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Views from the Choir Loft

The Current Missal Specifies When To Face the Altar & When To Face The People

Jeff Ostrowski · December 1, 2014

224 Roman Missal RECENT ARTICLE promoted by Liturgical Press would seem to contradict the notion that, because we have the internet now, myths about Vatican II are going away. You see, the internet cannot replace familiarity gained by careful study and/or experience with the traditional rites of the Church.

In the words of its author, this article sought to, “establish that celebration facing the people isn’t a strange modern invention.” However, if the author had become familiar with preconciliar missals going back centuries, he would have realized that that no such article is required. 1

The author makes a very silly statement:

Some read versus here as if it were conversus, i.e. “turning toward the people”, and therefore implying that the priest was previously facing away from them. As far as I can see, conversus ad populum appears nowhere in the IGRM.

Leave aside his erroneous assertion that versus means “facing” and conversus means “turned.” (The root word literally means “to turn about.”) Leave aside his assertion that a nuanced translation could “imply” the priest was “previously facing away from them”—we’ll deal with that a little later. The most surprising thing is the author’s ignorance of Latin word order! One of the very first things students learn is that Latin doesn’t rely heavily upon word order (unlike English).

Had the author known this, he would have searched for ad populum conversus instead of conversus ad populum. The former does indeed appear in the postconciliar books. For example, look at the 1969 GIRM:

620 ad populum conversus


Or, look at the Third Edition of the Roman Missal:

619 Ad Populum Conversus


Moreover, the current GIRM and Missal frequently use the phrase ad altare conversus, for example:

158. Postea, stans ad altare conversus, sacerdos secreto dicit: Corpus Christi custódiat me in vitam aetérnam, et reverenter sumit Corpus Christi. Deinde accipit calicem, secreto dicens: Sanguis Christi custódiat me in vitam aetérnam, et reverenter sumit Sanguinem Christi.

Whether one uses a less accurate translation of [con]versus (“facing”) or a more accurate translation (“having turned toward”) is irrelevant. The meaning is clear—not only from centuries of tradition—but from this: THE CURRENT MISSAL CLEARLY SAYS WHEN THE PRIEST SHOULD TURN TOWARD THE CONGREGATION AND WHEN THE PRIEST SHOULD TURN TOWARD THE ALTAR.  DISCERNING THE IMPLICATION DOES NOT REQUIRE A PH.D.CANDIDATE.

HERE’S SOME ADVICE FOR MY FRIENDS on the “progressive” side. When it comes to understanding liturgical history, take advantage of Catholics who attend the Traditional Latin Mass. As Cardinal Antonelli wrote:

Many of those who have influenced the reform […] have no love, and no veneration of that which has been handed down to us. They begin by despising everything that is actually there.

Outspoken leaders of the “progressive” camp are quick to dismiss the traditions of the Church, yet often have no idea what the Traditional Mass looked like. A former secretary of the Bishop’s Committee on the Liturgy (who served more than two decades ago) recently made this comment, not realizing the Prayers at the Foot of the Altar are always said quietly, never sung. 2



NOTES FROM THIS ARTICLE:

1   Indeed, serious publications have often noted this fact. For example, consider the words of Msgr. Schuler and Fr. Deryck Hanshell.

2   I find this remarkable. After all, the Prayers at the Foot of the Altar tend to be quite a well-known section of Mass, especially for Altar boys.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Versus Populum Altars Last Updated: October 30, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Singers’ Booklet” (22 Pages)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    Twenty-Two (22) English Translations
    We gathered every English translation of “Creátor Alme Síderum” ever made by Catholic poets, priests, bishops, cardinals, and saints (22 in all). Click this link to see them displayed, placed directly alongside the original Latin. Some are strikingly beautiful (e.g. “Great Maker of the glitt’ring stars”) and together they trace the hymn back to the ancient “Cónditor Alme Síderum,” which POPE URBAN VIII reworked in 1632AD.
    —Jeff Ostrowski
    Stained Glass Window • Father Brébeuf
    Saint John de Brébeuf was one of the North American Martyrs. The photograph of a gorgeous stained glass window depicting Father Brébeuf was sent to us by Courtney Roberson. Father Brébeuf and his companions were canonized by Pope Pius XI on 29 June 1930. We are told this window is found in the Cathedral of Peoria, Illinois.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“Ordained a diocesan priest on 7 October 1827, Guéranger was quickly named a canon (a member of the cathedral chapter of Tours). Around 1830, he demonstrated his interest in the liturgy when he began to use the Roman Missal and texts for the Divine Office, unlike many of his colleagues, who still made use of the diocesan editions commonly in use in pre-Revolutionary France.”

— Source unknown

Recent Posts

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  • “Creátor Alme Síderum” • Twenty-Two (22) English Translations by Catholic Priests and Archbishops!
  • “Gregorian Chant Rhythm” • Recorded Conversation with Dr. Horst Buchholz Re: Rhythmic Markings
  • Stained Glass Window • Father Brébeuf

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