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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Adoremus In Æternum” … Heretical?

Jeff Ostrowski · September 19, 2013

DOREMUS IN AETERNUM is a traditional prayer that’s been popular for hundreds of years. The Catholic Church assigned it to be sung at Benediction of the Blessed Sacrament for a long time. There are many different melodies in many different modes. Here’s an organ accompaniment for the most common melody [source], along with an audio recording. I’ve also provided a video recording which is best viewed full screen

Because this prayer has been so favored by the Church, I was surprised to read comments made by John Ainslie on 13 September 2013:

However traditional ‘Adoremus in aeternum’ is — I see that Allegri wrote a setting of it — the words are not good theology. We will not be adoring the Blessed Sacrament for all eternity, nor should we wish to.   [source]

A priest of the Archdiocese of Cardiff responded:

I won’t need to adore the Blessed Sacrament when I get to heaven, but I am looking forward to enjoying Jesus face-to-face for the rest of eternity. There is a continuity between the one I now adore in the form of the Eucharistic Presence and the one I will adore face-to-face, so think I can say to him while he is the Blessed Sacrament that I will love him for ever. If a fiancé said “I will love my girlfriend for ever”, who would dare to say to him: “You are wrong, because you will no longer love your girlfriend when she becomes your wife”!

I would be interested to hear what readers have to say.

SPEAKING OF JOHN AINSLIE, in the years following the Second Vatican Council, he created a book with the following title:

The Simple Gradual for Sundays and Holy Days Revised Edition (Full Music Edition for Cantor, Choir and Organist)

I don’t own this book (but I would like to). It appears to be an English version of the Graduale Simplex. A reader saw our posts about the Simplex, and sent me some samples of Ainslie’s book:

      * *  Sample Page of John Ainslie’s Simple Gradual (ENGLISH)

If anyone is willing to email me more samples, please do. Ainslie’s work appears to have been based on the 1969 ICEL translation of the Graduale Simplex (as was By Flowing Waters by Paul Ford). I believe John Ainslie was also responsible for creating the British Processional (Antiphonal). We’ve been talking a lot about Propers, the Graduale Simplex, Bugnini, and we’ll continue to do so, because there’s a lot to take in. Gary Penkala seems to have been ahead of the game on this, as you can see by his article, “What have we done?”

Here are three (3) interesting recordings of the Graduale Simplex:   01   •   02   •   03

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Heretical GIA Hymns Last Updated: March 24, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“I examined him in your presence, and could find no substance in any of the charges you bring against him; nor could Herod, when I referred you to him. It is plain that he has done nothing which deserves death. I will scourge him, and then he shall go free.”

— Pontius Pilate

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