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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Which Way Does Your Priest Face For The Prayer After Communion?

Jeff Ostrowski · September 27, 2013

365 Paul VI Pope Paul VI in India E HAVE EXAMINED the rubrics of the Ordinary Form here and here, and we saw that the current Missal assumes priest and people will be facing the same direction during the Liturgy of the Eucharist.

However, there appears to be a discrepancy in the Rubrics … no great surprise, since the current Missal was put together with haste, and even the Vatican dicastery had to apologize for all the errors and typos contained in those early 1970s directives. The discrepancy has to do with the direction the priest must face to read the Prayer after Communion.

AS BISHOP PETER J. ELLIOTT has pointed out (Ceremonies of the Modern Roman Rite, §350), “The celebrant may choose to say the Prayer after Communion and impart the final blessing at the altar.” The rubrics do indeed allow this, but they seem to imply that the Prayer after Communion be read facing the people:

The 2011 GIRM says:

165. Deinde, stans ad sedem vel ad altare, sacerdos, versus ad populum, dicit, manibus iunctis: Orémus et, extensis manibus, orationem post Communionem recitat, cui præmitti potest breve spatium silentii, nisi iam præcesserit statim post Communionem. In fine orationis populus acclamat: Amen.

166. Expleta oratione post Communionem, fiant, si habendæ sunt, breves annuntiationes ad populum.

167. Deinde sacerdos, extendens manus, salutat populum, dicens: Dóminus vobíscum, cui respondetur a populo: Et cum spíritu tuo. Et sacerdos, manus denuo coniungens, et statim, manum sinistram super pectus ponens et manum dexteram elevans, subdit: Benedícat vos omnípotens Deus et, signum crucis super populum faciens, prosequitur: Pater, et Fílius, + et Spíritus Sanctus. Omnes respondent: Amen.

165. Then, standing at the chair or at the altar, and facing the people with hands joined, the Priest says, Let us pray; then, with hands extended, he recites the Prayer after Communion. A brief period of silence may precede the prayer, unless this has been already observed immediately after Communion. At the end of the prayer the people acclaim, Amen.

166. When the Prayer after Communion is concluded, brief announcements should be made to the people, if there are any.

167. Then the Priest, extending his hands, greets the people, saying, The Lord be with you. They reply, And with your spirit. The Priest, joining his hands again and then immediately placing his left hand on his breast, raises his right hand and adds, May almighty God bless you and, as he makes the Sign of the Cross over the people, he continues, the Father, and the Son, + and the Holy Spirit. All reply, Amen.

Roman Missal, Third Edition says:

139. Deinde, stans ad altare vel ad sedem, sacerdos, versus ad populum, iunctis manibus, dicit: Oremus. Et omnes una cum sacerdote per aliquod temporis spatium in silentio orant, nisi silentium iam praecesserit. Deinde sacerdos, manibus extensis, dicit orationem post Communionem. Populus in fine acclamat: Amen.

140. Sequuntur, si necessariae sint, breves annuntiationes ad populum.

141. Deinde fit dimissio. Sacerdos, versus ad populum, extendens manus, dicit: Dominus vobiscum. Populus respondet: Et cum spiritu tuo. Sacerdos benedicit populum, dicens: Benedicat vos omnipotens Deus, Pater, et Filius, + et Spiritus Sanctus. Populus respondet: Amen.

139. Then, standing at the altar or at the chair and facing the people, with hands joined, the Priest says: Let us pray. All pray in silence with the Priest for a while, unless silence has just been observed. The the Priest, with hands extended, says the Prayer after Communion, at the end of which the people acclaim: Amen.

140. If they are necessary, any brief announcements to the people follow here.

141. Then the dismissal takes place. The Priest, facing the people and extending his hands, says: The Lord be with you. The people respond: And with your spirit. The Priest blesses the people saying: May almighty God bless you, the Father, and the Son, + and the Holy Spirit. The people reply: Amen.

I FEEL THE RUBRICS HERE are not precise. First of all, why should the rubrics say again to face the people for the blessing if the priest is already facing the people (see above)?

It is true that the 1969 GIRM says:

122. Postea, stans ad sedem vel ad altare, sacerdos versus ad populum, dicit: Orémus et, extensis manibus, orationem post Communionem recitat, cui præmitti potest breve spatium silentii, nisi iam præcesserit statim post Communionem. In fine orationis populus acclamat: Amen.

122. Then, standing at the altar or at the chair and facing the people, the priest says, with hands outstretched: “Let us pray.” There may be a brief period of silence, unless this has been already observed immediately after communion. He recites the prayer after communion, at the end of which the people make the response: “Amen.”

However, if you click here, you’ll see that the 1970 Missale Romanum (“Ordo Missæ cum populo”) omits the injunction to face the people. All it says is:

Deinde, stans ad sedem vel ad altare, sacerdos dicit:

Then, when it’s time for the final blessing, the 1970s rubrics say:

Sacerdos, versus ad populum, extendens manus, dicit:

How can we understand this discrepancy? My guess is, they wanted the priest to face the people when he says “Orémus.” Then, he ought to turn around to read the Prayer after Communion, because it would be strange to have a server hold the Missal on the altar steps. Then, when it’s time for the final blessing, the priest once more turns around. (If you think this is a lot of turning around, you should see a Low Mass according to the 1962 Missal at this point).

Finally, remember that the Missal rubrics don’t always explicitly tell the priest to “turn toward the altar.” For instance, the rubrics omit this when it’s time for the priest to kiss the altar: it’s common sense that he needs to turn around for this.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Mass Facing The People Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“One can still have silence even during the Canon, since one is not obliged to recite the Canon audibly at all times. A quieter, less powerful tone of voice will always permit an opportunity for personal, silent prayer.”

— Joseph Cardinal Frings (25-jan-1968), patron of “Consociatio Internationalis Musicae Sacrae” (papal church music association)

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