• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Why Some Older Priests Hate Liturgy

Jeff Ostrowski · October 14, 2013

337 DOL Documents on the Liturgy (1963-1979) N MONDAY, a father tell his kids that jumping on the trampoline is forbidden. On Tuesday, he allows it under certain circumstances. On Wednesday, he allows it without any restrictions. On Thursday, he forbids it again. On Friday, he says they can jump on the trampoline if necessary. Leave aside for a moment whether jumping on the trampoline is good or bad. What kind of parenting skills are displayed here? What kind of men and women will those children become when they’re grown? I would suggest they’ll turn out pretty confused, with a disdain for “meaningless rules that change on a whim.”

Several seminarians have said to me:

“Don’t try to talk with older priests about Liturgy. They place it in the same category as Canon Law: boring, pointless, and impossible to comprehend.”

For years, I rejected their advice. How could any priest not like liturgy? However, consider what happened a few months ago. A visiting priest came and chose the Sprinkling Rite … without telling the music director! How awkward and uncomfortable it is when the priest walks up and down the aisle sprinkling the congregation accompanied by complete silence. This type of thing happens all the time, yet could easily be avoided with a 9-second conversation. What possible reason could there be for the priest not to let the musicians know in advance he’s going to choose the Sprinkling Rite? So, maybe the seminarians are right.

SHARING THE STORY about the trampoline (above) is my way of emphasizing that liturgical law has been changed far too often. A renowned Canonist, Fr. Georg May, has made this point better than I ever could:

      * *  Fr. Georg May • “Ecclesiastical Legislation on Liturgy and Church Music”

If you don’t believe me, feast your eyes on the size of the book in the image on the upper right! It’s 1,500 pages long, and that only covers legislation from 1963-1979. And they used to say the Tridentine Rite was complicated … sheesh!

One could go down a whole list of things that have been changed in a confusing way. Obviously, I’m not going to do that right now. But, take just one example. Read what Pope John XXIII wrote about Latin — “We are fully determined to restore Latin to its position of honor” etc. Then, take a look at what Pope Paul VI said about Latin:

      * *  Pope Paul VI • Address To General Audience About Latin (November 1969)

You will see that Pope Paul VI contradicts his immediate predecessor, yet believes abolishing Latin will lead to a “new and resplendent awakening” of Latin! This crazy logic reminds me of certain piccoluomini today who label mass apostasy, open heresy, and empty seminaries “renewal.” That, folks, is not true renewal.

(By the way, notice what Paul VI says about the required language for private celebrations in light of the observations made by Fr. Georg May.)

THE SACRED CONGREGATION OF RITES, to a great degree, saw the dangers and excesses of Bugnini’s Reform. Incidentally, Pope Paul VI saw them too late, but when he finally did, he dismissed Bugnini and banished him. Listen to what the Sacred Congregation said on 23 July 1964 (pointing out that the Second Vatican Council never said Latin should be gotten rid of):

These observations [by the Congregation] are dictated by a sincere desire to cooperate, in the best possible manner, for a full, happy, and fruitful application of the Constitution. We wish also to say that the Instruction is undoubtedly the result of much work; this is however a complex subject with many delicate points. Even one incautious word could have unpleasant consequences. Therefore, much caution must be taken, because of the matter in itself, and also to avoid a repetition of the case of bitter, unpleasant controversy, which arose over certain points in the Motu Proprio of January 25, 1964. […] Number 59 oversteps the spirit and letter of the Constitution, which in the mentioned article 63 foresees, in the Sacraments and Sacramentals, not a total change to the vernacular, but rather “amplior locus” given to the vernacular.

Finally, let me once more emphasize that the Pope does have the authority to make the changes he made. Similarly, the father does possess the authority to keep changing the trampoline rules. However, there is no divine guarantee assuring us the Pope will always act prudently regarding disciplinary laws.

As I’ve said before, the answer to all this is found in following the example of the saints. To learn more, read my series called “no salvation from decrees”   [1]   [2]   [3].

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Perhaps he had too much sense of humour to be altogether a great man: he lacked pomposity.”

— Msgr. Ronald Knox writing about Father Adrian Fortescue

Recent Posts

  • “Catholic Priest Saying Mass” • Medieval Illumination
  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass
  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.