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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Which Way Does Your Priest Face For The Prayer After Communion?

Jeff Ostrowski · September 27, 2013

365 Paul VI Pope Paul VI in India E HAVE EXAMINED the rubrics of the Ordinary Form here and here, and we saw that the current Missal assumes priest and people will be facing the same direction during the Liturgy of the Eucharist.

However, there appears to be a discrepancy in the Rubrics … no great surprise, since the current Missal was put together with haste, and even the Vatican dicastery had to apologize for all the errors and typos contained in those early 1970s directives. The discrepancy has to do with the direction the priest must face to read the Prayer after Communion.

AS BISHOP PETER J. ELLIOTT has pointed out (Ceremonies of the Modern Roman Rite, §350), “The celebrant may choose to say the Prayer after Communion and impart the final blessing at the altar.” The rubrics do indeed allow this, but they seem to imply that the Prayer after Communion be read facing the people:

The 2011 GIRM says:

165. Deinde, stans ad sedem vel ad altare, sacerdos, versus ad populum, dicit, manibus iunctis: Orémus et, extensis manibus, orationem post Communionem recitat, cui præmitti potest breve spatium silentii, nisi iam præcesserit statim post Communionem. In fine orationis populus acclamat: Amen.

166. Expleta oratione post Communionem, fiant, si habendæ sunt, breves annuntiationes ad populum.

167. Deinde sacerdos, extendens manus, salutat populum, dicens: Dóminus vobíscum, cui respondetur a populo: Et cum spíritu tuo. Et sacerdos, manus denuo coniungens, et statim, manum sinistram super pectus ponens et manum dexteram elevans, subdit: Benedícat vos omnípotens Deus et, signum crucis super populum faciens, prosequitur: Pater, et Fílius, + et Spíritus Sanctus. Omnes respondent: Amen.

165. Then, standing at the chair or at the altar, and facing the people with hands joined, the Priest says, Let us pray; then, with hands extended, he recites the Prayer after Communion. A brief period of silence may precede the prayer, unless this has been already observed immediately after Communion. At the end of the prayer the people acclaim, Amen.

166. When the Prayer after Communion is concluded, brief announcements should be made to the people, if there are any.

167. Then the Priest, extending his hands, greets the people, saying, The Lord be with you. They reply, And with your spirit. The Priest, joining his hands again and then immediately placing his left hand on his breast, raises his right hand and adds, May almighty God bless you and, as he makes the Sign of the Cross over the people, he continues, the Father, and the Son, + and the Holy Spirit. All reply, Amen.

Roman Missal, Third Edition says:

139. Deinde, stans ad altare vel ad sedem, sacerdos, versus ad populum, iunctis manibus, dicit: Oremus. Et omnes una cum sacerdote per aliquod temporis spatium in silentio orant, nisi silentium iam praecesserit. Deinde sacerdos, manibus extensis, dicit orationem post Communionem. Populus in fine acclamat: Amen.

140. Sequuntur, si necessariae sint, breves annuntiationes ad populum.

141. Deinde fit dimissio. Sacerdos, versus ad populum, extendens manus, dicit: Dominus vobiscum. Populus respondet: Et cum spiritu tuo. Sacerdos benedicit populum, dicens: Benedicat vos omnipotens Deus, Pater, et Filius, + et Spiritus Sanctus. Populus respondet: Amen.

139. Then, standing at the altar or at the chair and facing the people, with hands joined, the Priest says: Let us pray. All pray in silence with the Priest for a while, unless silence has just been observed. The the Priest, with hands extended, says the Prayer after Communion, at the end of which the people acclaim: Amen.

140. If they are necessary, any brief announcements to the people follow here.

141. Then the dismissal takes place. The Priest, facing the people and extending his hands, says: The Lord be with you. The people respond: And with your spirit. The Priest blesses the people saying: May almighty God bless you, the Father, and the Son, + and the Holy Spirit. The people reply: Amen.

I FEEL THE RUBRICS HERE are not precise. First of all, why should the rubrics say again to face the people for the blessing if the priest is already facing the people (see above)?

It is true that the 1969 GIRM says:

122. Postea, stans ad sedem vel ad altare, sacerdos versus ad populum, dicit: Orémus et, extensis manibus, orationem post Communionem recitat, cui præmitti potest breve spatium silentii, nisi iam præcesserit statim post Communionem. In fine orationis populus acclamat: Amen.

122. Then, standing at the altar or at the chair and facing the people, the priest says, with hands outstretched: “Let us pray.” There may be a brief period of silence, unless this has been already observed immediately after communion. He recites the prayer after communion, at the end of which the people make the response: “Amen.”

However, if you click here, you’ll see that the 1970 Missale Romanum (“Ordo Missæ cum populo”) omits the injunction to face the people. All it says is:

Deinde, stans ad sedem vel ad altare, sacerdos dicit:

Then, when it’s time for the final blessing, the 1970s rubrics say:

Sacerdos, versus ad populum, extendens manus, dicit:

How can we understand this discrepancy? My guess is, they wanted the priest to face the people when he says “Orémus.” Then, he ought to turn around to read the Prayer after Communion, because it would be strange to have a server hold the Missal on the altar steps. Then, when it’s time for the final blessing, the priest once more turns around. (If you think this is a lot of turning around, you should see a Low Mass according to the 1962 Missal at this point).

Finally, remember that the Missal rubrics don’t always explicitly tell the priest to “turn toward the altar.” For instance, the rubrics omit this when it’s time for the priest to kiss the altar: it’s common sense that he needs to turn around for this.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Mass Facing The People Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Iconographic tradition has theologically interpreted the manger and the swaddling cloths in terms of the theology of the Fathers. The child stiffly wrapped in bandages is seen as prefiguring the hour of his death: from the outset, he is the sacrificial victim, as we shall see more closely when we examine the reference to the first-born. The manger, then, was seen as a kind of altar.”

— Pope Benedict XVI (2012)

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