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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Review by Fr. Justin Nolan, FSSP

Guest Author · February 11, 2014

5687_ 007 NE OF THE CHALLENGES facing many priests when they attempt to introduce the Extraordinary Form into their parishes is how to provide the faithful with an easy-to-follow hand missal so they can follow the prayers of the Mass. Hitherto, the options have been rather multifarious. There is the ever-ubiquitous red book published by the good folks over at Coalition Ecclesia Dei (website) which has been a staple of EF parishes for over two decades now, but since it only provides Propers for the Mass of Trinity Sunday, what about weddings and funerals? So there are other booklets, the white book for weddings, the grey book for Requiems, and even others which attempt to combine all three. But all of these books have their limitations. And then there is the question of congregational hymns for the faithful. Glory and Praise generally doesn’t blend well with the Extraordinary Form, so one has also procure a separate hymnal just for traditional Masses. The overall result is that now, either the pew is cluttered with an overwhelming plethora of booklets, hymnals, old and new Mass paraphernalia; or one must set out separate booklets and hymnals before each Mass, put them back, store them, risk their getting lost and/or people walking off with them, and it’s just a general headache. Even in solely traditional parishes the pews can quickly fill up with an eclectic collection of disparate booklets for all the various ceremonies. It’s a mess.

5687_ 004 Enter the St. Edmund Campion Missal and Hymnal for the Traditional Latin Mass (website). The folks over at Corpus Christi Watershed have produced this rather remarkable handbook for the faithful aimed at solving just such conundra faced by pastors seeking to provide materials for their Extraordinary Form faithful. The St. Edmund Campion Missal and Hymnal is intended to be a kind of “one-stop shop” for everything the faithful need to assist at the Extraordinary Form of the Roman Rite. It is a complete Sunday and Holyday Missal with all the major feasts of the year including the Easter Triduum and the Nuptial and Requiem Masses, but, in addition to that, it also contains a very robust hymnal of over 150 traditional congregational hymns.

5687_ 013 Here at St. Philippine Duchesne Latin Mass Community in Kansas City (website), we bought 200 copies of this book initially because we were just looking for a good traditional hymnal. We were very pleased to discover that we got so much more. What follows is my own personal review of the St. Edmund Campion Missal and Hymnal, now in its second edition. Although the Priestly Fraternity of St. Peter collaborated with Corpus Christ Watershed in putting the book together and the forward is written by our own Superior General Fr. John Berg, FSSP, I am writing this review solely on the basis of my own personal opinion and observations. I had no part in its creation, I’m not writing this under obedience as some kind of promo for an FSSP sponsored project, and I’m not receiving any tangible recompense aside from a complimentary copy of the second edition provided by Corpus Christ Watershed for the purposes of providing the review. So, with that disclaimer in place, what follows is essentially as unbiased a sales pitch as it gets. I wish they were paying me commission, but, oh well. Onward and upward …

5687_ 002 FIRST OFF, I WAS VERY IMPRESSED with the physical quality of the book. The binding is solid and built to last. We’ve had the books close to a year now and not a single cracked binding. The pages are sewn in and each page from front to back lies flat when open and resting in the hand. The pages resist the urge to irritatingly turn on their own. The book itself is a little on the heavy side for holding with one hand but not too bad considering its scope and the quality of the pages which are not thin and not see-through. Even holding a single page up to the light the text on the other side of the page barely bleeds through. The typeface is large and attractive and comfortable to read. Both the English and Latin texts are equal in size and proportion on the page giving equal preference for those who like to follow along in either language.

5687_ 006 The texts of the propers of the Mass are complete for each Mass. There is no page turning necessary to get to this or that Epistle or Gospel. This is especially convenient for those new to the Mass and significantly reduces the need for page turns when following along. All the propers for all the Masses of all the Sundays of the year are included along with all major Feast Days that are possible to fall on a Sunday as well as all the Holydays of Obligation (according to the universal calendar). Propers are also included for the Easter Triduum (Maudy Thursday, Good Friday, and Holy Saturday). There is also a section for the Nuptial Mass and for the Requiem Mass and funeral rites, as well as the Sacrament of Confirmation. This is about as complete as it gets for everything that takes place in a parish church aside from baptisms and daily Mass.

The actual translation of the Mass texts is taken from the Douay-Rheims bible for the Epistle and Gospel readings and from the excellent translation of the 1946 edition Fr. Lasance hand missal for the rest of the propers. Some perhaps might object to the somewhat archaic language of these texts, but I have found that in most traditional circles the Douay-Rheims is the translation that the faithful expect and are most familiar and comfortable with.

5687_ 001 THE PHOTOS AND ARTWORK are probably the most visually striking aspect of the book. Every page is color coded to its specific section. Propers are one color page, the Ordinary of the Mass another color, Hymns another. Beautiful traditional line art adorns almost every page and the Ordinary of the Mass has stunningly beautiful color photographs. I have had many parishioners tell me that their children especially love following the Mass in this missal because the pictures are so delightful to look at it holds the child’s attention — truly remarkable. Sadly, the second edition lacks the exquisite original artwork done in the style of old illustrated manuscripts which was present in the first edition.

The numbering system is also convenient for posting numbers on a hymn board as there is a single numbering system for the entire book:

Pages 1-565 are the Propers for all the Masses.

Pages 566-695 comprise the two Ordinaries, one for following Sung/Solemn Mass and one for following Low Mass.

Pages 696-794 are a complete Kyriale with all the Gregorian Chants for all eighteen Mass settings as well as Credo I through VI.

Pages 795-945 comprise the hymnal which offers a varied selection of over 150 traditional congregational hymns.

And finally pages 946-970 are chants for Exposition and Benediction including some common devotional prayers for the faithful to recite before and after Holy Communion.

5687_ 005 What all this means is that, in preparing for a Sunday, the pastor can simply post the numbers corresponding to the Mass proper of the day, the hymns, and the Kyriale, using only one unique number for each reference. On the surface this may appear unexceptional unless you’re a parish priest or choir director who has had to deal with the nightmare of putting numbers on a hymn board referencing multiple books and even multiple sections within a book. Having all the references to a single book in one single unambiguous list is exceedingly convenient from both a pastoral and logistical perspective.

SO, THOSE ARE ALL the good things about the missal. Now for the some of its drawbacks. As I’ve already said, the book is heavy. Not exceedingly so, but it’s substantially more heavyweight than your typical hand missal. However, considering the added value in beauty, quality, and utility, I don’t think most will mind. No one in our parish has complained.

5687_ 009 It’s a bit imposing to the beginner. This, I suppose, is unavoidable given the scope of it. But it will be something that requires a little bit of instruction to the newcomer in terms of how to use. It is not quite as immediately intuitive as the “red book.” But, hopefully, with a little encouragement people will get the hang of it and, for those already familiar with the Extraordinary Form, they will find it most useful indeed.

There are not enough ribbons. The first edition had no ribbons. The second edition has one ribbon. Managing to keep one’s place while switching between the Ordinary, the Proper of the day, the Kyriale, and the two or perhaps even four congregational hymns that might be sung during Mass, is most inconvenient without the benefit of several ribbons to maintain one’s place. The folks at Corpus Christi Watershed have put together these handy videos explaining how to use the Missal, but I would argue that if you have to go to all the trouble of making an instructional video to show people how to use the book with only one ribbon, that in itself is essentially an implicit admission that you should have had more ribbons! Fortunately, the binding is such that you can easily employ a ribbon insert and just add one to each book. Given that ribbons have a tendency to wear out quickly with repeated use, periodically replacing a ribbon insert is probably a better solution anyway than having sewn-in ribbons which over time will fray and get messy.

5687_ 008 The only other criticism I can think of is that there is only one setting for the O Salutaris and Tantum Ergo benediction hymns which might not be the ones you use in your parish or the ones your faithful are familiar with. This, however, is a very minor criticism and if you have frequent Exposition and Benediction in your parish your congregation should be able to learn and memorize many versions of those hymns without the need for a constant visual aid.

OTHER OBSERVATIONS … One thing to note is what the St. Edmund Campion Missal and Hymnal is NOT. It is not a replacement for your choir’s hymnals. This book contains congregational hymns. It is not a substitute for the Liber Usualis your schola will use to sing the Mass propers, nor does it contain any polyphony. The St. Edmund Campion Missal and Hymnal is meant for use by the faithful in the pews.

5687_ 011 Unlike the Coalition Ecclesia Dei “red book” the St. Edmund Campion Missal and Hymnal does not contain rubrical directions for the faithful on when to sit/stand/kneel during Sung/Solemn Mass. This is a deliberate omission on the part of the editors as technically there do not exist such rubrics for the laity during Sung/Solemn celebrations and many various legitimate local customs are employed in different parishes. One drawback of the “red book” was, in fact, that its instructions on when to sit/stand/etc were oftentimes at variance with the local custom. So in regards to the St. Edmund Campion Missal and Hymnal, if you already have an established community it will be no problem, they already know what to do, but with a community of faithful new to the Extraordinary Form, they will probably require some instruction for Sung/Solemn Mass as there will be no directions in the book. There are instructions, however, on when to sit/stand/kneel for Low Mass following the most commonly encountered customs (ie, sit for the Epistle, stand for the Gospel, kneel for most everything else).

So, that’s about it. To sum up, the St. Edmund Campion Missal and Hymnal is a very attractive, high quality, highly useful and convenient combination Sunday and Holyday Missal and Hymnal for your Extraordinary Form community. At $30 or less a copy it’s almost a steal for the value that you’re getting. We bought a bunch for our community here in Kansas City. We love it. You’ll love it too. You should buy one, or even a whole bunch!


God bless you,

Fr. Justin Nolan, FSSP

Assistant Chaplain
St. Philippine Duchesne Latin Mass Community
Archdiocese of Kansas City in Kansas



MESSAGE FROM FR. MICHAEL MAGIERA, FSSP   (11 February 2014)

I too have purchased 200 copies of the missal/hymnal for my congregation. I know I made a very good investment, not only because the book itself is a great resource, but also because of the material quality of the product. We’ve been using it for at least six months and I’ve noticed no significant “wear.” I imagine the books will last for many years. I’m also very happy that all first class feasts, Holy Week and many second class feasts are included in the book. Depending on days/dates, one can even use it during the week occasionally. One recent unexpected bonus – Candlemas was on a Sunday this year! I also agree with Father Nolan on one drawback: indeed, there are not enough ribbons. I’d go for a minimum of four: proper; ordinary; kyriale; credo. Six would be better – one each for the processional and recessional. Though I’m very pleased with the two accompaniment volumes, I’m still waiting on the SATB choir edition. The only other small negative (and, I know, where does one draw the line?) is that I’d like more hymns and more hymns with “familiar” tunes. As a musician, I’m all for different or “unknown” tunes but If the congregation is expecting the tune Ellacombe, for example, for “O Queen of the Holy Rosary” and if they don’t “know” the tune used, congregational singing is going to suffer. For all the hymns I’d want another 50 pages, at least, would be needed. Like I say, where does one draw the line? Anyway, I’m very pleased with the book and so is my congregation, well, at least those who go to the Sung Mass.

God bless.
Rev. Michael W. Magiera, FSSP

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, St Edmund Campion Missal Hymnal Last Updated: January 1, 2020

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President’s Corner

    PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
    EARS BEFORE truly revolutionary changes were introduced by the post-conciliar reformers, Evelyn Waugh wrote (on 16 August 1964) to John Cardinal Heenan: “I think that a vociferous minority has imposed itself on the hierarchy and made them believe that a popular demand existed where there was in fact not even a preference.” We ask the kind reader— indeed, we beg you—to realize that those of us born in the 1940s and 1950s had no cognizance of Roman activities during the 1960s and 1970s. We were concerned with making sure we had the day’s bus fare, graduating from high school, taking care of our siblings, learning a trade, getting a job, courting a spouse. We questioned neither the nuns nor the Church.1 Do not believe for one instant any of us were following the liturgical machinations of Cardinal Lercaro or Father Bugnini in real time. Setting The Stage • To never question or resist Church authorities is praiseworthy. On the other hand, when a scandalous situation persists for decades, it must be brought into focus. Our series will do precisely that as we discuss the Lectionary Scandal from a variety of angles. We don’t do this to attack the Catholic Church. Our goal is bringing to light what’s been going on, so it can be fixed once and for all. Our subject is extremely knotty and difficult to navigate. Its complexity helps explain why the situation has persisted for such a long time.2 But if we immediately get “into the weeds” we’ll lose our audience. Therefore, it seems better to jump right in. So today, we’ll explore the legality of selling these texts. A Word On Copyright • Suppose Susie modifies a paragraph by Edgar Allan Poe. That doesn’t mean ipso facto she can assert copyright on it. If Susie takes a picture of a Corvette and uses Photoshop to color the tires blue, that doesn’t mean she henceforth “owns” all Corvettes in America. But when it comes to Responsorial Psalm translations, certain parties have been asserting copyright over them, selling them for a profit, and bullying publishers vis-à-vis hymnals and missals. Increasingly, Catholics are asking whether these translations are truly under copyright—because they are identical (or substantially identical) to other translations.3 Example After Example • Our series will provide copious examples supporting our claims. Sometimes we’ll rely on the readership for assistance, because—as we’ve stressed—our subject’s history couldn’t be more convoluted. There are countless manuscripts (in Greek, Hebrew, and Latin) we don’t have access to, so it would be foolish for us to claim that our observations are somehow the ‘final word’ on anything. Nevertheless, we demand accountability. Catholics in the pews are the ones who paid for all this. We demand to know who specifically made these decisions (which impact every English-speaking Catholic) and why specifically certain decisions were made. The Responsorial Psalms used in America are—broadly speaking—stolen from the hard work of others. In particular, they borrowed heavily from Father Cuthbert Lattey’s 1939 PSALTER TRANSLATION:
    *  PDF Download • COMPARISON CHART —We thank the CCW staff for technical assistance with this graph.
    Analysis • Although certain parties have been selling (!!!) that translation for decades, the chart demonstrates it’s not a candidate for copyright since it “borrows” or “steals” or “rearranges” so much material from other translations, especially the 1939 translation by Father Cuthbert Lattey. What this means in layman’s terms is that individuals have been selling a translation under false pretenses, a translation they don’t own (although they claim to). To make RESTITUTION, all that money will have to be returned. A few years ago, the head of ICEL gave a public speech in which he said they give some of “their” profits to the poor. While almsgiving is a good thing, it cannot justify theft. Our Constant Theme • Our series will be held together by one thread, which will be repeated constantly: “Who was responsible?” Since 1970, the conduct of those who made a profit by selling these sacred texts has been repugnant. Favoritism was shown toward certain entities—and we will document that with written proof. It is absolutely essential going forward that the faithful be told who is making these decisions. Moreover, vague justifications can no longer be accepted. If we’re told they are “making the translations better,” we must demand to know what specifically they’re doing and what specific criteria they’re following. Stay Tuned • If you’re wondering whether we’ll address the forthcoming (allegedly) Lectionary and the so-called ABBEY PSALMS AND CANTICLES, have no fear. We’ll have much to say about both. Please stay tuned. We believe this will end up being the longest series of articles ever submitted to Corpus Christi Watershed. To be continued. ROBERT O’NEILL Former associate of Monsignor Francis “Frank” P. Schmitt at Boys Town in Nebraska JAMES ARNOLD Formerly associated w/ King’s College, Cambridge A convert to the Catholic Church, and distant relative of J. H. Arnold MARIA B. Currently serves as a musician in the Roman Catholic Diocese of Charlotte. Those aware of the situation in her diocese won’t be surprised she chose to withhold her last name.
    1 Even if we’d been able to obtain Roman journals such as NOTITIAE, none of them contained English translations. But such an idea would never have occurred to a high school student or a college student growing up in the 1960s. 2 A number of shell corporations claim to own the various biblical translations mandated for Roman Catholics. They’ve made millions of dollars selling (!) these indulgenced texts. If time permits, we hope to enumerate these various shell corporations and explain: which texts they claim to own; how much they bring in each year; who runs them; and so forth. It would also be good to explore the morality of selling these indulgenced texts for a profit. Furthermore, for the last fifty years these organizations have employed several tactics to manipulate and bully others. If time permits, we will expose those tactics (including written examples). Some of us—who have been working on this problem for three decades—have amassed written documentation we’ll be sharing that demonstrates behavior at best “shady” and at worst criminal. 3 Again, we are not yet examining the morality of selling (!) indulgenced texts to Catholics mandated to use those same translations.
    —Guest Author
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

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