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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jungmann’s Remarkable Statement About The Mass Propers In 1964

Jeff Ostrowski · February 9, 2014

814 pius ii mantua Pope Pius II at the Congress of Mantua ROM A HISTORICAL PERSPECTIVE, László Dobszay has demonstrated that it’s incorrect to assume each Mass has its own “theme.”  Even more erroneous is the notion that the Readings historically played the largest role in determining this “theme.”  From a theological perspective, Fr. Deryck Hanshell has said:

In the name of the reform there has been a tendency to equate the “theme” of the Mass with the theme to be derived from the readings. This is a misunderstanding of the nature of the Mass, in which the liturgy of the word leads up to and is subordinate to the liturgy of the sacrifice. In every Mass there is properly speaking one theme and one theme alone: the theme of the paschal mystery, of the death and resurrection of Christ.

I had previously assumed that Fr. Josef Jungmann was aware of these two basic realities, so I was shocked to discover something he wrote in 1964:

Very often the Propers are not particularly apposite, bearing a particular reference neither to the rest of the Mass formula nor to the relevant part of the action of the Mass. In short, they need reforming.

The entire article is available at the following link:

      * *  “Liturgy and Congregational Singing” (1964) — Fr. Josef A. Jungmann, SJ

Did you notice the horrible error made by Editor, by the way? He accidentally typed “OPPOSITE” instead of “APPOSITE”. Needless to say, there’s a huge difference! (For the record, Msgr. Schmitt often joked about how sloppy an editor he was.)

Anyway, getting back to that quote … it’s appalling! In essence, Jungmann is saying:

“I’ve decided that each Mass has a theme. If the ancient Propers don’t match the theme I’ve invented, let’s change them. Let’s ignore the incredible history of these prayers, which have been used for approximately 1,600 years.”

The spoken Propers were, in fact, radically reformed in the wake of the Second Vatican Council, but the Sung Propers were left largely untouched. The reformers also annihilated most of the Collects, perhaps because they didn’t sufficiently match the “theme.” Dr. Lauren Pristas wrote a book about this, which I mention in my article, “Bugnini wanted to get rid of Ash Wednesday.”

I challenge you to carefully read that quote by Jungmann several times. What he’s putting forth shows a total misunderstanding of the Church’s liturgical life. I realize this is a serious allegation, but I cannot see any other possible conclusion.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers, Mass Propers Proprium Missae Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

They were not ashamed to lay their hands on Sedulius, on Prudentius, on St. Ambrose himself. Only in one or two cases does some sense of shame seem to have stopped their nefarious work. They left “Ave maris stella,” “Jam lucis orto sidere,” and St. Thomas Aquinas’s hymns alone (they would have made pretty work of “Sacris solemniis”). In 1629 their mangled remnants were published.

— Rev’d Adrian Knottesford Fortescue (25 March 1916)

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