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Views from the Choir Loft

No Salvation From Decrees (2 of 3)

Jeff Ostrowski · September 16, 2013

“The 1967 instruction Musicam Sacram repeats the words of the constitution and again insists on the use of Gregorian chant, which should be given ‘pride of place.’ It must be taught in seminaries and sung in parish churches, both in Masses celebrated in Latin and in the vernacular, since nothing prohibits that in the same celebration different parts be sung in different languages.” — Msgr. Richard J. Schuler   [source]

E HAVE EXAMINED and now understand, having read Part 1 of this series, that the following assertion is without validity:

“Vatican II never said Gregorian chant should have pride of place in the liturgy. This only applies to Masses celebrated in Latin.”

Therefore, Archbishop Annibale Bugnini was incorrect when he wrote the following remarks about the “treasury of sacred music” mentioned in Sacrosanctum Concilium §114 and subsequent relevant paragraphs like §116:

When, therefore, the Constitution allowed the introduction of the vernaculars, it necessarily anticipated that the preservation of this “treasure of sacred music” would be dependent solely on celebrations in Latin [ … ]
In this part of the text, the instruction intends to make it clear that just as there are two forms of celebration, one in Latin, the other in the vernacular, in accordance with the norms established by competent authority, so the use of the musical repertory that is connected with the Latin text is for celebrations in Latin, although it is possible to use some parts of it even in celebrations in the vernacular.
[Bugnini, The Reform of the Liturgy, 1948-1975, page 907]


By the way, I’m not going to address here the whole question of what we properly call “Gregorian chant” sung in the vernacular. Funny enough, neither did the Second Vatican Council. I realize some people are obsessed with what they consider the “correct terminology,” but I quickly get bored of such discussions. I once received a phone call wherein a priest screamed at me for 15 minutes because I used the term “Gregorian chant.” He yelled, “How dare you call it Gregorian chant? Are you saying that St. Gregory wrote all those melodies by himself? The only acceptable term is cantillation.”

Incidentally, you might be surprised how often Bugnini was flat out wrong about stuff. Take, for example, those short little paragraphs quoted above. As Susan Benofy has pointed out:

There is nothing in the Constitution on the Liturgy, however, to indicate that the Council Fathers envisioned anything like “two forms of celebration”. They did not envision an entirely vernacular liturgy.   [source]

Monsignor Schuler pointed another basic flaw in Bugnini’s paragraphs:

The instruction orders that the distinction between solemn, sung and read Masses, sanctioned by the instruction of 1958, is to be retained.   [source]

FOR THE SAKE OF ARGUMENT, let’s pretend that Bugnini’s argument was correct, and Gregorian chant only has pride of place for Mass celebrated in Latin. What exactly does that mean? How does one define a “Mass in Latin”? When the Eucharistic Prayer is said in Latin? Or perhaps just the Mass parts? What about the General Intercessions? Do those have to be in Latin, too? How about the Kyrie Eleison? If the Kyrie is said in Greek, is it still a Latin Mass? What about the homily? What about the readings? Obviously, his argument is untenable.

More importantly, however, the Council ordered Latin to be retained in the liturgy and “did not envision an entirely vernacular liturgy” (c.f. quote by Benofy above). Sadly, like so many of the Council’s wishes, this order was ignored.

This article is part of a series:

Part 1   •   Part 2   •   Part 3

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

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“It would be difficult to find a failure of imagination greater than that of Carl Czerny.”

— Robert Schumann

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