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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Look Beyond The Bread You Eat” (Part 2)

Jeff Ostrowski · November 18, 2013

IFE AS A PARENT is a constant struggle. The children have endless energy … and you have none. It’s hard to find even a few minutes which can be spent peacefully listening to music. However, a few days ago I listened to part of a Mass by Cristóbal de Morales (sung by Chanticleer). It was so incredibly beautiful. More on this below.

I mentioned in Part 1 that certain things seem obvious to me, yet others have a totally different view. Let me give just one more example:

Years ago, upon being criticized for a lack of variety of Communion selections, I admitted to my priest-employer that I was struggling to find decent Communion hymns. His response was, “Well, obviously you don’t have a clue. Come over here, and in five seconds I can do a better job than you could dream of doing.” His rude manner of speaking did not bother me, because he spoke to everybody that same way. For the record, I ended up quitting a few months later, because this same priest began to weep — literally sob! — when I refused to allow a local jazz combo to play for the Holy Saturday Vigil.

Anyhow, this priest looked through our OCP hymn book, searching for what he called “reverent, orthodox hymns.” He searched and searched. Finally, he pointed to a song called, “Look beyond the bread you eat.” I was flabbergasted. It dawned on me that nothing I’d been saying to him had made the slightest impact. All these months, I had literally been wasting my breath. It was a revelation. Sometimes people are on a completely different wavelength.

Getting back to the Morales I mentioned earlier, his settings of the Mass — Credo, Sanctus, etc. — were so gorgeous … but why? I believe one reason was to transport us to a different world.

Have you ever wondered what it must have been like when the galaxy was created? Were you present when God created the birds? Were you there when grass and oceans were being created? What was it like to see whales and deer and rainbows and clouds come into existence? I don’t know … I wasn’t there. But this Morales music is transcendent, and (in my view) opens the mind to contemplate life in a different way. All of a sudden, humans (upon hearing such music) are invited to contemplate things Divine, whereas too many of us tend to waste our time and thoughts. Morales pulls us out of “reality” into a higher reality. How remarkable that someone back then could write such sophisticated and beautiful music, when modern culture insists that people today are so much smarter than former ages, and we no longer require “myths” like the God of the Bible. By the way, which of us routinely contemplates death? Modern culture wants us to think about anything BUT death. To make a long short, how different is the liturgical music of Morales from a song like Look Beyond The Bread You Eat !!

I DON’T WANT TO SHOCK anybody, but the Catholic Church has millions and millions of dollars. (This is still true, although it’s hard to believe when we hear about horrible scandals, like Roger Cardinal Mahoney paying close to a billion dollars from church funds because he covered up sexual abuse of minors.) So, why is our Catholic liturgical music so terrible in 99% of parishes? I’m starting to think it has to do with what I said earlier: we’re talking past one another. We’re not on the same page.

Therefore, I’ve decided to work on a set of “proposals” for Church musicians. These are basic, fundamental facts that both Pastor and Musician must understand. I’ve wanted to do this for years. I hope you’ll give your input, as time goes on, and we can together formulate a clear, guaranteed “formula for success.”

This article is part of a series:

Part 1   •   Part 2

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Contract Between Priest And Musician Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

At the Council of Trent, the subject was raised whether it was correct to refer to the unconsecrated elements of bread and wine as “immaculata hostia” (spotless victim) and “calix salutaris” (chalice of salvation) in the offertory prayers. Likewise the legitimacy of the making the sign of the cross over the elements after the Eucharistic consecration was discussed.

— ‘Fr. Uwe Michael Lang, Cong. Orat.’

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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