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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for January 2014

Richard J. Clark · January 31, 2014

Changing the Culture: Progress, Not Perfection

Musicians and liturgists are something of a perfectionist lot. We often berate ourselves for lack of perfection and are highly critical when liturgy falls short of rubrics or expectations.

Dr. Peter Kwasniewski · January 30, 2014

Poverty, Self-Denial, and Peace – Part I

The remedy for disordered desire is mortification and the longing for God, the living God, who calls us to intimate union. How different is Christian redemption from a Buddhist annihilation of self!

Andrew R. Motyka · January 29, 2014

Richard Sherman and Self-Confidence

The importance of confidence in performance.

Jeff Ostrowski · January 28, 2014

Benedict Brought Peace To The Church With “Summorum Pontificum”

“If the right is given to African tribes to include their pagan traditions in the liturgy, I think the same should also be given to the rite of a thousand year-old Christian Church, based on a much older Roman tradition.” — László Dobszay

Gwyneth Holston · January 27, 2014

Do You Like This Painting or Not?

Help me decide what to think on the feast of St. John Chrysostom.

Jeff Ostrowski · January 26, 2014

“Cannot” vs. “Will Not” in Sacred Music

Maybe I should have used the annoying little saying I learned as a kid: “I would if I could, but I can’t, so I won’t.”

Fr. David Friel · January 26, 2014

Comparing Canons

Does Using Eucharistic Prayer II Really “Save Time”?

Veronica Brandt · January 25, 2014

Extending a music lesson

Would you like to help people make the connection between the Latin and the English translations?

Jeff Ostrowski · January 25, 2014

Now Online! Fr. Josef Jungmann’s Study of the Roman Rite “Missarum Sollemnia”

Freely PDF download of Fr. Jungmann’s masterpiece, “The Mass of the Roman Rite: its origins and development.”

Richard J. Clark · January 24, 2014

The Economics of Jobs in Sacred Music

Demand within the Church for beautiful sacred music is low leaving a surplus of highly qualified musicians quite capable of offering such beauty. How many Catholic musicians do you know work for other denominations because that is where their skills are valued?

Fr. David Friel · January 24, 2014

The Art of the Beautiful Lecture Series

Professor Anthony Esolen Presents: “Love & Artistic Genesis”

Jeff Ostrowski · January 24, 2014

Ratzinger: “How much filth there is in the church!”

“Have mercy on your church,” Cardinal Ratzinger prayed in 2005. “When we fall, we drag you down to earth, and Satan laughs, for he hopes that you will not be able to rise from that fall; he hopes that being dragged down in the fall of your church, you will remain prostrate and overpowered.”

Dr. Peter Kwasniewski · January 23, 2014

Lord, Deliver Me From My Persecutors

It is only a matter of time before being a Catholic at all will involve renouncing much that the world considers important and necessary. And soon there will be open persecution. Are we ready?

Jeff Ostrowski · January 23, 2014

Dom Joseph Gajard (1885-1972)

The greatest choirmaster of Solesmes and chef d’atelier of the Paléographic Musicale.

Andrew R. Motyka · January 22, 2014

Tools for the Day

The Communion Antiphon often reflects back to the Gospel.

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Corpus Christi Watershed

President’s Corner

    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

On 12 March 1908, Feast of St. Gregory the Great, the complete publication of the “Graduale” was issued by the Vatican Press. That very day, Dom Pothier solemnly presented the first copy to the Holy Father. Pius X wished to be the first to see the new book; he opened it at random, at page 128 of the supplement “pro aliquibus locis”—the Introit of the new Feast of Our lady of Lourdes. The Pope sang it with perfect taste to the last note.

— A witness of the papal audience writing circa 1915

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