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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Extraordinary Form Is Centered On Christ

Jeff Ostrowski · September 25, 2013

382 Extraordinary Form Braque Family Triptych, c. 1450 (Weyden) EOPLE IN FAVOR of legalized abortion often justify it by citing cases of rape and incest. This seems to be their “weapon of choice,” and they put faith in it. Progressives in favor of “updating” Catholic dogma often treat the Extraordinary Form as their “weapon of choice.” They continually denigrate it and feel that doing so helps their case.

Those who oppose abortion point out that very few of the 50 million abortions since Roe v. Wade were related to “rape and incest,” but this is the weaker argument.

Similarly, those in favor of traditional Church morality point out that the “obsession” with the Extraordinary Form by its critics is disproportionate (since not many Catholics currently attend the EF), but this, too, is the weaker argument.

The best way to counter the “rape and incest” argument is to remind folks that no matter how conception occurred, murdering an innocent child never helps. It only makes things worse. Likewise, the best way to counter assaults on the Extraordinary Form is to address them directly.

THE STANDARD ARGUMENT against the Extraordinary Form goes something like this:

The Extraordinary Form uses too much ceremonial, too many medieval gestures, and a dead language nobody understands. These things may be beautiful, but what is needed today is a mode of worship that speaks to “modern man.” The EF is all about Renaissance clothing and obsession with rubrics.

Quite simply, people who make such assertions don’t have a clue what the Extraordinary Form is all about.

The Extraordinary Form is totally centered on our Lord and Saviour, Jesus Christ. The prayers, propers, and readings are completely centered on our personal relationship with Christ. When the EF is offered by a priest who does everything correctly (and with seriousness), attending the traditional Latin Mass is like being transported back 2,000 years to Nazareth, encountering Christ directly.

The EF is, quite simply, a personal encounter with our Lord. Anybody who denigrates the EF is attacking Christ directly. They’re free to do so, since the USA is a free country, but they need to be honest about what they’re doing.

CAN I TELL YOU a secret? I’m glad opponents of the EF can’t stop talking about it. I’m glad they are obsessed. Years ago (c. 1990) very few people knew about the EF, and those who did were looked upon as loons.


Please note:  I sincerely hope nobody will interpret my very strong support for the EF as an “attack” on the OF. However, this is the internet, so anything can happen … and often does.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Oh, what sighs I uttered, what tears I shed, to mingle with the waters of the torrent, while I chanted to Thee, O my God, the psalms of Holy Church in the Office of the Dead!

— ‘Isaac Jogues, upon finding Goupil’s corpse (1642)’

Recent Posts

  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination

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