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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“It wasn’t supposed to happen this way.”

Jeff Ostrowski · October 8, 2013

E COULD STOP sending out CCW fundraising letters if I had a dime for every time someone said:

Latin is not important. After all, Christ didn’t say the first Mass in Latin. Did you know that?

Obviously, in a short blog entry, I can’t adequately address all the reasons that statement is false. For instance, there are the “typical” responses, like pointing out that if we really believe what we claim about the Mass, a natural human instinct is to “clothe” it in a lingua sacra. Then, there are the not so apparent reasons. For instance, one reason such hatred for Latin exists in certain quarters has to do with hatred for the Church of the Middle Ages. In other words, they’re correct that Christ didn’t say the first Mass in Latin (although He did use a linga sacra). However, it just so happens that a large part of Salvation History was revealed to us in the Latin Rite. So many saints belonged to the Latin Rite! So much of what we believe comes from the development of doctrine in the (Latin) Middle Ages, and that is what is often being attacked and rejected covertly when folks denigrate Latin. Certainly, God could have chosen a different language if He wished. St. Thomas Aquinas, St. Bonaventure, St. Augustine, St. Francis, and all the rest could have (conceivably) had their liturgies in Polish or Portuguese or Tagalog. But, as a matter of fact, they didn’t.

ANYWAY, ENOUGH OF ALL THAT. Let’s take a look at something positive. Young Catholics everywhere are waking up and discovering they’ve been robbed of their inheritance:

      * *  Diary of a Latin Mass Wedding (Regina Magazine)

Here’s an excerpt:

I’ve been attending the Traditional Latin Mass since 2009. I took Latin in school, and one day someone told me, “Did you know that in the Middle Ages the Mass used to be in Latin?” I thought, “I wish that still happened, somewhere on earth.” Then, I found out there was a traditional Latin Mass at St. Agnes in New York City, so I started taking the train from Connecticut to attend. I had no idea there were any Traditional Latin Masses anywhere else, much less any in Connecticut.

The story comes from an sensational Catholic women’s magazine called Regina. I’d never heard of this magazine before, but more than seven thousand people subscribe (based on their Facebook page). The writing, photography, and “professionally done” layouts are to be commended. Please let your female friends know about this!!!

By the way, my wife and I also had a 1962 Tridentine Wedding (back in 2007) and the celebrant was none other than Bishop René H. Gracida, who wore a special chasuble that had belonged to a canonized saint:

350 Tridentine Wedding

Someday, God-willing, I hope to share more information about the music we had at this Mass. The men’s Schola had nineteen men, and the polyphonic choir had fifty mixed voices.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Latin Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“You have thereby removed from the celebration of the Mass all superstitions, all greed for lucre, and all irreverence … removed its celebrations from private homes and profane places to holy and consecrated sanctuaries. You have banished from the temple of the Lord the more effeminate singing and musical compositions.”

— ‘Bishop Racozonus, speaking at the last session of the Council of Trent (1563)’

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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