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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

More Thoughts On The 3-Year Lectionary …

Jeff Ostrowski · November 14, 2013

182 Bugnini NE REASON for convening Council of Trent was to make clear what Catholics believe, as opposed to the “Protestant” churches springing up. For this reason, the Council often issued decrees saying (in essence): “If anyone believes such-and-such, let him be anathema.” I like to call this very clear (if somewhat negative) system the “Trent method,” and I’ll use it to begin today’s article.

The other day, a knowledgeable and sincere defender of the Bugnini Lectionary said:

“In the ordinary form Lectionary, proper readings are retained on all solemnities, all feasts, and a sprinkling of the memorials.”

I clearly remember a priest making this claim more than a decade ago … but it’s not true. Here, for example, are some solemnities and feasts whose readings change because of a 3-year Lectionary cycle: Trinity Sunday, Christ the King, Transfiguration, Baptism of the Lord, Holy Family, and All Souls’ Day.

THE THREE-YEAR LECTIONARY has turned out to be a very hurtful thing for Catholics because it robs us of “yearly associations.” Considering the Ordinary Form has (wrongly) banished the Propers from 99% of Masses, the damage is compounded. We’ve discussed this many times, and earlier this week, Dr. Kwasniewski published an NLM article on this subject. We all seem to agree with what Professor László Dobszay said years ago:

The creators did not consider the capacity of the human psyche: the maximal size of a cyclic human memory extends to one year, which is “humanized” by the path of the Sun and the cycle of the seasons.

Please notice that nobody is criticizing Scripture itself, as Dobszay clarified:

First, however, we have to make an essential distinction. The Bible and the Gospels are holy to the very last letter. The very last “and” uttered by the Savior has meaning and conveys grace, simply because it was He who said it. Nobody has the right to select or omit the words of the Bible according to his perspective or taste. The Bible demands reverence and pious devotion, and it is only in its entirety that it has consecrating power. But another question is whether all parts of the Bible are equally suitable for becoming a pericope (in the sense defined above) — able to pervade, organize and characterize the liturgical day. When we discuss the choice of pericopes, it is not the biblical text that is criticized, and no distinction is made between the status of the various holy texts as part of Divine Revelation and doctrine. All we say is that one text is not as suitable to be a pericope as another.

Everyone ought to carefully reflect on Dobszay’s work, which has much to offer:

      * *  The Bugnini-Liturgy & Reform of the Reform • Professor László Dobszay

The article is available online courtesy of the CMAA and Catholic Church Music Associates.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Novus Ordo Lectionary Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“However well equipped and trained a choir may be, all its good points may be obscured by an unsuitable accompaniment. In fact the organist can, in a large measure, either make or mar his choir. It must be owned, however, that the accompanist of Plainsong has to contend with many difficulties. […] The purist will still find his best enjoyment of the chant when it is sung unaccompanied, but to most a becoming accompaniment gives an added charm.”

— Benedictines of Stanbrook (1905)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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