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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Look Beyond The Bread You Eat” (Part 2)

Jeff Ostrowski · November 18, 2013

IFE AS A PARENT is a constant struggle. The children have endless energy … and you have none. It’s hard to find even a few minutes which can be spent peacefully listening to music. However, a few days ago I listened to part of a Mass by Cristóbal de Morales (sung by Chanticleer). It was so incredibly beautiful. More on this below.

I mentioned in Part 1 that certain things seem obvious to me, yet others have a totally different view. Let me give just one more example:

Years ago, upon being criticized for a lack of variety of Communion selections, I admitted to my priest-employer that I was struggling to find decent Communion hymns. His response was, “Well, obviously you don’t have a clue. Come over here, and in five seconds I can do a better job than you could dream of doing.” His rude manner of speaking did not bother me, because he spoke to everybody that same way. For the record, I ended up quitting a few months later, because this same priest began to weep — literally sob! — when I refused to allow a local jazz combo to play for the Holy Saturday Vigil.

Anyhow, this priest looked through our OCP hymn book, searching for what he called “reverent, orthodox hymns.” He searched and searched. Finally, he pointed to a song called, “Look beyond the bread you eat.” I was flabbergasted. It dawned on me that nothing I’d been saying to him had made the slightest impact. All these months, I had literally been wasting my breath. It was a revelation. Sometimes people are on a completely different wavelength.

Getting back to the Morales I mentioned earlier, his settings of the Mass — Credo, Sanctus, etc. — were so gorgeous … but why? I believe one reason was to transport us to a different world.

Have you ever wondered what it must have been like when the galaxy was created? Were you present when God created the birds? Were you there when grass and oceans were being created? What was it like to see whales and deer and rainbows and clouds come into existence? I don’t know … I wasn’t there. But this Morales music is transcendent, and (in my view) opens the mind to contemplate life in a different way. All of a sudden, humans (upon hearing such music) are invited to contemplate things Divine, whereas too many of us tend to waste our time and thoughts. Morales pulls us out of “reality” into a higher reality. How remarkable that someone back then could write such sophisticated and beautiful music, when modern culture insists that people today are so much smarter than former ages, and we no longer require “myths” like the God of the Bible. By the way, which of us routinely contemplates death? Modern culture wants us to think about anything BUT death. To make a long short, how different is the liturgical music of Morales from a song like Look Beyond The Bread You Eat !!

I DON’T WANT TO SHOCK anybody, but the Catholic Church has millions and millions of dollars. (This is still true, although it’s hard to believe when we hear about horrible scandals, like Roger Cardinal Mahoney paying close to a billion dollars from church funds because he covered up sexual abuse of minors.) So, why is our Catholic liturgical music so terrible in 99% of parishes? I’m starting to think it has to do with what I said earlier: we’re talking past one another. We’re not on the same page.

Therefore, I’ve decided to work on a set of “proposals” for Church musicians. These are basic, fundamental facts that both Pastor and Musician must understand. I’ve wanted to do this for years. I hope you’ll give your input, as time goes on, and we can together formulate a clear, guaranteed “formula for success.”

This article is part of a series:

Part 1   •   Part 2

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Contract Between Priest And Musician Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

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