• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Preparing for an EF Sung Mass

Veronica Brandt · November 8, 2014

My desk N THE ONE HAND, preparing for a Missa Cantata according to the 1962 Missal is easy, because you can follow the rules. On the other hand, it can be daunting because you have to follow the rules.

Does that sound strange?

Don’t worry, here is your step by step guide to finding music for a simple Sung Mass according to the Extraordinary Form of the Roman Rite.

I make up folders with music in the order in which we will sing it. This can be tedious to prepare, but saves a lot of hassle in rehearsal and during Mass. Sometimes I also prepare CDs for singers without internet access. Today I found this handy page for making CD pockets with track listings.

Prayer before choir practice: from my own choir page repleatur.net. Not strictly necessary, but a nice way to start. This isn’t just any old rehearsal, this is Prayer.

Asperges or Vidi aquam for the Rite of Sprinkling: I prefer the version from the Institute of Christ the King Sovereign Priest as it includes the prayers following the chant: find them here.

Introit: either the proper music from Rene Goupil propers here on ccwatershed or use the The Propers Tool to set the text to psalm tones.

Kyrie: This is from the Kyriale. Antoine Daniel Kyriale is a good source. There are 18 Gregorian chant settings, plus extra ad libitum versions, with links to certain feasts and seasons, but you are not strictly bound to adhere to those recommendations.

Gloria: Also from the Kyriale (see above)

Gradual and Alleluia: I find these the trickiest and tend to go for the psalm tones here. They come under the Propers, see Introit.

Credo: This is from the Kyriale, but is not part of the 18 Gregorian Mass settings. There are 6 Credo settings, usually listed after the 18 Masses. Credo 3 is good with Mass 8. Credo 1 is the default setting.

Offertory: This comes from the Propers, see Introit.

(you might like to fit a hymn or motet in here, depending on time)

Sanctus: This comes from the Kyriale.

Agnus Dei: Another one from the Kyriale.

Communion: Another one from the Propers, see Introit.

(another chance for an extra hymn or motet)

Ite Missa Est: The Institute of Christ the King includes this in their Mass settings. Some Kyriales leave them out as they are quite short and usually much the same as the tune for the Kyrie, but good to have a copy on hand to cover all bases. The priest may expect you to give the first few notes. It is very good to check exactly who will be doing what before Mass.

Then there is often a Recessional Hymn.

A great resource is Psallite Sapienter: A Musician’s Guide to the 1962 Missal, available to download from Musica Sacra Book PDFs or in print. There is some variation in applying these guidelines, this book tends to take the safer road wherever there is any possibility of other interpretations.

For a handy source of extra music you might like to browse A New Book of Old Hymns, especially set up for singers who like to see an English translation. It includes music for all seasons, focussing on Gregorian hymns.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 19, 2023

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The chapter orders that only grandees (and their immediate relatives), counts, marquises, and provincial governors may in future enter the choir enclosure during divine service: such a restriction being imposed so that quiet can be the better maintained during cathedral solemnities.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (25 May 1558)

Recent Posts

  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President
  • PDF Download • “Offertory” for this Sunday
  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.