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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Those Selfless Ordinary Form Priests

Jeff Ostrowski · November 6, 2014

705 Bishop Germany RDINARY FORM priests often work tirelessly and receive very little support. Consider, first of all, the excessive size of today’s Novus Ordo parishes. A single priest often serves 2,000, 4,000, or even 11,000 families. Other OF priests offer Mass in several locations each weekend. This is quite a contrast to the “good old days” of Roman Catholicism, where Pastor and Curates could live peacefully, seldom leaving the Church, Rectory, School, and Garden. In our times, the priest is besieged by emails, phone calls, meetings, sick calls, and even text messages, asking him difficult moral questions that require an immediate (and correct) answer.

Moreover, many Ordinary Form priests possess little experience with authentic liturgy. When I say “authentic,” I mean stable. After all, the whole point of liturgy is stability and constancy. Pope Benedict XVI reminded us:

The greatness of the liturgy depends—we shall have to repeat this frequently—on its unspontaneity [Unbeliebigkeit].

The postconciliar reforms allow for an unbelievable amount of OPTIONS, referred to as “the tyranny of options” by critics. Many Ordinary Form priests were formed in liturgies changing radically from one day to the next. On top of that, some Traditionalists berate them constantly, convincing them they don’t know anything about liturgy. With so many duties, some Ordinary Form priests are tempted to say, “Forget about liturgy. It’s so confusing, and it changes so much. When I retire, I’ll have time to become an expert, but not now. Besides, very few of my parishioners seem to care about liturgy.” My brother (a seminarian) and his friends have assured me this is rather common.

AT THE SAME TIME, many Ordinary Form priests sense something horrifically wrong with their liturgies—especially the secular, emotional, uninspired, goofy, and sometimes heretical music that accompanies Mass. What can be done? Some might say “education,” but liturgy is an extremely complex subject (that’s why “Gradual” can mean four different things!) and for most is a less-than-stimulating thing to study.

701 Readings But there’s a fantastic solution! No words. Don’t explain anything. Just get them a copy of the St. Isaac Jogues Illuminated Missal, Lectionary, & Gradual. Opening up the book, they’ll see the readings, formatted in a gorgeous way. They’ll see the Propers, whose typesetting is unmatched. They’ll see the Ordinary of the Mass, containing luscious color images. They’ll see incredible woodcuts, explaining the meaning of our Faith.

This pew book presents a road map to authentic liturgical reform, which could be summarized thusly:

Sing the music of the Church—don’t replace it—and always allow your congregation to follow the Mass.

Finally, a reminder: the Jogues Missal is for the Ordinary Form, and was approved in 2014 for the United States of America by the USCCB.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: ICEL New Translation of the Roman Missal, Roman Missal Third Edition Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“It was amusing to read in our papers that German Catholics were now using the vernacular at High Mass. In some parts of Germany they have been doing just that for well-nigh four hundred years! The cathedral in Osnabruck has solemn High Mass every Sunday with the whole chapter present, and the introit Gloria, Credo, Sanctus and Agnus Dei are sung … in German. Imagine, for four hundred years almost!”

— Hans Ansgar Reinhold (Dec. 1944)

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