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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Parish May Crownings

Fr. David Friel · May 4, 2014

RE YOU INVOLVED in your parish May Crowning? Planning for such festivities falls to a variety of people in different parishes and institutions. In some places, the event is planned directly by the local clergy, while in other places it is the purview of a liturgy planner, youth group, volunteer parent, or music director.

Many devotions fell out of favor for a time—Forty Hours, the rosary, novenas, etc. Mercifully, many of these devotions, including the May Crowning, have made and continue to make a strong resurgence. The May Crowning is a beautiful yearly opportunity to renew our love for Mary and to enlist her prayers. A strong devotional life in the parish church will naturally support and strengthen its liturgical vitality.

In most situations, preparations for this beloved annual tradition probably begin with a familiar question: What did we do last year? Since the May Crowning is a devotion with no specific, mandated form, that question is a fair place to begin. Some elements are widely incorporated: the presentation of a crown of roses by a selected lady, May poles, prayers seeking Mary’s protection, and hymns sung in honor of the Blessed Virgin. Inasmuch as a May Crowning is not a liturgical occasion, there is great freedom concerning what might constitute the ceremony. There can be songs, flowers, processions, a children’s choir, a litany, a sermon, and other celebratory components.

The National Conference of Catholic Bishops (NCCB) published a special volume in 1987, entitled, Order of Crowning an Image of the Blessed Virgin Mary. The title of this document can be misleading. Its purpose is not actually to provide a script for the May Crowning devotion, but rather to furnish a ritual for the one-time coronation of a special Marian statue with a bejeweled gold or silver crown. Ideally, the document envisions that this rite would be carried out by the diocesan bishop, or at least by another deputed bishop or priest.

Although the Order of Crowning an Image of the Blessed Virgin Mary does not specifically apply to the annual May Crowning ceremony, it may still serve as a useful resource in planning the yearly parish celebration of Mary. The structure of the rite, and even some of the prayers, readings, & intercessions provided, can serve as a starting point for formulating a parish May Crowning ceremony.

Not least among the many aspects of a good May Crowning is the musical dimension. The Order of Crowning suggests the singing of antiphons and hymns, including several Marian chants: Salve Regina, Sub Tuum Praesidium, Ave, Regina Caelorum, Alma Redemptoris Mater, Regina Caeli. American Catholics have a notably strong tradition of vernacular Marian hymns, too, which might well accompany the annual celebration.

Building up devotional celebrations and celebrating them well is an easy way for the parish church to foster greater love among its parishioners for Jesus, Mary, the Eucharist, and the Church universal.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs, USCCB Secretariat of Divine Worship Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“We must remember that the important elements of a rite are not the things that will first be noticed by a casual and ignorant onlooker—the number of candles, colour of the vestments and places where the bell is rung—but just those things he would not notice: the Canon, fraction and so on, the prayers said in a low voice and the characteristic but less obvious rites done by the celebrant at the altar.”

— Fr. Fortescue explaining that Anglicanism does not preserve Sarum

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