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Views from the Choir Loft

Archives for October 2013

Dr. Peter Kwasniewski · October 31, 2013

Incarnation and Divinization

Why did the Son of God become man? “God became man, that men might become gods” (St. Athanasius).

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Gwyneth Holston · October 31, 2013

The Informed Aesthetic

Ugly churches and tacky artwork are the external signs of an internal deficiency most of us share.

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Jeff Ostrowski · October 30, 2013

Definition Of Liturgical “Piccoluomini” ?

Human beings are “geared” toward annual events. Our minds, emotions, and memories simply aren’t programmed to work in 3-year cycles.

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Corpus Christi Watershed · October 30, 2013

National Catholic Register Mentions Watershed Hymnal

“I’ve found that almost all of the students, regardless of their current knowledge level, are receptive to the Church’s treasury of sacred music and her teaching on the subject.”

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Cynthia Ostrowski · October 29, 2013

Catholic Line Art, Black and White • Installment #40

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

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Corpus Christi Watershed · October 29, 2013

Fr. Jeffrey Keyes Featured In Regina Magazine

“Disgusted and hurt, I went back to selling hotdogs and making music in a liberal Catholic church on Sunday evenings.”

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Jeff Ostrowski · October 28, 2013

At Mass This Sunday …

The priest intoned the Gloria … a truly magnificent effect!

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Corpus Christi Watershed · October 28, 2013

REMINDER: Upcoming Holy Day of Obligation

Friday, 1 November 2013 (All Saints Day) is a Holy Day of Obligation for Catholics.

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Jeff Ostrowski · October 28, 2013

What Do We Think Of Cell Phones At Mass?

I have noticed a certain tendency at EF Masses which causes me concern. Please allow me to “think out loud” and let me know your thoughts, as well.

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Jeff Ostrowski · October 28, 2013

A Culture Obsessed With Sensationalism

It’s bizarre that both conductor and pianist were too lazy to discuss things like tempi beforehand.

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Fr. David Friel · October 27, 2013

Gerard Manley Hopkins & Beauty

Pondering Papal Poetic Preferences

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Richard J. Clark · October 25, 2013

Who Likes to be “Pruned”?

I don’t know about you, but I don’t like being pruned. Ultimately, this pruning leads to a refinement of the soul.

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Jeff Ostrowski · October 25, 2013

How Bad Was It?

Someday, my children might ask: “Do you remember the first ICEL translation of the Roman Missal?”

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Corpus Christi Watershed · October 24, 2013

Blessed John Henry Cardinal Newman

Corpus Christi Watershed assisted the Birmingham Oratory with media work leading up to the Papal Visit and Beatification of Cardinal Newman.

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Dr. Peter Kwasniewski · October 24, 2013

On Aweful Ambos and Lilliputian Lecterns

Why can’t churches have grand furnishings and fixtures—like the lofty pulpits you see in older churches? And why aren’t those pulpits, where they exist, still being used today?

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Corpus Christi Watershed

President’s Corner

    Calling Dr. Weaver!

    A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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    —Jeff Ostrowski
    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

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    —Jeff Ostrowski
    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown

Recent Posts

  • Why I Never Write Articles for Corpus Christi Watershed Anymore
  • Calling Dr. Weaver!
  • “A Catholic Choir Director’s Decalogue” • Jeff’s Personal Odyssey (10 Points)
  • SLANE • “Simplified” Keyboard Arr.
  • “Taking Over an Inner City School Choir” • Rebecca’s Story

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