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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How Dare We Complain?

Jeff Ostrowski · August 2, 2014

HY DO WE COMPLAIN about the sufferings of this world? Nobody has ever lived in such luxurious times as ours.

Can you imagine trying to provide lunch for your family in the year 1300AD? How about 600AD? How about 50BC?

Someone might say, “Oh, well, people in those days grew their own gardens.” But this is not true, because some were tax collectors, others were soldiers, others servants, and so on. Moreover, what if the soil wasn’t fertile? What if a drought came? What if bugs, animals, thieves, or enemy soldiers stole fruits from your garden? What if you didn’t know how to cultivate a garden, or what types of plants to grow? What if you were handicapped, or mentally challenged, or very sick? What if you had to raise (and butcher) an animal whenever you wanted a bit of meat? How can you maintain a balanced diet when you must rely on that which you scavenge? What did they do before refrigeration? What did they do before running water? What if you had both arms amputated, like so many after the Civil War? What did they do before modern medicine, electricity, alarm systems, telephones, cars, email, and all our modern technology?

This whole thing started because I was showing a friend of mine one of the ancient manuscripts found in the Jogues Missal. This particular one came from 1070AD:

954 NEW


My friend said the manuscript “looked OK“—whereas I think it’s marvelous, glorious, fantastic … especially considering the difficulties of ordinary life in those days!

Sometimes I think people have a hard time understanding history. They really don’t understand the difference between life in 1850AD, 1450AD, or 600AD. Perhaps I have an advantage. Ever since I was a child I’ve studied the lives of the great pianists (1+2), whose biographies are “bound up with history” (as Fulton Sheen would say).

Getting back to the main point: How blessed we are! How dare we complain? How dare we shirk the work God has given to us?

“For I reckon that the sufferings of this time are not worthy to be compared with the glory to come…”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Jogues Illuminated Missal Lectionary Gradual Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“The only really effective apologia for Christianity comes down to two arguments: namely, the _saints_ the Church has produced and the _art_ which has grown in her womb.”

— Josef Cardinal Ratzinger (Interview, 1985)

Recent Posts

  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”
  • PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin
  • “Equal Voices” Choir Pieces
  • A Practical Method of Projecting Solfege for Chant

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