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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Peace and St Francis

Veronica Brandt · October 4, 2014

St Francis and the Sultan by Gozzoli St Francis’ Trial by Fire before the Sultan from a series of frescoes in Montefalco (1450-52) by Benozzo Gozzoli ODAY MANY PEOPLE ARE PRAYING for peace, especially through the intercession of St Francis, who died on Oct 3 1226 and whose feast day we celebrate today.

I bet there will be a lot of people singing Sebastian Temple’s Make Me a Channel of Your Peace. Which is a great song, but I’d like to share a few others which today brings to mind.

But first a little about the illustration there.

The 14th century book, The Flowers of St Francis, relates how he went to visit the Sultan during the 5th Crusade:

Then St Francis standing before him, inspired by the Holy Spirit, preached most divinely the faith of Christ; and to prove the truth of what he said, professed himself ready to enter into the fire. Now the Sultan began to feel a great devotion towards him, both because of the constancy of his faith, and because he despised the things of this world (for he had refused to accept any of the presents which he had offered to him), and also because of his ardent wish to suffer martyrdom. From that moment he listened to him willingly, and begged him to come back often, giving both him and his companions leave to preach wheresoever they pleased; he likewise gave them a token of his protection, which would preserve them from all molestation.

There are a lot of discussions about how accurate that retelling was, but well worth reading.


217 St Francis There is a little known hymn to St Francis beginning “Corda pia inflammantur” which can be translated as Godly hearts are inflamed. The tune is very simple – same for the refrain as for the verses. The text elaborates on St Francis receiving the stigmata. Go listen and share it. It makes a change from the Peace Prayer of St Francis.

      * *  MP3: Corda Pia – one minute audio clip with two verses out of eleven and three repeats of the refrain. The singers are my mother, my son and myself.
      * *  PDF: Corda Pia – pages 50 & 51 from A New Book of Old Hymns

Another alternative to the Peace Prayer of St Francis is the antiphon “Da pacem.” The translation runs thus, “Grant peace, O Lord, in our days, as there is no other who will fight for us, except thee, our God.”

Here is Giovanni Vianini singing the antiphon paired with Psalm 121/122:

The psalm verses are:

I rejoiced at the things that were said to me: We shall go into the house of the Lord. Our feet were standing in thy courts, O Jerusalem. Jerusalem, which is built as a city, which is compact together.

This is also in a New Book of Old Hymns. In the book this antiphon is followed by the round setting by Melchior Franck. In the new edition I clarified how the parts fit together – it is a canon in the hypodiatessaron or the second part comes in a fourth below. Here is a pdf copy of the page:

      * *  PDF: Da pacem, Domine p70 of A New Book of Old Hymns

Now, you might have noticed that both those pieces are in Latin. Aren’t there any English hymns you can recommend?

There is a novena to St Francis carried out each year at the Maternal Heart of Mary Church in Sydney. They use the hymn by Shane Leslie which begins:

Francis, thou wast lonely plying
For thy bread from door to door
Till God heard thy bitter sighing
For His Wounds and for His poor.

You can find the whole novena with the hymn (and Corda Pia) here as a pdf taken from the listing of Mass Propers of the Saints

It appears in the Westminster Hymnal of 1958 (unfortunately not in the Old Westminster Hymnal which I wrote about earlier) The meter is 87.87. I will try to find the name of the tune! (In solfege it begins: re do re fa sol fa mi re – do you recognise it?)

Zenit is promoting a new book on St Francis by Fr Cantalamessa In Love with Christ: The Secret of Saint Francis of Assisi. They are selling through Createspace, which also sells A New Book of Old Hymns and The Old Westminster Hymnal. Just letting you know.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The Church, which so long had preserved Latin consciously as a bond of unity, had quite suddenly decided to discard it as a useless encumbrance. With this rejection, and as an almost inevitable consequence, went out the window also the whole magnificent musical heritage of the Church. For when you change your language you also change your song. The Jewish exiles hanging their harps beside the waters of Babylon, so long ago, made that discovery.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (26 October 1973)

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