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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Initial Response To Pope Francis’ Recent Actions Regarding Monsignori

Jeff Ostrowski · January 5, 2014

ATICAN INSIDER REPORTS that Pope Francis has put an end to the naming of Monsignori, unless a priest be over the age of 65. Will this move have any effect on the scandalous and damaging secular music performed each Sunday in so many Catholic churches? Will it help solve the massive crisis of faith afflicting our Church since the Council? Will it cause even one lapsed Catholic to resume attending Mass on Sundays? I suppose only time will tell, but these are some of the most pressing priorities on Francis’ plate.

One writer said it’s an effort to curb careerism, but he obviously has no clue. The best way to stop careerism would be mandating a minimum period of time a priest must serve in a “typical” parish setting before being assigned to teach in the seminary or do Chancery work. Such inaccurate analysis, however, is not surprising, since gibberish from unqualified sensationalists abounds when it comes to Pope Francis. The naming of Monsignori had been a way individual bishops could recognize faithful service, and each bishop was free to name them or not. The hypocrisy of some applauding this action is unbelievable, since these same quarters are usually in favor of “individual bishops governing their own dioceses without interference from Rome.”

YOU’RE PROBABLY THINKING, “OK, Jeff, since you’re so smart, what reforms should Francis enact?” I would like to see Francis start to curb the “horse barn” mentality of the Church. What? You never heard of that mentality? I will explain:

One of the favorite techniques of the “liturgical progressives” since the Council is to allow a forbidden practice for a period of time. Then, when Rome finally demands an account, the perpetrator says, “Oh, but this already being done. The horse is already out of the barn. We can’t turn back the clock now …” In other words, halting a (forbidden) practice already being done has somehow been considered unthinkable. A reliable witness has told me that Archbishop Weakland often used this technique in his now notorious dealings with Rome.

I’m reminded of an “open letter” written last year by Roger Cardinal Mahony. In it, he responded to Archbishop José Gomez, who had been forced to strip him of all public duties owing to Mahony’s malfeasance in concealing clergy sex abuse (for which his diocese paid nearly a billion dollars in damages). I’m not going to quote the entire letter, which is extremely petulant and self-serving, but here’s an excerpt:

I have stated time and time again that I made mistakes, especially in the mid-1980s. I apologized for those mistakes, and committed myself to make certain that the Archdiocese was safe for everyone. Unfortunately, I cannot return now to the 1980s and reverse actions and decisions made then.

Once again, we see the “horse barn” mentality … but, what is the proper response? Well, for starters, Mahony should not have attended the Conclave, because his judgment is obviously not sound. Also, he should have spent the rest of his life in a monastery doing penance, as well as giving his personal funds to the victims and meeting with them each year. I could keep going, but in essence, merely saying, “Oops!” is insufficient. If I break your window and sincerely apologize, you ought to say, “I accept your apology … but you still must repair the window you broke!”

In my humble opinion, I think eliminating Monsignori under 65 is akin to “rearranging deck chairs on the Titanic.” However, I believe all Monsignori are obligated pay some kind of special “tax” each year, on account of their office. Perhaps all that money can now be pledged to support our efforts here at CCW!   Hey, I can dream, can’t I?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pope Francis Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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