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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why Some Older Priests Hate Liturgy

Jeff Ostrowski · October 14, 2013

337 DOL Documents on the Liturgy (1963-1979) N MONDAY, a father tell his kids that jumping on the trampoline is forbidden. On Tuesday, he allows it under certain circumstances. On Wednesday, he allows it without any restrictions. On Thursday, he forbids it again. On Friday, he says they can jump on the trampoline if necessary. Leave aside for a moment whether jumping on the trampoline is good or bad. What kind of parenting skills are displayed here? What kind of men and women will those children become when they’re grown? I would suggest they’ll turn out pretty confused, with a disdain for “meaningless rules that change on a whim.”

Several seminarians have said to me:

“Don’t try to talk with older priests about Liturgy. They place it in the same category as Canon Law: boring, pointless, and impossible to comprehend.”

For years, I rejected their advice. How could any priest not like liturgy? However, consider what happened a few months ago. A visiting priest came and chose the Sprinkling Rite … without telling the music director! How awkward and uncomfortable it is when the priest walks up and down the aisle sprinkling the congregation accompanied by complete silence. This type of thing happens all the time, yet could easily be avoided with a 9-second conversation. What possible reason could there be for the priest not to let the musicians know in advance he’s going to choose the Sprinkling Rite? So, maybe the seminarians are right.

SHARING THE STORY about the trampoline (above) is my way of emphasizing that liturgical law has been changed far too often. A renowned Canonist, Fr. Georg May, has made this point better than I ever could:

      * *  Fr. Georg May • “Ecclesiastical Legislation on Liturgy and Church Music”

If you don’t believe me, feast your eyes on the size of the book in the image on the upper right! It’s 1,500 pages long, and that only covers legislation from 1963-1979. And they used to say the Tridentine Rite was complicated … sheesh!

One could go down a whole list of things that have been changed in a confusing way. Obviously, I’m not going to do that right now. But, take just one example. Read what Pope John XXIII wrote about Latin — “We are fully determined to restore Latin to its position of honor” etc. Then, take a look at what Pope Paul VI said about Latin:

      * *  Pope Paul VI • Address To General Audience About Latin (November 1969)

You will see that Pope Paul VI contradicts his immediate predecessor, yet believes abolishing Latin will lead to a “new and resplendent awakening” of Latin! This crazy logic reminds me of certain piccoluomini today who label mass apostasy, open heresy, and empty seminaries “renewal.” That, folks, is not true renewal.

(By the way, notice what Paul VI says about the required language for private celebrations in light of the observations made by Fr. Georg May.)

THE SACRED CONGREGATION OF RITES, to a great degree, saw the dangers and excesses of Bugnini’s Reform. Incidentally, Pope Paul VI saw them too late, but when he finally did, he dismissed Bugnini and banished him. Listen to what the Sacred Congregation said on 23 July 1964 (pointing out that the Second Vatican Council never said Latin should be gotten rid of):

These observations [by the Congregation] are dictated by a sincere desire to cooperate, in the best possible manner, for a full, happy, and fruitful application of the Constitution. We wish also to say that the Instruction is undoubtedly the result of much work; this is however a complex subject with many delicate points. Even one incautious word could have unpleasant consequences. Therefore, much caution must be taken, because of the matter in itself, and also to avoid a repetition of the case of bitter, unpleasant controversy, which arose over certain points in the Motu Proprio of January 25, 1964. […] Number 59 oversteps the spirit and letter of the Constitution, which in the mentioned article 63 foresees, in the Sacraments and Sacramentals, not a total change to the vernacular, but rather “amplior locus” given to the vernacular.

Finally, let me once more emphasize that the Pope does have the authority to make the changes he made. Similarly, the father does possess the authority to keep changing the trampoline rules. However, there is no divine guarantee assuring us the Pope will always act prudently regarding disciplinary laws.

As I’ve said before, the answer to all this is found in following the example of the saints. To learn more, read my series called “no salvation from decrees”   [1]   [2]   [3].

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Nothing should be allowed that is unworthy of divine worship, nothing that is obviously profane or unfit to express the inner, sacred power of prayer. Nothing odd or unusual is allowable, since such things, far from fostering devotion in the praying community, rather shock and upset it—and impede the proper and rightful cultivation of a devotion faithful to tradition.

— Pope Paul VI • 10/13/1966

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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