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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

No Salvation From Decrees (2 of 3)

Jeff Ostrowski · September 16, 2013

“The 1967 instruction Musicam Sacram repeats the words of the constitution and again insists on the use of Gregorian chant, which should be given ‘pride of place.’ It must be taught in seminaries and sung in parish churches, both in Masses celebrated in Latin and in the vernacular, since nothing prohibits that in the same celebration different parts be sung in different languages.” — Msgr. Richard J. Schuler   [source]

E HAVE EXAMINED and now understand, having read Part 1 of this series, that the following assertion is without validity:

“Vatican II never said Gregorian chant should have pride of place in the liturgy. This only applies to Masses celebrated in Latin.”

Therefore, Archbishop Annibale Bugnini was incorrect when he wrote the following remarks about the “treasury of sacred music” mentioned in Sacrosanctum Concilium §114 and subsequent relevant paragraphs like §116:

When, therefore, the Constitution allowed the introduction of the vernaculars, it necessarily anticipated that the preservation of this “treasure of sacred music” would be dependent solely on celebrations in Latin [ … ]
In this part of the text, the instruction intends to make it clear that just as there are two forms of celebration, one in Latin, the other in the vernacular, in accordance with the norms established by competent authority, so the use of the musical repertory that is connected with the Latin text is for celebrations in Latin, although it is possible to use some parts of it even in celebrations in the vernacular.
[Bugnini, The Reform of the Liturgy, 1948-1975, page 907]


By the way, I’m not going to address here the whole question of what we properly call “Gregorian chant” sung in the vernacular. Funny enough, neither did the Second Vatican Council. I realize some people are obsessed with what they consider the “correct terminology,” but I quickly get bored of such discussions. I once received a phone call wherein a priest screamed at me for 15 minutes because I used the term “Gregorian chant.” He yelled, “How dare you call it Gregorian chant? Are you saying that St. Gregory wrote all those melodies by himself? The only acceptable term is cantillation.”

Incidentally, you might be surprised how often Bugnini was flat out wrong about stuff. Take, for example, those short little paragraphs quoted above. As Susan Benofy has pointed out:

There is nothing in the Constitution on the Liturgy, however, to indicate that the Council Fathers envisioned anything like “two forms of celebration”. They did not envision an entirely vernacular liturgy.   [source]

Monsignor Schuler pointed another basic flaw in Bugnini’s paragraphs:

The instruction orders that the distinction between solemn, sung and read Masses, sanctioned by the instruction of 1958, is to be retained.   [source]

FOR THE SAKE OF ARGUMENT, let’s pretend that Bugnini’s argument was correct, and Gregorian chant only has pride of place for Mass celebrated in Latin. What exactly does that mean? How does one define a “Mass in Latin”? When the Eucharistic Prayer is said in Latin? Or perhaps just the Mass parts? What about the General Intercessions? Do those have to be in Latin, too? How about the Kyrie Eleison? If the Kyrie is said in Greek, is it still a Latin Mass? What about the homily? What about the readings? Obviously, his argument is untenable.

More importantly, however, the Council ordered Latin to be retained in the liturgy and “did not envision an entirely vernacular liturgy” (c.f. quote by Benofy above). Sadly, like so many of the Council’s wishes, this order was ignored.

This article is part of a series:

Part 1   •   Part 2   •   Part 3

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The recitation of the Office of the Dead, the Christmas Office, the spectacle of the days of Holy Week, the sublime chant of the Exultet, beside which the most intoxicating accents of Sophocles and Pindar seemed to me to be insignificant—all of this overwhelmed me with respect and joy, with gratitude, repentance, and adoration!”

— Paul Claudel (1913)

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