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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Pope John Paul II Wearing The Cappa Magna (As Cardinal Wojtyla)

Jeff Ostrowski · August 25, 2014

923 JP2 Cappa WAS SITTING IN A BANK. In walked four men dressed in suits with beautiful ties and handkerchiefs. They went down the corridor and began conducting business with clients. The attire of these men was totally appropriate. Can you imagine getting a loan from someone dressed in bermuda shorts and a Tank Top?

It makes me sad when priests wearing their proper “uniform” are subjected to mockery by progressive liturgists. Why don’t they leave our priests alone and instead criticize bankers wearing suits? Anyone who’s truly human understands perfectly why we dress up for certain events. Doing so is natural, fitting, and appropriate.

Priests should never be embarrassed to wear proper attire, any more than a soldier should be embarrassed to wear his uniform. By the way, my wife’s family members are all involved with the armed forces (Navy, Marines, and so on), so I’ve seen some really nice uniforms over the years. The most marvelous uniform I ever saw was the one worn by Prince Charles when he married Diana.

POPE SAINT JOHN PAUL II, like Pius XII, understood the seriousness of being a «Prince of the Church» and often wore the Cappa Magna (even as late as 1968). Here are some photographs showing John Paul II in proper attire:

925 A Cappa 924 B Cappa 727 version 1

I will not here address Cappaphobia — a malady afflicting those who haven’t used Google to learn the true history of the “Cappa Magna.” However, the words of Monsignor Patrick Brankin (who is mentioned by name in the Jogues Missal) are worthy of consideration:

HE CAPPA MAGNA does indeed represent the finery of the world: its power and prestige. That is why—after his entrance wearing it—the prelate is publicly stripped of this finery, and humbled before the congregation. Then, vestment by vestment, the bishop is clothed in the new man of which St. Paul speaks, including the baptismal alb, dalmatic of charity, stole of pardon, maniple of sorrow, and chasuble of mercy. When finally clothed in Christ, the prelate makes a second entrance into the church to begin the Eucharistic celebration in persona Christi, the visible head of the body (the Church).

It was a clear statement that the power and prestige of the world have no place at the altar, but it is expressed in a liturgical ritual or symbol, which, unfortunately, are often lacking in the contemporary rites and thus hard to grasp.   (source)

It’s worth considering that Judas Iscariot was the first person to object to having beautiful vestments at Mass (Jn 12:5).

To see more pictures of Karol Cardinal Wojtyla wearing the Cappa Magna, click here. To learn about “distinctive garb” for Catholic priests, click here. For the record, here’s Pope John XXIII wearing the Cappa Magna (courtesy of Orbis Catholicus):

920 John XXIII cappa magna

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cappa Magna Liturgical Vestment Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I left music college swearing never to write another note again … It was during the mid-1980s when esoteric and cerebral avant-garde music was still considered the right kind of music to be writing.”

— James MacMillan

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