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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why Some Older Priests Hate Liturgy

Jeff Ostrowski · October 14, 2013

337 DOL Documents on the Liturgy (1963-1979) N MONDAY, a father tell his kids that jumping on the trampoline is forbidden. On Tuesday, he allows it under certain circumstances. On Wednesday, he allows it without any restrictions. On Thursday, he forbids it again. On Friday, he says they can jump on the trampoline if necessary. Leave aside for a moment whether jumping on the trampoline is good or bad. What kind of parenting skills are displayed here? What kind of men and women will those children become when they’re grown? I would suggest they’ll turn out pretty confused, with a disdain for “meaningless rules that change on a whim.”

Several seminarians have said to me:

“Don’t try to talk with older priests about Liturgy. They place it in the same category as Canon Law: boring, pointless, and impossible to comprehend.”

For years, I rejected their advice. How could any priest not like liturgy? However, consider what happened a few months ago. A visiting priest came and chose the Sprinkling Rite … without telling the music director! How awkward and uncomfortable it is when the priest walks up and down the aisle sprinkling the congregation accompanied by complete silence. This type of thing happens all the time, yet could easily be avoided with a 9-second conversation. What possible reason could there be for the priest not to let the musicians know in advance he’s going to choose the Sprinkling Rite? So, maybe the seminarians are right.

SHARING THE STORY about the trampoline (above) is my way of emphasizing that liturgical law has been changed far too often. A renowned Canonist, Fr. Georg May, has made this point better than I ever could:

      * *  Fr. Georg May • “Ecclesiastical Legislation on Liturgy and Church Music”

If you don’t believe me, feast your eyes on the size of the book in the image on the upper right! It’s 1,500 pages long, and that only covers legislation from 1963-1979. And they used to say the Tridentine Rite was complicated … sheesh!

One could go down a whole list of things that have been changed in a confusing way. Obviously, I’m not going to do that right now. But, take just one example. Read what Pope John XXIII wrote about Latin — “We are fully determined to restore Latin to its position of honor” etc. Then, take a look at what Pope Paul VI said about Latin:

      * *  Pope Paul VI • Address To General Audience About Latin (November 1969)

You will see that Pope Paul VI contradicts his immediate predecessor, yet believes abolishing Latin will lead to a “new and resplendent awakening” of Latin! This crazy logic reminds me of certain piccoluomini today who label mass apostasy, open heresy, and empty seminaries “renewal.” That, folks, is not true renewal.

(By the way, notice what Paul VI says about the required language for private celebrations in light of the observations made by Fr. Georg May.)

THE SACRED CONGREGATION OF RITES, to a great degree, saw the dangers and excesses of Bugnini’s Reform. Incidentally, Pope Paul VI saw them too late, but when he finally did, he dismissed Bugnini and banished him. Listen to what the Sacred Congregation said on 23 July 1964 (pointing out that the Second Vatican Council never said Latin should be gotten rid of):

These observations [by the Congregation] are dictated by a sincere desire to cooperate, in the best possible manner, for a full, happy, and fruitful application of the Constitution. We wish also to say that the Instruction is undoubtedly the result of much work; this is however a complex subject with many delicate points. Even one incautious word could have unpleasant consequences. Therefore, much caution must be taken, because of the matter in itself, and also to avoid a repetition of the case of bitter, unpleasant controversy, which arose over certain points in the Motu Proprio of January 25, 1964. […] Number 59 oversteps the spirit and letter of the Constitution, which in the mentioned article 63 foresees, in the Sacraments and Sacramentals, not a total change to the vernacular, but rather “amplior locus” given to the vernacular.

Finally, let me once more emphasize that the Pope does have the authority to make the changes he made. Similarly, the father does possess the authority to keep changing the trampoline rules. However, there is no divine guarantee assuring us the Pope will always act prudently regarding disciplinary laws.

As I’ve said before, the answer to all this is found in following the example of the saints. To learn more, read my series called “no salvation from decrees”   [1]   [2]   [3].

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski
    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

It is known that the “mora vocis” is part of the compulsory rules of recital of the “Vaticana” and is indicated in the Editio typica and its reprints by a somewhat larger spacing of the neume (one space-line) within one group of neuma.

— 1953 Schwann Edition (PREFACE)

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