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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Barack Obama & Catholic Sacred Music

Jeff Ostrowski · September 1, 2014

907 Nos Autem HE UNITED STATES has three coequal branches of government—Legislative, Executive, and Judicial—which prevent tyranny by means of checks and balances.

Similarly, the postconciliar liturgy has three “coequal” books: (1) Lectionary; (2) Gradual; and (3) Sacramentary. 1 Therefore, it’s necessary to know WHICH BOOK contains WHICH PART of the Mass. Suppose someone exclaimed: “I’ve looked carefully but cannot locate any Supreme Court rulings by Barack Obama.” The correct answer would be: “You won’t find any. You’ve mixed up the branches of government.” Likewise, someone might say: “Having looked carefully, I can’t find any Eucharistic Prayers in the Lectionary.” Again, the correct answer would be, “You’re looking in the wrong book.” 2

EARLIER THIS MONTH, OCP PUBLICATIONS made an announcement both thrilling and troubling. The exciting part is that OCP will publish, before the end of 2014, more than 400 musical settings for Proper antiphons. But here’s the troubling part:

The OCP editions will be available by the end of the year. The original intent of OCP was to create an English Gradual, but ultimately they chose not to include the Offertory Antiphons since they do not exist in the current Missal.   [source]

The statement by OCP is bizarre. It’s like saying: “We’d planned to include the Prefaces but didn’t, because they do not exist in the current Lectionary.”

The fact is, the Prefaces are not found in the Lectionary. Similarly, the Offertory antiphons are not found in the current Missal: they’re found in the Roman Gradual. While it’s true that some Entrance & Communion antiphons are found in the Missal, those are intended for use in Masses without music. If you don’t understand, read this article. (If you don’t have time to read it, just glance at the amusing image!) When questioned further, the same person added:

I can tell you that this project has been a learning process for all involved. […] The concept and understanding of the Gradual was new to many of the OCP editors.

I admit this subject can cause confusion. For instance, here are eleven different collections of the Propers in English, and each is slightly different:

      * *  Eleven Electrifying Collections — Mass Propers in English

Anyone trying to make sense of the Ordinary Form Propers should obtain the Jogues Missal, which presents each Proper in a beautiful & clear way. Moreover, the formatting of every single page is absolutely unique:

905 Jogues IMAGE



NOTES FROM THIS ARTICLE:

1   The Sacramentary is often called a “Missal,” but that’s not an accurate term.

2   I wish somebody had explained this to me in 2005, when I began working for the Ordinary Form. The Extraordinary Form has just one book—the priest’s red Altar Missal—containing all texts necessary for the celebration of Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Never before have men had so many time-saving devices. Yet, never before have they had so little free time. When the world unnecessarily accelerates, the Church must slow down.

— Archbishop Fulton J. Sheen

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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