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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Are We Getting Dumber?

Jeff Ostrowski · September 24, 2014

834 Fulton Sheen ULTON SHEEN frequently reminded his listeners that all seven Sacraments have parallels in the natural world. As birth begins our earthly life, Baptism begins our spiritual life. As our bodies require healing when wounded, so do our souls (Confession). As our bodies require nourishment, so does our spiritual life (Holy Eucharist). And likewise for the other Sacraments.

Moreover, many aspects of our faith have parallels in the natural world. Consider how God revealed Himself through the ages: very slowly, over many centuries. Some ask, “Why didn’t God instantly reveal everything to His people?” The correct answer is, of course, “Because God reveals Himself as He wishes.” However, wasn’t His choice fitting? Think of how children obtain knowledge. They can do almost nothing when born, but gradually begin to crawl and eat solid food. They begin to pick up a word here and there. They begin to understand who their parents are and ask questions. It’s a process requiring many years.

IN SPITE OF ALL THE PROGRESS our civilizations have made, when it comes to self-appointed “expert liturgists,” it seems that thinking themselves wise, they have become as fools (Rom 1:22). Not long ago, I saw yet another attempt to explain what the “primitive” Mass looked like, using the typical sources: Justine Martyr, Iranaeus, Didache, and so on. However—astounding as this may sound—there was absolutely no attempt to understand the circumstances under which those various fragments were written. I say “astounding” because this is the same error made by early Protestants with regard to the Bible (which has been thoroughly refuted many times). Stated briefly: the Bible was not intended as a “catechism”—it’s a collection of various documents and letters written TO VARIOUS GROUPS under various circumstances.

The same is true of the early accounts of the Mass. 1 One must take into consideration, for example, the disciplina arcani|: the deliberate hiding of what goes on at Mass (to protect something so sacred). Some of the descriptions were written in a deliberately obscure manner (since they were addressing pagans who feared the rites of the early Christians). I could continue, but you get the point: just as the Bible has very little to do with a “catechism” 2 (in spite of what some might wish), many early accounts of the Mass had no intention of describing the rites in a detailed way. When we ignore this basic reality, we end up making silly mistakes.

Here and there, the early Christians left us “clues” referencing the liturgy. For instance, Pope Leo and St. Augustine refer to some kind of ancient “Responsorial Psalm,” but we have absolutely no idea what such a thing would have looked like (much less how it sounded when sung). Several times on this blog, I’ve offered a $300,000 reward for anyone who can produce an authentic Responsorial Psalm from the 5th century or earlier, but no one can. By the way, the first time Catholics really began writing down liturgical manuscripts was under Charlemagne; the stability of his reign allowed for such things.



NOTES FROM THIS ARTICLE:

1   I suppose it’s possible some early Christian attempted to leave a detailed description of the early Mass, but such a thing was either lost or destroyed because we don’t possess it. We can criticize the early Christians for not having the courtesy to leave us a detailed description of their rites, but we would be foolish to do so. (Remember, they did not possess iPads, iPhones, computers, electricity, running water, or modern medicine, and most of them couldn’t read or write.)

2   Of course, nothing in the catechism conflicts with the Bible (whose New Testament was composed by the Catholic Church), but Bishop Sheen has reminded us that “Christ left us a Church, not a book.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Bishop Fulton J Sheen Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“In the 17th century came the crushing blow which destroyed the beauty of all Breviary hymns. Pope Urban VIII (d. 1644) was a Humanist. In a fatal moment he saw that the hymns do not all conform to the rules of classical prosody.”

— Fr. Adrian Fortescue (d. 1923)

Recent Posts

  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination

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