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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

1934 “Antiphonale Monasticum” (Solesmes Abbey) • Free PDF Download!

Jeff Ostrowski · December 4, 2013

THE FAMOUS 1934 Antiphonale Monasticum published by the monks of Solesmes can now be downloaded in its entirety:

* *  Part 1 of 3 • pp. 1 – 363

* *  Part 2 of 3 • pp. 364 – 763

* *  Part 3 of 3 • pp. 764 – 1,296

Part 3 had some missing pages. These were added as of 10 December 2013 thanks to Gustav Valencia.

Father Brian T. Austin, FSSP, has created a B/W version—based on our scanned copy—which can be downloaded:

*  PDF Download • ANTIPHONALE MONASTICUM (1934)
—Scanned and uploaded by Corpus Christi Watershed.

IT IS INTERESTING TO NOTE that Fr. Paul Jausions (†1870) was born in 1834, precisely a century before the publication of the Antiphonale Monasticum. After Jausions’ death (in America!), his associate, Fr. Joseph Pothier, took the reins, and history knows what he was able to accomplish. The 1934 Antiphonale, however, might be regarded as the “crowning achievement” of the Solesmes monastery (unless it was the 1903 Liber Usualis). Dom Gajard is generally believed to have been the motivating force behind its publication.

Not everyone appreciated this work. In 1960, Msgr. Francis P. Schmitt wrote in the Caecilia:

“The Monastic Antiphonal is proof that the archaeologists never gave up. One can have no objection to the adherents of Solesmes singing what they please, but it is a fair and conjured guess that a cursory reading of the Monastic Antiphonary, and other books said to be in preparation, will make most people grateful that the like was not released upon the unsuspecting public some fifty years ago.”

THOSE WHO WISH TO LEARN MORE about Abbot Joseph Pothier, Fr. André Mocquereau, and the Vatican Edition might be interested in the following:

VIDEOS:   01   •   02   •   03   •   04   •   05   •   06   •   07

Article by Jeff Ostrowski — The rhythm of the Vatican Edition (PDF)

(1906) Fr. Henry Bewerunge’s Attack on the Vatican Edition (PDF)

(1906) Prior T. A. Burge, O.S.B. Defense of the Vatican Edition (PDF)

(1907) Dr. Peter Wagner’s Article on the Vatican Edition (PDF)

A few extra items worth noting:

Alternate Version of Article (with minor changes)
Hayburn Dissertation (Page 317)
Translation Explained

961 Antiphonale Monasticum

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 1934 Solesmes Antiphonale Monasticum, Editio Vaticana Preface, Hayburn Mora Vocis, Peter Wagner 1906, Pothier De Caetero 1906, Preface to the Vatican Edition, Virga English Translation Ostrowski Last Updated: November 29, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Since the English is not meant to be sung—but only to tell people who do not understand Latin what the hymn text means—a simple paraphrase in prose is sufficient. The versions are not always very literal. (Literal translations from Latin hymns would often look odd in English.) I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Father Adrian Fortescue (d. 1923)

Recent Posts

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  • PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin
  • “Equal Voices” Choir Pieces
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