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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Important Resources for Liturgical Reform (1 of 7)

Richard J. Clark · August 8, 2014

HILE STRIVING FOR the ideal in liturgy we also deal in the real world with real people. This makes our work challenging yet all the more rewarding as we edge closer and closer toward singing the mass and toward more reverent liturgy—nurturing both exterior and interior prayer. By this we hope to achieve what Saint Pius X states as the purpose of the liturgy: “…the Glory of God and the edification and sanctification of the faithful.” (Tra le Sollecitudini, General principles §1)

We are but imperfect in our frail humanity, and to achieve such goals we rely on God and each other! With choirs resuming recruitment and rehearsals, many are searching for new resources and direction. Some mainstream resources are geared towards maximizing market share; there are a number of others, perhaps lesser known that have the above words of St. Pius X and Sacrosanctum Concilium in mind. Therefore, this week, the writers of “Views” intend to shine the light not only on their own wonderful work but also on resources that your choir may find useful, affordable, and in many cases free.

OR ANY CHOIR ASKING THE QUESTION, “WHERE DO I BEGIN?” A great starting point is the astoundingly comprehensive Liturgical Planning pages of CanticaNOVA Publications. Senior Editor Gary Penkala has compiled lists of resources and suggested music for every Sunday and feast day of the liturgical calendar for the Novus Ordo.

A typical index for any given Sunday or feast day will list suggested settings in order of priority. Listed first are the official texts of the mass to be sung, i.e., the propers and the ordinary. For example, the Twentieth Sunday in Ordinary Time (A) lists multiple options for the Introit, Gradual/Responsorial Psalm, Alleluia, Offertory, and Communion. This includes Gregorian chant from the Graduale Romanum to various settings in English including those composed by the likes of Bartlett, Motyka, Oost-Zinner, Tietze, Rice, Ostrowski, etc. Links are provided to various sources. Some resources are free and some are available through CanticaNOVA Publications.

NLY AFTER THE PROPERS AND THE ORDINARY will you find suggestions for hymns and choral anthems. You can be certain that the hymns listed are theologically sound! For organists, there is a comprehensive list of organ repertoire suitable for preludes and postludes, etc.

At the bottom, you will always find very useful the “Liturgical Hints and Ideas.” For example, he discusses and provides links for general sources of the propers for what is described as “Real and authentic Catholic liturgical music.”

Finally, I offer a sampling of my own resources. Some are published with CanticaNOVA, some are free, and other published with RJC Cecilia Music.

      * *  Mass of the Angels • CanticaNOVA Publications
      * *  Mass in Honor of Pope Saint John Paul II • Free Download – Corpus Christi Watershed
      * *  Sacred Choral Works • RJC Cecilia Music
      * *  Chant Based Organ Works • RJC Cecilia Music


7-part series:   “Important Resources for Liturgical Reform”

FIRST PART • Richard Clark

SECOND PART • Veronica Brandt

THIRD PART • Fr. David Friel

FOURTH PART • Jeff Ostrowski

FIFTH PART • Jon Naples

SIXTH PART • Andrew Motyka

SEVENTH PART • Peter Kwasniewski

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: CanticaNOVA Publications, Reform of the Reform Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Both of these appointments—of Cardinal Lercaro and Father Bugnini—to key positions on the Consilium made it possible for voices to be heard that could not be heard during the proceedings of the Council, and likewise silenced others.”

— Alfons Cardinal Stickler, Vatican II ‘peritus’

Recent Posts

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  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase

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