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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Does a Liberal Arts Education Have Any Value?

Fr. David Friel · May 11, 2014

O MANY VOICES in the world today would have us believe that the goal of life is to receive specialized training, find a job that pays well, live comfortably, and enjoy retirement. There are many issues with that approach, but let’s just start with the first. When did the Western obsession with specialization take control?

In America, much of higher education has been reduced to mere career training. Students enroll in programs that have an absurdly narrow focus, and they are required less and less to broaden their studies. This is a far cry from the ideal of true “education,” which involves the process of being drawn out of oneself to wrestle with ideas and confront challenges.

The only fields of study that hold merit, we are increasingly being told, are those in applied sciences, particularly STEM-related studies. Studying anything that won’t directly translate to employment is seen as futile, purposeless, or even poor judgment. What about languages? What about music? What about philosophy & theology? What ever happened to the value of a liberal arts education?

I recently read a thoughtful article about liberal arts education in a newspaper opinion piece. The author (Leslie Anne Miller, a trustee of the Philadelphia Museum of Art) writes this:

It is time to recognize the importance of a well-rounded education and not lose sight of our rich cultural heritage, which has added such a critical dimension to life in this country. Without the visual arts, music, theater, architecture, and the like, future generations will have no sense of culture. Liberal arts degrees teach students how to communicate, think, solve problems, and be team players. Understanding the “why” is imperative; we know the “how” and “what.”

Had I not entered the seminary after high school, I likely would have gone to college to study journalism, literature, or something similar. My course of studies would have been fairly narrow and very much directed to helping me succeed in a particular professional field. One of my life’s blessings for which I am most grateful, though, is that I entered the college seminary and received a first-rate liberal arts education. That was not something I ever would have chosen on my own, but it opened my mind and heart in many unexpected and thrilling ways.

There is a place for vocational training, to be sure. But, is there not also a place for the liberal arts? We who are interested in the arts & culture & liturgy ought to encourage young people to take up the liberal arts. Life, after all, is about more than technical training and entry-level salaries.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“There are some so restless that when they are free from labour they labour all the more, because the more leisure they have for thought, the worse interior turmoil they have to bear.”

— Pope Gregory the Great

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