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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Fr. Jeffrey Keyes Featured In Regina Magazine

Corpus Christi Watershed · October 29, 2013

ATHER JEFFREY KEYES was recently featured in Regina Magazine, a beautiful Catholic publication we’ve mentioned in the past. As usual, Regina includes beautiful images like this one.

Below is a short excerpt. Notice that Fr. Keyes mentions Fr. Lawrence Heiman, C.PP.S. (1917-2012), a well-known promoter of Gregorian chant.

ENTERED THE SEMINARY in 1971. In four years I learned how to play guitar and got a degree in Thomistic Philosophy. I left the seminary in 1976 and worked in a hot dog stand and an insurance company before re-entering another seminary in 1977.

The ’70s did horrific damage to the church and I was criticized for associating priesthood too closely to the sacraments and worship and not enough to social justice. They did not want a “musical priest.” I was also told to throw away that old Thomistic stuff.

Disgusted and hurt, I went back to selling hotdogs and making music in a liberal Catholic church on Sunday evenings. I also spent summers in the mid-West working on Graduate Degree in Liturgy and music. When I first got to that Midwest College, all my professors in music were priests, Precious Blood Priests. I am especially grateful to Fr. Bob Onofrey and Fr. Larry Heiman for encouraging me to be both musician and priest. After all, if they could do it, why could I not do it?

Fr. Heiman would become my mentor in Gregorian Chant for more than 30 years until his death at the age of 92. I joined the Precious Blood community in 1988. I was professed in 1990 and ordained to the priesthood, October 26, 1991.

You can read the full article here. Fr. Keyes is also featured in Sacred, Beautiful, & Universal, a 60-minute documentary on Sacred Music.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform Last Updated: January 1, 2020

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President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla Cathedral: Chapter Resolution (13 December 1564)

Recent Posts

  • “What Martin Luther Said…”
  • “Music List” • 15th in Ordinary Time (Year C)
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  • “How to Conduct 90 Vespers Services Each Year and Live to Tell the Tale.”
  • 15th Sunday in Ordinary Time (Year C)

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