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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“The Celebration of the Liturgy is the most important act of evangelization.”

Richard J. Clark · July 25, 2014

OFFREDO BOSELLI’S NEW BOOK, The Spiritual Meaning of the Liturgy: School of Prayer, Source of Life (Liturgical Press) due out in September, is likely to take on the essence of living the liturgy and therefore, evangelization. We know a bit about the book as Chapter Ten, “Liturgy and the Transmission of Faith” was originally published in 2008 as Liturgia e transmissione della fede oggi, Testi di meditazione 143 (Bose: Qiqajon) It is written for a post-modern people of the twenty-first century, especially those in an increasingly secularized Western Europe, to say nothing of the United States.

The first paragraph of this chapter states extraordinarily simple, yet profound truth with regard to evangelization:

“One result of the liturgy’s vital relationship with the Sacred Scriptures is that the liturgy is a primary source of the Christian faith; it contains and expresses the most constitutive elements of that faith. If the church believes what it prays, then every liturgy is a profession of faith. In particular, every Eucharistic celebration is the highest profession of faith. The faith of a Christian is expressed in a fundamental way in the Eucharistic prayer. There is, then, an indissoluble link between the liturgy and the transmission of faith. We can say, in fact, that the celebration of the liturgy is the most important act of evangelization.” (pg. 209, The Spiritual Meaning of the Liturgy)

In citing the “vital relationship” between the scriptures and the liturgy, we gain a greater understanding of the role of sacred music. As the mass is a sung prayer, and scripture the foundation of the liturgy, then it is the scripture that we primarily sing. This is simple, profound, and revolutionary.

In any parish setting, it is incontrovertibly the liturgy that is the front-line of engagement and drawing in the faithful. One generally becomes more involved in a parish after being drawn in by the liturgy. It is a sort of “ministry of first impressions” that matter. This is why preparation is essential which the faithful deserve.

OWEVER, LET US NOT MISTAKE THE MASS for something that we do or create. It is the Eucharist that unites, not something we do. It is God who lives and acts in us—God who is engaging us—God who is drawing us ever towards Him. We do not draw people into the Church. We can only open the door—a vital thing to do. Therefore, our preparation of the liturgy should point towards God instead of a form of marketing our individual parish. (Yet in doing the former, we may very well happily accomplish the latter as a byproduct.)

Yet to focus on the goal—pointing to God—Boselli warns against gathering in the name of ourselves or sentimentality and “human affections,” He emphatically reminds us that we are people “God, and no one else, has called to himself.”

“It is to your parish assembly to which God calls you…Why? Because that concrete assembly, where you encounter people whom you have not chosen, teaches you what the church is. The church is not a club made up of friends who enjoy spending time together, and the liturgy is not a musical concert (although singing and music of high quality is important). In the assembly of the Church we do not gather in the name of human affections and friendships; rather, we gather ‘in the name of the Father, and of the Son, and of the Holy Spirit.’” (pg. 218-219, ibid)

But what about those who insist upon “realism”? That it is not possible to evangelize, to engage people (especially young people—the most sought-after demographic) into the liturgy by focusing on God and reverence? Yet there is an interesting paradox that Boselli cites, something we see all around us:

”There is a paradox here: those young people who embrace masses and spectacular liturgies are in fact in search of a greater interiorization of their relationship with God through a more meditative and contemplative liturgy….Presbyters and educators must therefore confront and manage a new form of devotio—no longer moderna but (pg.227 ibid)

Boselli further warns of giving into sensationalism for the sake of transient emotional sentiment.

“…we must be vigilant that an exaltation of the feelings and emotionalism does not come at the expense of rational thought, interiorization, spiritual understanding, and personal appropriation of the contents and the meaning of the liturgy. The Christian liturgy, though not solely a matter of rationality, is a loghiké lattreía, a ‘worship in word’ and ‘according to reason, (see Rom 12:1) Easy feelings and superficial affections do not, in the long run nourish the life of the believer; we need solid food of the word of God and the Eucharist, which have been from the beginning the only solid and substantial nourishment of the Christian.” (pg. 229, ibid)

If the liturgy is a “worship in word” the emphasis of sacred music, therefore, must be on the word and not sentiment. Again, this does not preclude beauty. In fact it demands beauty, as the only thing worthy of the Word of God. This beauty therefore must point to God, not towards our personal feelings, sentiments or a self-congratulatory celebration of community.

HERE IS A DECISION we must make in light of evangelization: Do we focus on ourselves, reaching a mile wide but a centimeter deep, or do we engage fellow Christians one at a time, as we unite in the Word and in the Eucharist? Ironically, if we do the latter, our faith communities will be stronger than ever. Remember, it is God alone who calls us to Himself.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty in the Catholic Liturgy, Evangelization, Goffredo Boselli Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 23rd in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 7 September 2025, which is the 23rd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. My singers really enjoy singing the resplendent COMMUNION ANTIPHON with its Fauxbourdon verses.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Saint John Vianney, several centuries ago, taught clearly that canonizations are not infallible.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed

Random Quote

“The Pope is not an absolute monarch whose thoughts and desires are law. On the contrary: the Pope’s ministry is a guarantee of obedience to Christ and to his Word. He must not proclaim his own ideas, but rather constantly bind himself and the Church to obedience to God’s Word, in the face of every attempt to adapt it or water it down, and every form of opportunism.”

— ‘His Holiness, Pope Benedict XVI (11 May 2005)’

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  • Weird Liturgical Kalendar …

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