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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Those Selfless Ordinary Form Priests

Jeff Ostrowski · November 6, 2014

705 Bishop Germany RDINARY FORM priests often work tirelessly and receive very little support. Consider, first of all, the excessive size of today’s Novus Ordo parishes. A single priest often serves 2,000, 4,000, or even 11,000 families. Other OF priests offer Mass in several locations each weekend. This is quite a contrast to the “good old days” of Roman Catholicism, where Pastor and Curates could live peacefully, seldom leaving the Church, Rectory, School, and Garden. In our times, the priest is besieged by emails, phone calls, meetings, sick calls, and even text messages, asking him difficult moral questions that require an immediate (and correct) answer.

Moreover, many Ordinary Form priests possess little experience with authentic liturgy. When I say “authentic,” I mean stable. After all, the whole point of liturgy is stability and constancy. Pope Benedict XVI reminded us:

The greatness of the liturgy depends—we shall have to repeat this frequently—on its unspontaneity [Unbeliebigkeit].

The postconciliar reforms allow for an unbelievable amount of OPTIONS, referred to as “the tyranny of options” by critics. Many Ordinary Form priests were formed in liturgies changing radically from one day to the next. On top of that, some Traditionalists berate them constantly, convincing them they don’t know anything about liturgy. With so many duties, some Ordinary Form priests are tempted to say, “Forget about liturgy. It’s so confusing, and it changes so much. When I retire, I’ll have time to become an expert, but not now. Besides, very few of my parishioners seem to care about liturgy.” My brother (a seminarian) and his friends have assured me this is rather common.

AT THE SAME TIME, many Ordinary Form priests sense something horrifically wrong with their liturgies—especially the secular, emotional, uninspired, goofy, and sometimes heretical music that accompanies Mass. What can be done? Some might say “education,” but liturgy is an extremely complex subject (that’s why “Gradual” can mean four different things!) and for most is a less-than-stimulating thing to study.

701 Readings But there’s a fantastic solution! No words. Don’t explain anything. Just get them a copy of the St. Isaac Jogues Illuminated Missal, Lectionary, & Gradual. Opening up the book, they’ll see the readings, formatted in a gorgeous way. They’ll see the Propers, whose typesetting is unmatched. They’ll see the Ordinary of the Mass, containing luscious color images. They’ll see incredible woodcuts, explaining the meaning of our Faith.

This pew book presents a road map to authentic liturgical reform, which could be summarized thusly:

Sing the music of the Church—don’t replace it—and always allow your congregation to follow the Mass.

Finally, a reminder: the Jogues Missal is for the Ordinary Form, and was approved in 2014 for the United States of America by the USCCB.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: ICEL New Translation of the Roman Missal, Roman Missal Third Edition Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“One must pray to God not only with theologically precise formulas, but also in a beautiful and dignified way. The Christian community must make an examination of conscience so that the beauty of music and song will return increasingly to the liturgy.”

— Pope Saint John Paul II (26 February 2003)

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