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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why Some Older Priests Hate Liturgy

Jeff Ostrowski · October 14, 2013

337 DOL Documents on the Liturgy (1963-1979) N MONDAY, a father tell his kids that jumping on the trampoline is forbidden. On Tuesday, he allows it under certain circumstances. On Wednesday, he allows it without any restrictions. On Thursday, he forbids it again. On Friday, he says they can jump on the trampoline if necessary. Leave aside for a moment whether jumping on the trampoline is good or bad. What kind of parenting skills are displayed here? What kind of men and women will those children become when they’re grown? I would suggest they’ll turn out pretty confused, with a disdain for “meaningless rules that change on a whim.”

Several seminarians have said to me:

“Don’t try to talk with older priests about Liturgy. They place it in the same category as Canon Law: boring, pointless, and impossible to comprehend.”

For years, I rejected their advice. How could any priest not like liturgy? However, consider what happened a few months ago. A visiting priest came and chose the Sprinkling Rite … without telling the music director! How awkward and uncomfortable it is when the priest walks up and down the aisle sprinkling the congregation accompanied by complete silence. This type of thing happens all the time, yet could easily be avoided with a 9-second conversation. What possible reason could there be for the priest not to let the musicians know in advance he’s going to choose the Sprinkling Rite? So, maybe the seminarians are right.

SHARING THE STORY about the trampoline (above) is my way of emphasizing that liturgical law has been changed far too often. A renowned Canonist, Fr. Georg May, has made this point better than I ever could:

      * *  Fr. Georg May • “Ecclesiastical Legislation on Liturgy and Church Music”

If you don’t believe me, feast your eyes on the size of the book in the image on the upper right! It’s 1,500 pages long, and that only covers legislation from 1963-1979. And they used to say the Tridentine Rite was complicated … sheesh!

One could go down a whole list of things that have been changed in a confusing way. Obviously, I’m not going to do that right now. But, take just one example. Read what Pope John XXIII wrote about Latin — “We are fully determined to restore Latin to its position of honor” etc. Then, take a look at what Pope Paul VI said about Latin:

      * *  Pope Paul VI • Address To General Audience About Latin (November 1969)

You will see that Pope Paul VI contradicts his immediate predecessor, yet believes abolishing Latin will lead to a “new and resplendent awakening” of Latin! This crazy logic reminds me of certain piccoluomini today who label mass apostasy, open heresy, and empty seminaries “renewal.” That, folks, is not true renewal.

(By the way, notice what Paul VI says about the required language for private celebrations in light of the observations made by Fr. Georg May.)

THE SACRED CONGREGATION OF RITES, to a great degree, saw the dangers and excesses of Bugnini’s Reform. Incidentally, Pope Paul VI saw them too late, but when he finally did, he dismissed Bugnini and banished him. Listen to what the Sacred Congregation said on 23 July 1964 (pointing out that the Second Vatican Council never said Latin should be gotten rid of):

These observations [by the Congregation] are dictated by a sincere desire to cooperate, in the best possible manner, for a full, happy, and fruitful application of the Constitution. We wish also to say that the Instruction is undoubtedly the result of much work; this is however a complex subject with many delicate points. Even one incautious word could have unpleasant consequences. Therefore, much caution must be taken, because of the matter in itself, and also to avoid a repetition of the case of bitter, unpleasant controversy, which arose over certain points in the Motu Proprio of January 25, 1964. […] Number 59 oversteps the spirit and letter of the Constitution, which in the mentioned article 63 foresees, in the Sacraments and Sacramentals, not a total change to the vernacular, but rather “amplior locus” given to the vernacular.

Finally, let me once more emphasize that the Pope does have the authority to make the changes he made. Similarly, the father does possess the authority to keep changing the trampoline rules. However, there is no divine guarantee assuring us the Pope will always act prudently regarding disciplinary laws.

As I’ve said before, the answer to all this is found in following the example of the saints. To learn more, read my series called “no salvation from decrees”   [1]   [2]   [3].

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“Whether celebrated with priest and people facing each other or with priest and people together facing the same direction, every Eucharist is Christ coming to meet us, gracing us with a share in his own divine life.”

— Most Rev’d Arthur J. Serratelli (1 December 2016)

Recent Posts

  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)

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