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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Medieval Latin Catholics Sometimes Sang In Greek?

Jeff Ostrowski · August 5, 2013

N A RECENT ARTICLE, I mentioned that Latin has undergone many changes through the centuries. Looking at Medieval Latin, it’s not always easy to know what constitutes a true “error.” See, for example, Fr. Fortescue on the vocative of “Agnus” (The Mass: A Study of the Roman Liturgy, 1912, p. 388).

Speaking of scribal errors, the following is a passage by Dr. Peter Wagner (1865-1931), a celebrated scholar of Gregorian chant, member of Pope Pius X’s Commission to create the Editio Vaticana, and founder of the Gregorian Academy in Fribourg (the city where we took the Solemn Mass photographs for the Campion Missal):

Manuscripts of non-Roman origin but of the Roman Liturgy confirm the use of Greek chant in the Latin Church. Not infrequently we find the Greek Gloria and Credo (usually written in Latin character); I refer to Cod. S. Gall. 381, 382; the MS. 9449 of the National Library at Paris etc. Also at S. Blasien in the Black Forest the Gloria was sung both in Latin and Greek. A troper of Montauriol even has the Greek Sanctus and Agnus Dei provided with neums. The above mentioned Paris MS. (it belongs to the 11th century) has a number of chants in the Greek language for the Mass of Pentecost, in addition to which the Codex 1235 nouv. acquis. of the same Library, of the 12th century, indicates for the Circumcision the Alleluia verse Dies sanctificatus in Greek. The scribes seldom knew Greek, and so these renderings of Greek texts in Latin characters teem with mistakes of every kind. In the Paris MS. 9449 the Introit Spiritus Domini, which is provided with rich tropes, is followed by the subjoined text (fol. 49): “Natis thos o theos ke dios corpis this tesan ey extri autu kepye thosan oy me sontes autu a proposo tu autu. Gratias agamus alme Trinitatis semper. Pneupma tu kyrriu. Doxa patri ke yo ke ayo pneumati. Ke nim Kea im ke ystus oco nathon oeo non amen. Pneuma tu kyrriu eplyros empti oygumenu alleluja. Keu thu tbo tho sin craton panta tin nosin akyiphonis alleluia, alleluia, alleluia.”   [source]

The reader might appreciate “seeing with his own eyes” what Dr. Wagner is talking about. To see the Gloria, Pater Noster, and Credo from Cod. S. Gall. 381, click on the upper right image. To see the Gloria and Pater Noster from Cod. S. Gall. 382 (also mentioned by Dr. Wagner above), click here:

Y THE WAY, most people realize the church in Rome originally prayed in Greek (sometime before 350AD). Later on, this Greek liturgy seems to have been translated into Latin. The 1962 Missal contains Greek for Good Friday and, of course, the Kyrie Eleison toward the beginning of Mass. However, the Kyrie Eleison was added to the Western Rite centuries later (perhaps 700AD?) — it is not a remnant from the original Greek Mass, as far as we can tell. The Greek prayers on Good Friday, however, seem to be a vestige of the original Greek liturgy, which is pretty cool.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— Statement by the Supreme Pontiff (Sacramentum Caritatis, 22-feb-2007)

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