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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Adoremus In Æternum” … Heretical?

Jeff Ostrowski · September 19, 2013

DOREMUS IN AETERNUM is a traditional prayer that’s been popular for hundreds of years. The Catholic Church assigned it to be sung at Benediction of the Blessed Sacrament for a long time. There are many different melodies in many different modes. Here’s an organ accompaniment for the most common melody [source], along with an audio recording. I’ve also provided a video recording which is best viewed full screen

Because this prayer has been so favored by the Church, I was surprised to read comments made by John Ainslie on 13 September 2013:

However traditional ‘Adoremus in aeternum’ is — I see that Allegri wrote a setting of it — the words are not good theology. We will not be adoring the Blessed Sacrament for all eternity, nor should we wish to.   [source]

A priest of the Archdiocese of Cardiff responded:

I won’t need to adore the Blessed Sacrament when I get to heaven, but I am looking forward to enjoying Jesus face-to-face for the rest of eternity. There is a continuity between the one I now adore in the form of the Eucharistic Presence and the one I will adore face-to-face, so think I can say to him while he is the Blessed Sacrament that I will love him for ever. If a fiancé said “I will love my girlfriend for ever”, who would dare to say to him: “You are wrong, because you will no longer love your girlfriend when she becomes your wife”!

I would be interested to hear what readers have to say.

SPEAKING OF JOHN AINSLIE, in the years following the Second Vatican Council, he created a book with the following title:

The Simple Gradual for Sundays and Holy Days Revised Edition (Full Music Edition for Cantor, Choir and Organist)

I don’t own this book (but I would like to). It appears to be an English version of the Graduale Simplex. A reader saw our posts about the Simplex, and sent me some samples of Ainslie’s book:

      * *  Sample Page of John Ainslie’s Simple Gradual (ENGLISH)

If anyone is willing to email me more samples, please do. Ainslie’s work appears to have been based on the 1969 ICEL translation of the Graduale Simplex (as was By Flowing Waters by Paul Ford). I believe John Ainslie was also responsible for creating the British Processional (Antiphonal). We’ve been talking a lot about Propers, the Graduale Simplex, Bugnini, and we’ll continue to do so, because there’s a lot to take in. Gary Penkala seems to have been ahead of the game on this, as you can see by his article, “What have we done?”

Here are three (3) interesting recordings of the Graduale Simplex:   01   •   02   •   03

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Heretical GIA Hymns Last Updated: March 24, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Unfortunately, on the one hand a deadly error in judgment placed the official leadership of this committee into the hands of a man who—though generous and brave—was not very knowledgeable: Cardinal Lercaro. He was utterly incapable of resisting the maneuvers of the mealy-mouthed scoundrel that the Neapolitan Vincentian, Bugnini, a man as bereft of culture as he was of basic honesty, soon revealed himself to be.”

— ‘Fr. Louis Bouyer, an important member of the Consilium’

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  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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