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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Are We Getting Dumber?

Jeff Ostrowski · September 24, 2014

834 Fulton Sheen ULTON SHEEN frequently reminded his listeners that all seven Sacraments have parallels in the natural world. As birth begins our earthly life, Baptism begins our spiritual life. As our bodies require healing when wounded, so do our souls (Confession). As our bodies require nourishment, so does our spiritual life (Holy Eucharist). And likewise for the other Sacraments.

Moreover, many aspects of our faith have parallels in the natural world. Consider how God revealed Himself through the ages: very slowly, over many centuries. Some ask, “Why didn’t God instantly reveal everything to His people?” The correct answer is, of course, “Because God reveals Himself as He wishes.” However, wasn’t His choice fitting? Think of how children obtain knowledge. They can do almost nothing when born, but gradually begin to crawl and eat solid food. They begin to pick up a word here and there. They begin to understand who their parents are and ask questions. It’s a process requiring many years.

IN SPITE OF ALL THE PROGRESS our civilizations have made, when it comes to self-appointed “expert liturgists,” it seems that thinking themselves wise, they have become as fools (Rom 1:22). Not long ago, I saw yet another attempt to explain what the “primitive” Mass looked like, using the typical sources: Justine Martyr, Iranaeus, Didache, and so on. However—astounding as this may sound—there was absolutely no attempt to understand the circumstances under which those various fragments were written. I say “astounding” because this is the same error made by early Protestants with regard to the Bible (which has been thoroughly refuted many times). Stated briefly: the Bible was not intended as a “catechism”—it’s a collection of various documents and letters written TO VARIOUS GROUPS under various circumstances.

The same is true of the early accounts of the Mass. 1 One must take into consideration, for example, the disciplina arcani|: the deliberate hiding of what goes on at Mass (to protect something so sacred). Some of the descriptions were written in a deliberately obscure manner (since they were addressing pagans who feared the rites of the early Christians). I could continue, but you get the point: just as the Bible has very little to do with a “catechism” 2 (in spite of what some might wish), many early accounts of the Mass had no intention of describing the rites in a detailed way. When we ignore this basic reality, we end up making silly mistakes.

Here and there, the early Christians left us “clues” referencing the liturgy. For instance, Pope Leo and St. Augustine refer to some kind of ancient “Responsorial Psalm,” but we have absolutely no idea what such a thing would have looked like (much less how it sounded when sung). Several times on this blog, I’ve offered a $300,000 reward for anyone who can produce an authentic Responsorial Psalm from the 5th century or earlier, but no one can. By the way, the first time Catholics really began writing down liturgical manuscripts was under Charlemagne; the stability of his reign allowed for such things.



NOTES FROM THIS ARTICLE:

1   I suppose it’s possible some early Christian attempted to leave a detailed description of the early Mass, but such a thing was either lost or destroyed because we don’t possess it. We can criticize the early Christians for not having the courtesy to leave us a detailed description of their rites, but we would be foolish to do so. (Remember, they did not possess iPads, iPhones, computers, electricity, running water, or modern medicine, and most of them couldn’t read or write.)

2   Of course, nothing in the catechism conflicts with the Bible (whose New Testament was composed by the Catholic Church), but Bishop Sheen has reminded us that “Christ left us a Church, not a book.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Bishop Fulton J Sheen Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

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    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
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    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The renewal also showed clearly that the formulas of the Roman Missal had to be revised and enriched. This was begun by Pope Pius XII in the restoration of the Easter Vigil and the Holy Week services, which formed the first stage in accommodating the Roman Missal to contemporary mentality.”

— Pope Paul VI (1974 Sacramentary)

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  • Dom Pothier • Photo from 1904
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  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”

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