanctus.

2. Primum tibiale parvulae,
Care Sancte, id comple.
Pupam ridentem et dolentem
Da oculos et habentem.

3. Et tunc tibiale parvulo,
Quam multum iam videto.
Malleus necnon clavus tenax
Sphaera et flagellum minax.

III. O Christmas Tree

1. Ecce arbor huius noctis
Folia numquam mutant
Viridia in aestate,
Et etiam in hieme.

2. Necnon aestatis tempore
Rami lati et virides,
Sed etiam floret nive
Cum terra alba hieme.

3. Narrat nobis de custode
Et angelorum carmine,
De Infante in praesepe
Est legendum mirabile.

IV. What Child Is This?

Qualis puer qui in Mariae
gremio nunc dormit?
Quem angeli nunc salutant
dum pastores vigilant.

Ille est Christus Rex quem
Pastores et Angeli currunt ad
laudandum Filium de Maria.

V. O Come, All Ye Faithful

1. Adeste, fideles, laeti triumphantes
Venite, venite in Bethlehem.
Natum videte Regem Angelorum,

Chorus:
Venite, adoremus; venite, adoremus;
Venite, adoremus Dominum.

2. En grege relicto, humiles ad cunas
Vocati pastores approperant.
Nosque ovanti gradu festinemus.

3. Aeterni Parentis Splendorem aeternum
Velatum sub carne videbimus:
Deum Infantem, pannis involutum.

VI. White Christmas

Diem Christi album somnio
Persimilem praeteritis.
Ub(i) arbores nitent
Natique ardent
Nolis trahae niveis.
Diem Christi album somnio
Ut in omni charta scribo
“Dies sint festivi tibi,
Et festa nivalia Christi.’’

VII. Rudolph The Red Nosed Reindeer

Adsunt Ruens et Saltans
Exsultans et Rixans,
Comans, Cupidus,
Tonans, Fulguransque,
Sed quid de illo praeclaro
omnium cervo?
Rudolphus, cervus nasum
rubicundum habebat
Quem si videre possis,
elucere referas.
Ludificare cervi,
deridentes solebant,
Neque sinebant eum
comminus colludere.
Ecce dixit Nicholaus
pridie Festum:
“O Rudolphe, nocte hac,
visne traham ducere?’’
Quam tunc iucundus fuit,
cervis iubilantibus.
“Rudolphe,” tunc dicebant:
“Notus eris posteris.”

VIII. Silent Night

1. Silens nox, sancta nox,
Placida, lucida.
Virginem et Puerum
Dulcem atque tenerum
//Somno opprime.//

2. Silens nox, sancta nox,
Angeli nitidi
”Alleluia” concinunt.
Nunc pastores metuunt.
//Christus natus est.//

3. Silens nox, sancta nox,
Candida, splendida.
Fili Dei facies
Nobis praebet novas spes;
//Christus natus est.//

IX. O Little Town of Bethlehem

1. O parve vice Bethlehem,
Quam tacitus iaces!
Super somnum stellae tuum
Volvuntur silentes.
Sed noctis in tenebris
Aeterna Lux splendet.
Iam temporum spes omnium
Curae in te manent.

2. Nam Christus ex Maria
Natus, et in caelo
Sunt congressi cum Angeli
Amore cum pio.
O stellae matutinae
Cantate caelitus!
Deo sint laudes insignes
Et pax hominibus.

X. Jingle Bells

1. Nives, glacies, nox pueritia!
Risus decet, nunc decent carmina!
Laetos iuvat nos ire per agros.
traha fert velociter, et cachinemus nos.

Chorus:
//Tinniant, tinniant, tintinnabula.
Ludus est equo trahi in curru aperto.//

2. Me nuper miserum temptavit lunae lux.
Assidebat mihi puella facta dux!
Vecti subito in nivis cumulos.
Caballus est perterritus et tunc eversi nos.

3. Solum scintillat, nive candidum.
Repetatur nunc concentus carminum:
Canities absit morosa omnibus!
Puellulas cum pueris delectat hic cursus.

XI. Hark! The Herald Angels Sing

1. En canentes Angeli,
“Gloria Regi, Infanti;
Pax in terra. et Deus
concors cum mortalibus.”
Laeti, omnes populi
Cum caelestibus iuncti,
Praedicate “Nunc Christus
Est in Bethlehem natus.”

Chorus:
En canentes Angeli,
“Gloria Regi Infanti.’’

2. Adoratus caelitus,
Christus, semper Dominus.
Serius advenit spe
Genitus a Virgine.
Carne tamquam obsitus,
Homo ex Deo factus,
Volens ut par sit honos,
Commoratur inter nos.

XII. Good King Wenceslaus

1. Sanctus Wenceslaus rex
Stephani ad festum.
Agrum vidit nivibus
Gelidis congestum.
Vidit pauperem sibi
Ligna colligentem.
Qui sub luna splendida
Sensit se frigentem.

2. “Affer carnem, vinum fer,
Lignum afferamus,
Ut nos illi pauperi
Cenam praebeamus.”
Rex et puer prodibant
Animo aequali,
Vento flante acriter
Tempore brumali.

XIII. Deck The Halls

Aquafolia ornatis,
Fa la la, etc.
Tempus hoc hilaritatis
Fa la, la, etc.
Vestes claras induamus
Fa, la, la, etc.
Cantilenas nunc promamus.
Fa, la, la, etc.

XIV. Joy To The World

Laetissimus accipiat
Iam mundus Dominum.
Dum omnia in corda nos
//accipimus Illum.//

XV. God Rest You Merry Gentlemen

Salvete, laeti comites,
Nihil vos terreat.
Nam Jesus Christus natus est
Ut omnes redimat,
Et in Satanae semitas
Errantes reducat.
O nuntium gratissimum,
gratissimum.
O nuntium gratissimum.

XVI. We Three Kings Of Orient

Orientis reges tres,
Procul dona portantes
Per campos et montes imus
Post stellam sequentes.

Chorus:
O, Stella potens et mira,
Stella regalis pulchra,
Semper movens ad occasum
Due nos ad claram lucem.

Melchior:
Infans nate Bethlehem,
Portamus hanc coronam,
Rex aeterne, sempiterne,
Domine terrarum!

Casper:
Dis Sabaeum Tibi fero,
Tus dignum magno Deo;
Te laudantes et orantes
Colimus in Caelo.

Balthasar:
Myrrham fero amaram,
Circum te fumat caligo,
te languentem et gementem
condit(um) in tumulo.

Reges:
Clarus surgit, O specta!
Deus, Rex, et Victima.
Alleluia, Alleluia,
Canunt caelum terra.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Latin Christmas Carols Last Updated: December 23, 2022

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President’s Corner

    PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
    EARS BEFORE truly revolutionary changes were introduced by the post-conciliar reformers, Evelyn Waugh wrote (on 16 August 1964) to John Cardinal Heenan: “I think that a vociferous minority has imposed itself on the hierarchy and made them believe that a popular demand existed where there was in fact not even a preference.” We ask the kind reader— indeed, we beg you—to realize that those of us born in the 1940s and 1950s had no cognizance of Roman activities during the 1960s and 1970s. We were concerned with making sure we had the day’s bus fare, graduating from high school, taking care of our siblings, learning a trade, getting a job, courting a spouse. We questioned neither the nuns nor the Church.1 Do not believe for one instant any of us were following the liturgical machinations of Cardinal Lercaro or Father Bugnini in real time. Setting The Stage • To never question or resist Church authorities is praiseworthy. On the other hand, when a scandalous situation persists for decades, it must be brought into focus. Our series will do precisely that as we discuss the Lectionary Scandal from a variety of angles. We don’t do this to attack the Catholic Church. Our goal is bringing to light what’s been going on, so it can be fixed once and for all. Our subject is extremely knotty and difficult to navigate. Its complexity helps explain why the situation has persisted for such a long time.2 But if we immediately get “into the weeds” we’ll lose our audience. Therefore, it seems better to jump right in. So today, we’ll explore the legality of selling these texts. A Word On Copyright • Suppose Susie modifies a paragraph by Edgar Allan Poe. That doesn’t mean ipso facto she can assert copyright on it. If Susie takes a picture of a Corvette and uses Photoshop to color the tires blue, that doesn’t mean she henceforth “owns” all Corvettes in America. But when it comes to Responsorial Psalm translations, certain parties have been asserting copyright over them, selling them for a profit, and bullying publishers vis-à-vis hymnals and missals. Increasingly, Catholics are asking whether these translations are truly under copyright—because they are identical (or substantially identical) to other translations.3 Example After Example • Our series will provide copious examples supporting our claims. Sometimes we’ll rely on the readership for assistance, because—as we’ve stressed—our subject’s history couldn’t be more convoluted. There are countless manuscripts (in Greek, Hebrew, and Latin) we don’t have access to, so it would be foolish for us to claim that our observations are somehow the ‘final word’ on anything. Nevertheless, we demand accountability. Catholics in the pews are the ones who paid for all this. We demand to know who specifically made these decisions (which impact every English-speaking Catholic) and why specifically certain decisions were made. The Responsorial Psalms used in America are—broadly speaking—stolen from the hard work of others. In particular, they borrowed heavily from Father Cuthbert Lattey’s 1939 PSALTER TRANSLATION:
    *  PDF Download • COMPARISON CHART —We thank the CCW staff for technical assistance with this graph.
    Analysis • Although certain parties have been selling (!!!) that translation for decades, the chart demonstrates it’s not a candidate for copyright since it “borrows” or “steals” or “rearranges” so much material from other translations, especially the 1939 translation by Father Cuthbert Lattey. What this means in layman’s terms is that individuals have been selling a translation under false pretenses, a translation they don’t own (although they claim to). To make RESTITUTION, all that money will have to be returned. A few years ago, the head of ICEL gave a public speech in which he said they give some of “their” profits to the poor. While almsgiving is a good thing, it cannot justify theft. Our Constant Theme • Our series will be held together by one thread, which will be repeated constantly: “Who was responsible?” Since 1970, the conduct of those who made a profit by selling these sacred texts has been repugnant. Favoritism was shown toward certain entities—and we will document that with written proof. It is absolutely essential going forward that the faithful be told who is making these decisions. Moreover, vague justifications can no longer be accepted. If we’re told they are “making the translations better,” we must demand to know what specifically they’re doing and what specific criteria they’re following. Stay Tuned • If you’re wondering whether we’ll address the forthcoming (allegedly) Lectionary and the so-called ABBEY PSALMS AND CANTICLES, have no fear. We’ll have much to say about both. Please stay tuned. We believe this will end up being the longest series of articles ever submitted to Corpus Christi Watershed. To be continued. ROBERT O’NEILL Former associate of Monsignor Francis “Frank” P. Schmitt at Boys Town in Nebraska JAMES ARNOLD Formerly associated w/ King’s College, Cambridge A convert to the Catholic Church, and distant relative of J. H. Arnold MARIA B. Currently serves as a musician in the Roman Catholic Diocese of Charlotte. Those aware of the situation in her diocese won’t be surprised she chose to withhold her last name.
    1 Even if we’d been able to obtain Roman journals such as NOTITIAE, none of them contained English translations. But such an idea would never have occurred to a high school student or a college student growing up in the 1960s. 2 A number of shell corporations claim to own the various biblical translations mandated for Roman Catholics. They’ve made millions of dollars selling (!) these indulgenced texts. If time permits, we hope to enumerate these various shell corporations and explain: which texts they claim to own; how much they bring in each year; who runs them; and so forth. It would also be good to explore the morality of selling these indulgenced texts for a profit. Furthermore, for the last fifty years these organizations have employed several tactics to manipulate and bully others. If time permits, we will expose those tactics (including written examples). Some of us—who have been working on this problem for three decades—have amassed written documentation we’ll be sharing that demonstrates behavior at best “shady” and at worst criminal. 3 Again, we are not yet examining the morality of selling (!) indulgenced texts to Catholics mandated to use those same translations.
    —Guest Author
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Participation” in the Mass does not mean hearing our own voices. It means God hearing our voices. Only He knows who is “participating” at Mass. I believe, to compare small things with great, that I “participate” in a work of art when I study it and love it silently.

— Evelyn Waugh

Recent Posts

  • PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
  • “Music List” • 17th in Ordinary Time (Year C)
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