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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Initial Response To Pope Francis’ Recent Actions Regarding Monsignori

Jeff Ostrowski · January 5, 2014

ATICAN INSIDER REPORTS that Pope Francis has put an end to the naming of Monsignori, unless a priest be over the age of 65. Will this move have any effect on the scandalous and damaging secular music performed each Sunday in so many Catholic churches? Will it help solve the massive crisis of faith afflicting our Church since the Council? Will it cause even one lapsed Catholic to resume attending Mass on Sundays? I suppose only time will tell, but these are some of the most pressing priorities on Francis’ plate.

One writer said it’s an effort to curb careerism, but he obviously has no clue. The best way to stop careerism would be mandating a minimum period of time a priest must serve in a “typical” parish setting before being assigned to teach in the seminary or do Chancery work. Such inaccurate analysis, however, is not surprising, since gibberish from unqualified sensationalists abounds when it comes to Pope Francis. The naming of Monsignori had been a way individual bishops could recognize faithful service, and each bishop was free to name them or not. The hypocrisy of some applauding this action is unbelievable, since these same quarters are usually in favor of “individual bishops governing their own dioceses without interference from Rome.”

YOU’RE PROBABLY THINKING, “OK, Jeff, since you’re so smart, what reforms should Francis enact?” I would like to see Francis start to curb the “horse barn” mentality of the Church. What? You never heard of that mentality? I will explain:

One of the favorite techniques of the “liturgical progressives” since the Council is to allow a forbidden practice for a period of time. Then, when Rome finally demands an account, the perpetrator says, “Oh, but this already being done. The horse is already out of the barn. We can’t turn back the clock now …” In other words, halting a (forbidden) practice already being done has somehow been considered unthinkable. A reliable witness has told me that Archbishop Weakland often used this technique in his now notorious dealings with Rome.

I’m reminded of an “open letter” written last year by Roger Cardinal Mahony. In it, he responded to Archbishop José Gomez, who had been forced to strip him of all public duties owing to Mahony’s malfeasance in concealing clergy sex abuse (for which his diocese paid nearly a billion dollars in damages). I’m not going to quote the entire letter, which is extremely petulant and self-serving, but here’s an excerpt:

I have stated time and time again that I made mistakes, especially in the mid-1980s. I apologized for those mistakes, and committed myself to make certain that the Archdiocese was safe for everyone. Unfortunately, I cannot return now to the 1980s and reverse actions and decisions made then.

Once again, we see the “horse barn” mentality … but, what is the proper response? Well, for starters, Mahony should not have attended the Conclave, because his judgment is obviously not sound. Also, he should have spent the rest of his life in a monastery doing penance, as well as giving his personal funds to the victims and meeting with them each year. I could keep going, but in essence, merely saying, “Oops!” is insufficient. If I break your window and sincerely apologize, you ought to say, “I accept your apology … but you still must repair the window you broke!”

In my humble opinion, I think eliminating Monsignori under 65 is akin to “rearranging deck chairs on the Titanic.” However, I believe all Monsignori are obligated pay some kind of special “tax” each year, on account of their office. Perhaps all that money can now be pledged to support our efforts here at CCW!   Hey, I can dream, can’t I?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pope Francis Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“I have devoted myself too much, I think, to Bach, to Mozart and to Liszt. I wish now that I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life; and I have heard his music too often—prostituted, profaned, vulgarized … I do not know what to choose for a new repertory!”

— Ferruccio Busoni (to a colleague in 1922, when he was 56 years old)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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