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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Which Way Does Your Priest Face For The Prayer After Communion?

Jeff Ostrowski · September 27, 2013

365 Paul VI Pope Paul VI in India E HAVE EXAMINED the rubrics of the Ordinary Form here and here, and we saw that the current Missal assumes priest and people will be facing the same direction during the Liturgy of the Eucharist.

However, there appears to be a discrepancy in the Rubrics … no great surprise, since the current Missal was put together with haste, and even the Vatican dicastery had to apologize for all the errors and typos contained in those early 1970s directives. The discrepancy has to do with the direction the priest must face to read the Prayer after Communion.

AS BISHOP PETER J. ELLIOTT has pointed out (Ceremonies of the Modern Roman Rite, §350), “The celebrant may choose to say the Prayer after Communion and impart the final blessing at the altar.” The rubrics do indeed allow this, but they seem to imply that the Prayer after Communion be read facing the people:

The 2011 GIRM says:

165. Deinde, stans ad sedem vel ad altare, sacerdos, versus ad populum, dicit, manibus iunctis: Orémus et, extensis manibus, orationem post Communionem recitat, cui præmitti potest breve spatium silentii, nisi iam præcesserit statim post Communionem. In fine orationis populus acclamat: Amen.

166. Expleta oratione post Communionem, fiant, si habendæ sunt, breves annuntiationes ad populum.

167. Deinde sacerdos, extendens manus, salutat populum, dicens: Dóminus vobíscum, cui respondetur a populo: Et cum spíritu tuo. Et sacerdos, manus denuo coniungens, et statim, manum sinistram super pectus ponens et manum dexteram elevans, subdit: Benedícat vos omnípotens Deus et, signum crucis super populum faciens, prosequitur: Pater, et Fílius, + et Spíritus Sanctus. Omnes respondent: Amen.

165. Then, standing at the chair or at the altar, and facing the people with hands joined, the Priest says, Let us pray; then, with hands extended, he recites the Prayer after Communion. A brief period of silence may precede the prayer, unless this has been already observed immediately after Communion. At the end of the prayer the people acclaim, Amen.

166. When the Prayer after Communion is concluded, brief announcements should be made to the people, if there are any.

167. Then the Priest, extending his hands, greets the people, saying, The Lord be with you. They reply, And with your spirit. The Priest, joining his hands again and then immediately placing his left hand on his breast, raises his right hand and adds, May almighty God bless you and, as he makes the Sign of the Cross over the people, he continues, the Father, and the Son, + and the Holy Spirit. All reply, Amen.

Roman Missal, Third Edition says:

139. Deinde, stans ad altare vel ad sedem, sacerdos, versus ad populum, iunctis manibus, dicit: Oremus. Et omnes una cum sacerdote per aliquod temporis spatium in silentio orant, nisi silentium iam praecesserit. Deinde sacerdos, manibus extensis, dicit orationem post Communionem. Populus in fine acclamat: Amen.

140. Sequuntur, si necessariae sint, breves annuntiationes ad populum.

141. Deinde fit dimissio. Sacerdos, versus ad populum, extendens manus, dicit: Dominus vobiscum. Populus respondet: Et cum spiritu tuo. Sacerdos benedicit populum, dicens: Benedicat vos omnipotens Deus, Pater, et Filius, + et Spiritus Sanctus. Populus respondet: Amen.

139. Then, standing at the altar or at the chair and facing the people, with hands joined, the Priest says: Let us pray. All pray in silence with the Priest for a while, unless silence has just been observed. The the Priest, with hands extended, says the Prayer after Communion, at the end of which the people acclaim: Amen.

140. If they are necessary, any brief announcements to the people follow here.

141. Then the dismissal takes place. The Priest, facing the people and extending his hands, says: The Lord be with you. The people respond: And with your spirit. The Priest blesses the people saying: May almighty God bless you, the Father, and the Son, + and the Holy Spirit. The people reply: Amen.

I FEEL THE RUBRICS HERE are not precise. First of all, why should the rubrics say again to face the people for the blessing if the priest is already facing the people (see above)?

It is true that the 1969 GIRM says:

122. Postea, stans ad sedem vel ad altare, sacerdos versus ad populum, dicit: Orémus et, extensis manibus, orationem post Communionem recitat, cui præmitti potest breve spatium silentii, nisi iam præcesserit statim post Communionem. In fine orationis populus acclamat: Amen.

122. Then, standing at the altar or at the chair and facing the people, the priest says, with hands outstretched: “Let us pray.” There may be a brief period of silence, unless this has been already observed immediately after communion. He recites the prayer after communion, at the end of which the people make the response: “Amen.”

However, if you click here, you’ll see that the 1970 Missale Romanum (“Ordo Missæ cum populo”) omits the injunction to face the people. All it says is:

Deinde, stans ad sedem vel ad altare, sacerdos dicit:

Then, when it’s time for the final blessing, the 1970s rubrics say:

Sacerdos, versus ad populum, extendens manus, dicit:

How can we understand this discrepancy? My guess is, they wanted the priest to face the people when he says “Orémus.” Then, he ought to turn around to read the Prayer after Communion, because it would be strange to have a server hold the Missal on the altar steps. Then, when it’s time for the final blessing, the priest once more turns around. (If you think this is a lot of turning around, you should see a Low Mass according to the 1962 Missal at this point).

Finally, remember that the Missal rubrics don’t always explicitly tell the priest to “turn toward the altar.” For instance, the rubrics omit this when it’s time for the priest to kiss the altar: it’s common sense that he needs to turn around for this.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Mass Facing The People Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
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    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
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“In accordance with the ancient tradition of the Church, institution to the ministries of reader and acolyte is reserved to men.”

— Pope Saint Paul VI (15 August 1972)

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