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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Weak-Kneed Prayers or Religious Patrimony?

Guest Author · September 17, 2014

0319_DO-LG N GOING THROUGH some old books that had been discarded by a Catholic school library, I found a book from 1982 on planning Masses with children. Filled with various articles about liturgical planning involving children, I chuckled at the drawings and skimmed through the text. One article on prayer (itself written and published in 1981) caught my attention. The author questions her readers:

“What will the next generation of students say about their school prayers? Will they rise up 20 years from now to criticize us for giving them a diet of weak-kneed prayers, full of trendy jargon and self-conscious posturing? Or will they complain that they have learned nothing by heart because we never used the same prayer twice? Or will they thank us for introducing them gradually to the strong and surprising words of praise that are a part of our religious patrimony?”

I could not help but think of my own grade-school years when all of us learned our prayers by heart (the Our Father, the Hail Mary, the Glory Be, the Apostles’ Creed, and the Acts of Faith, Hope, and Charity, among others) and had to practice them and recite them from memory to our teachers. This was certainly not the case across the country or the world.

Even today, in 2014, in one diocese in the United States, in a survey of 11th grade Catholic school students, only 28.1% stated that they always pray with their family before meals (48.6% stated always or often). In the same survey, 54.1% of 11th graders said they never pray the Rosary alone or with family at home.

The author of the article I found in that discarded book wondered what students would say about their school prayers 20 years in the future. It’s been 33 years since she asked those questions and I haven’t heard young adults thanking their elders for “introducing them gradually to the strong and surprising words of praise that are a part of our religious patrimony” (which, by the way, is not a bad thing: our religious patrimony should be passed down to each generation). Instead, one can see with groups such as the Juventutem International Federation, college councils of the Knights of Columbus, and various Newman Center campus organizations/parishes a return to authentic religious patrimony—a patrimony that was, sadly, not passed down.

Do we criticize the older generation for the “diet of weak-kneed prayers, full of trendy jargon and self-conscious posturing?” Do we complain that nothing has been learned by heart because no prayer was used more than twice? It’s been 33 years: the blame game has been played and doesn’t need to be played again. Rather, let’s focus on returning to our authentic religious patrimony so the next generation can thank us for that.


We hope you enjoyed this guest post by Fr. Alan M. Guanella.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Liturgy For Children Last Updated: January 1, 2020

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President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The choir shall henceforth sing or say no anthems of our Lady or other Saints, but only of our Lord, and then not in Latin; but choosing out the best and most sounding to Christian religion they shall turn the same into English, setting thereunto a plain and distinct note for every syllable one: they shall sing them and none other.”

— 1548 Edict of King Edward VI (a heretic) for Lincoln Cathedral

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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