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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

More thoughts about Communion in the hand.

Jeff Ostrowski · August 12, 2013

512 Doubting HE HOMILY given at Mass yesterday inspired me to write an article about Communion in the hand. Within a few hours of returning home from Mass, I happened to be reading a 1934 paper by Fr. Charles Dreisoerner of San Antonio. Amazingly, what do I happen to read?

For the chants of the Proper, he should prepare from an English translation of the Missal. Besides this it is almost indispensable to consult a book like the “Liber Sacramentorum,” or better for those who read German, Parsch’s “Das Jahr des Heiles.” With such a book the choirmaster or organist prepares the text of the Introit, the Offertory, etc., in order to have solid ground for brief translation and interesting remarks. For example when he rehearses the Communion of today’ s Proper (Put forth thy hand and recognize the places of the nails Alleluia, and be not faithless but believing), he would point out the beautiful allusions of this chant meant to be sung during the Communion Procession of the Faithful, who before the seventh century used to put forth their right hand crossed over the left to receive the Host and then communicate themselves: Put forth thy hand and recognize the places of the nails, and be not faithless but believing. If you want enthusiasm and understanding, prepare your text.

You already know what I’m going to say. I’m about to bring up the phenomenon I’ve written about over the years and referred to as “learn a new word, see it within 24 hours.” In a nutshell, this is when the human mind becomes alerted to some word or idea and is subconsciously “on the lookout” for it. Another example occurred yesterday afternoon, as our daughter was watching a pirate cartoon. Astonishingly, one pirate said, “Remember, Captain: with great power comes great responsibility.” That was derived from yesterday’s Gospel (Luke 12:48). Crazy, no?

ACTUALLY, I’M NOT A FAN of the statement by Fr. Charles Dreisoerner. For one thing, there is no historical proof that Holy Communion was universally received in the way he describes. Also, Bishop Sheen reminds us that Thomas probably did not place his hand in our Lord’s side — seeing Him appear was enough, in spite of his earlier incredulity.

More importantly, though, I feel more edifying words could have been spoken about John 20:27. Right? Let me see if I can do better of the top of my head:

Consider Thomas the doubter. All the other Apostles came to him and told him Christ was risen, but their words were not enough for him. What does that say about the relationship of Thomas with the other Apostles? What does that say about man’s stubbornness? Should we not kneel down and pray to God, asking Him to bestow upon us and our children (“who have not seen”) the precious gift of Faith? Why is it that we are so quick to believe wicked men, television commercials, and the lies of the devil, yet so slow to believe the words of God? Let us consider the faith of the Jesuit Martyrs of North America, and what they suffered for the Lord. Can we not ask for their intercession?

I’m not saying my thoughts are perfect, or even good. I’m certainly no Fulton Sheen. I just feel Fr. Dreisoerner’s image misses what’s truly important. If you disagree, let me know in the combox.

I ALMOST MADE A HUGE mistake above. I almost said: “For the sake of argument, let us assume Fr. Dreisoerner was correct about hand Communion.” Then I remembered this is forbidden. Such a phrase cannot be used anymore, because, unfortunately, many people no longer read with care. When the following statement is made:

“For the sake of argument, let’s pretend somebody breaks into your house and insults you by calling you ugly.”

Many people will immediately stop listening and complain that you just called them ugly. They don’t listen to what is said. Therefore, it is probably best to avoid making such statements, which is sad.

Let me give another example, specifically related to Church music. Many times, “progressive” liturgists will make the following claim:

“The church documents envision a balanced approach. They talk of a 50/50 split between contemporary styles (like Broadway and Jazz) and more traditional styles (like chant and polyphony). This is what we find when we read all the legislation.”

The “old” Jeff would have given this response:

For the sake of argument, let’s pretend you’re correct in your reading. Let’s assume, for the sake of argument, that the Church wants a 50/50 split. Are you doing Gregorian chant 50% of the time? Have you ever done polyphony? Have you ever used the organ? Have you ever had your congregation learn what Pope Paul VI called the “minimum repertoire” for the Reformed Rite? Have you followed the Second Vatican Council’s directives and given Gregorian chant “pride of place”? Let me know when you’ve done this, and then we can talk further.

What I have come to realize is that people come away saying, “He agrees! The Church wants a 50/50 split. He even admitted it!”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

[Speaking about the Silent Canon, with audible “per ómnia”] — “So in all such cases it is usual for the otherwise silent celebrant occasionally to sing a clause aloud, to show how far he has arrived.”

— Father Fortescue (pages 313-314) • “A Study of the Roman Liturgy”

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