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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Is Recorded Music Okay for Children?

Fr. David Friel · July 27, 2014

Y NOSE HAS BEEN buried in Sing to the Lord lately as part of a research project on which I am working. In 2007, the USCCB promulgated Sing to the Lord: Music in Divine Worship (SttL) as a replacement for the twin documents, Music in Catholic Worship and Liturgical Music Today. To say that the new document is an improvement would be an understatement, but it is not an ideal text, either.

Two weeks ago, speaking about the Children’s Liturgy of the Word, I took issue with the prevalent notion that young people somehow need to be accommodated in the work of divine worship. As a former child, I find this to be an errant hankering—a perspective that is often well-intentioned, but fundamentally condescending and lacking in foresight. True, St. Paul advises feeding first with fluids, preparing the way for solid food (1 Corinthians 3:2). But the admonition is to serve milk (real food), not plastic fruit.

This all came to mind as I read paragraphs 93-94 in Sing to the Lord. These are the paragraphs in which the US Bishops deal with recorded music. The section begins well:

Recorded music lacks the authenticity provided by a living liturgical assembly gathered for the Sacred Liturgy. While recorded music might be used advantageously outside the Liturgy as an aid in the teaching of new music, it should not, as a general norm, be used within the Liturgy. (SttL #93)

Had the section stopped there, I would have been content. But in the next paragraph, one reads this:

Some exceptions to this principle should be noted. Recorded music may be used to accompany the community’s song during a procession outside and, when used carefully, in Masses with children. (SttL #94)

Having just acknowledged that canned music “lacks the authenticity” required by the sacred liturgy, why is a caveat provided for “Masses with children”? Are children not worthy of the best forms of liturgy? Having just rightly identified the inappropriateness of recorded music, why is its “careful use” proposed as acceptable when children are in tow?

In his commentary on SttL, Fr. Dennis Gill says it well:

Recorded music should not be used in the celebration of the Sacred Liturgy… It is not the voice of the believer, the voice of the worshiper and, as such, is always inappropriate in the course of the celebration of the Eucharist, the other Sacraments, and the Liturgy of the Hours… Even in cases identified in Sing to the Lord when recorded music seems advisable, like outdoor processions, every effort should be made to actually sing in those circumstances. 1

These pages have demonstrated numerous times before that children respond very well to true sacred music. (For example, see this—Our Lady of the Atonement I, this—Our Lady of the Atonement II, this—Gregory the Great Academy, and this—Youth in Favor of Sacred Music.) If you have never experienced it for yourself, try it out. Children take naturally to chant, and there are so many resources available for teaching it to them. It is time to put the Glory & Praise cassette tapes away and to bust out the Ward method books. If you want to get started, I highly recommend checking out the work of Maestro Wilko Brouwers, the Words with Wings series available from CMAA.

It is so much more rewarding to challenge children to chant than to settle for the crudeness (and hoakiness and banality and utility and frivolity) of recorded music.




NOTES FROM THIS ARTICLE:

1   Gerard Dennis Gill, Music in Catholic Liturgy: A Pastoral and Theological Companion to Sing to the Lord (Mundelein, IL: Hillenbrand Books, 2009), 29.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs, Gregorian Chant, Justine Bayard Ward Method of Singing, Our Lady Of The Atonement Academy, Resources for training in Church music, USCCB Sing to the Lord Document on Music Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“There are some so restless that when they are free from labour they labour all the more, because the more leisure they have for thought, the worse interior turmoil they have to bear.”

— Pope Gregory the Great

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