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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

No Salvation From Decrees (3 of 3)

Jeff Ostrowski · September 23, 2013

EVER WILL I FORGET what our Pastor told me years ago: “Jeff, stop looking at disciplinary decrees of the Church as if they were equal to infallible declarations of Faith and Morals. Many disciplinary Church laws are bad or become outdated. For this reason, they are often replaced with new laws.”

This came as a revelation to me, during that period of my life.

Years later, another priest (who worked for four different Popes) explained the concept of Legal Positivism with regard to Church laws. Legal Positivism basically says that anything allowed or tolerated is automatically good. Legal Positivism is false, wrong, bad. If what I’m saying sounds bizarre to you, read this superb article by Fr. Georg May, a Canon lawyer who (incidentally) faithfully heard Confessions every Saturday, even after the Second Vatican Council:

      * *  Fr. Georg May • “Ecclesiastical Legislation on Liturgy and Church Music”

I wonder what Fr. Georg May would have said about the following quote, spoken by Pope Paul VI regarding his changes to the Roman Missal:

“You know the Roman saying — one Pope approves and another disapproves, and I don’t want anyone coming along after me and restoring everything to the present status quo.”

According to Annibale Bugnini, the Pope spoke these words in January of 1968. On the other hand, Bugnini is often not a reliable source of information, so I suppose we’ll never know if Pope Paul VI truly spoke those words.


Now, here’s my whole point:

THE SAINTS WERE NOT LEGALISTIC. They prayed. They responded to God’s Will. The reforming saints never said, “anything permitted is automatically good.” They looked at the true, beautiful, holy Catholic traditions and teachings and passed them on. For example, if Abbot Pothier had been content with the “approved” editions, we might still be singing from the Editio Medicæa.

So, the lesson is: avoid legal positivism. Look for what is true, beautiful, and holy, like the saints did. Take these things as your model. Don’t look for loopholes (more on this below).

WE BEGAN THIS SERIES noting that those who hate traditional Catholic music often twist Ecclesiastical decrees. We examined in particular this false statement:

“The Second Vatican Council said Gregorian chant has pride of place only with regard to Masses celebrated in Latin.”

It is interesting to consider how the people making this (false) argument would respond to questions like these:

“How well are you following the documents of the Council? Are you singing the Creed? The Council says you should be. Are you maintaining the difference between Low Mass and High Mass? The Council says you should be. If you’re in a monastery, are you chanting the office in Latin? Pope Paul VI, in Sacrificium Laudis, says you should be.”

The point is, people who twist the documents usually ignore the sections they dislike.

WE CANNOT, in such a small article as this, treat every point. There’s simply too much. We could talk about what Pope John XXIII said in Veterum Sapientia. We could talk about what Pope Paul VI said in Sacrificium Laudis. We could go on and on. We could type until our fingers fall off.

Let me share one more thing before calling it a day. I think Susan Benofy hit the nail on the head when she wrote in an article:

This illustrates a familiar (and highly effective) technique used by those who pushed for radical implementation of the reform. A practice, often one which had been explicitly rejected for general use, would be requested for “pastoral” reasons for a particular situation. Once permission was granted, liturgists would employ the innovation in other situations. Then its “widespread use” becomes an argument for general approval.   […]

What it did do was to establish a principle that other texts could be substituted for the official Proper. The Simple Gradual itself was rarely used, but the principle of substituting new texts, which Monsignor Frederick McManus saw as its primary significance, was used to replace the Proper with other songs.

Readers are probably sick of me talking about that section, but understanding the post-Conciliar destruction of the Mass Propers is crucial. Getting rid of them was absolutely opposed to the true spirit of Vatican II and the Liturgical movement. The Vatican II Consilium said this was “cheating the people.” The more I read about it, the more astounding I find it. How could such a thing happen? It helps to learn that people who lived through this period were deeply troubled about these types of issues. For instance, Msgr. Richard J. Schuler wrote in 1977:

It seems almost incredible that only ten years ago the Church was ordering that “in accordance with the norm of the Constitution on the Sacred Liturgy and the centuries old tradition of the Latin rite, the Latin language is to be retained for clerics in celebrating the divine office in choir.”

This article is part of a series:

Part 1   •   Part 2   •   Part 3

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“You should try to eat their food in the way they prepare it, although it may be dirty, half-cooked, and very tasteless. As to the other numerous things which may be unpleasant, they must be endured for the love of God, without saying anything or appearing to notice them.”

— Fr. Paul Le Jeune (1637)

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  • “Dies Irae” • A Monstrous Translation

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