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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bugnini: the word Alleluia is a “meaningless sound”

Jeff Ostrowski · October 7, 2013

353 Last Supper HEN historian Hubert Jedin critically examined the effects of the vernacular liturgy in a 1969 article printed by L’Osservatore Romano, Annibale Bugnini became “unhinged,” writing a polemical response that includes the following statement:

As a good historian who knows how to weigh both sides and reach a balanced judgment, why did you not mention the millions and hundreds of millions of the faithful who have at last achieved worship in spirit and in truth? Who can at last pray to God in their own languages and not in meaningless sounds, and are happy that henceforth they know what they are saying? Are they not “the Church?”

His argument is absurd for two reasons. First, it is incorrect to assert that Catholics cannot understand words in a different language. For example, just think of the word “Alleluia.” Or, think of “Kyrie Eleison” and “Amen.” The same for “Hosanna in excelsis” and “Et incarnatus est.” Until the reforms following the Second Vatican Council, the Mass was (for the most part) unchanging. To say that Catholics cannot put forth a little effort and learn the basics of the Mass in Latin is untenable, especially for those who understand the great importance of the Mass. According to St. Thomas Aquinas, even if one cannot give a “dictionary definition” for the word alleluia, praying it in Church is still pleasing to God if one has the love of God in one’s heart.

The second problem with Bugnini’s assertion is treated by Fr. John Parsons in his thoughtful article:

      * *  Article by Fr. John Parsons (Printed in Sacred Music)

It is simply incorrect for Bugnini to say that a “black hole” existed from the 6th century until 1965 (when the vernacular was introduced) during which Catholics were not truly adoring God at Mass. Please carefully notice I am not saying the fathers of the the Second Vatican Council went beyond their rights when they allowed for greater use of the vernacular, declaring “it is for the competent territorial ecclesiastical authority to decide whether, and to what extent, the vernacular language is to be used” (Sacrosanctum Concilium §36c).

I WOULD ENCOURAGE to read that article by Fr. Parsons. At the end, I also included some interesting comments by Kurt Poterack, who cites a 1995 article by Fr. Brian Harrison (The Reform of the Reform) which everyone ought to read. If anyone has access to an online version, please email me.

Fr. Parsons makes many good points, especially in the section mentioning the Eastern Rites. This is a subject I will be writing more about in the context of “Bugnini logic” (see below). The words of Pope Francis about the Eastern Rites are also worthy of consideration:

They have conserved that pristine liturgy, no? So beautiful. We [i.e. those of us who celebrate the liturgy reformed by Bugnini] have lost a bit the sense of adoration, they conserve it, they praise God, they adore God, they sing, time does not count. The center is God and that is a richness that I would like to emphasize on this occasion as you ask me this question.

[Original Italian: Hanno conservato quella pristina liturgia, no?, tanto bella. Noi abbiamo perso un po’ il senso dell’adorazione, loro lo conservano, loro lodano Dio, loro adorano Dio, cantano, il tempo non conta. Il centro è Dio e quella è una ricchezza che vorrei dire in questa occasione in cui Lei mi fa questa domanda.]

As time goes on, we’ll talk more about “Bugnini logic” … a type of pseudo-logic (accepted in the 1960s) which did great harm to the Church and is now undergoing evaluation by cooler heads. In particular, statements made by Bugnini in his book on liturgy are remarkable for their brashness, and often reveal an appalling lack of understanding for basic Catholic theology. It is very difficult for me to understand how those in authority could have been taken in. They fell for it “hook, line, and sinker” as my mother would say.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“No one can reasonably find in the dispositions of Vatican II anything out of order, or any extreme opinions or tendencies which restrict the function of sacred music exclusively to the congregational singing of the faithful or on the other hand which replace or eliminate the singing of the congregation entirely by the singing of the choir.”

— Most Rev’d Archbishop D.M.M. y Gómez, Primate of Mexico (at that time, the world’s largest archdiocese)

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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