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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Medieval Latin Catholics Sometimes Sang In Greek?

Jeff Ostrowski · August 5, 2013

N A RECENT ARTICLE, I mentioned that Latin has undergone many changes through the centuries. Looking at Medieval Latin, it’s not always easy to know what constitutes a true “error.” See, for example, Fr. Fortescue on the vocative of “Agnus” (The Mass: A Study of the Roman Liturgy, 1912, p. 388).

Speaking of scribal errors, the following is a passage by Dr. Peter Wagner (1865-1931), a celebrated scholar of Gregorian chant, member of Pope Pius X’s Commission to create the Editio Vaticana, and founder of the Gregorian Academy in Fribourg (the city where we took the Solemn Mass photographs for the Campion Missal):

Manuscripts of non-Roman origin but of the Roman Liturgy confirm the use of Greek chant in the Latin Church. Not infrequently we find the Greek Gloria and Credo (usually written in Latin character); I refer to Cod. S. Gall. 381, 382; the MS. 9449 of the National Library at Paris etc. Also at S. Blasien in the Black Forest the Gloria was sung both in Latin and Greek. A troper of Montauriol even has the Greek Sanctus and Agnus Dei provided with neums. The above mentioned Paris MS. (it belongs to the 11th century) has a number of chants in the Greek language for the Mass of Pentecost, in addition to which the Codex 1235 nouv. acquis. of the same Library, of the 12th century, indicates for the Circumcision the Alleluia verse Dies sanctificatus in Greek. The scribes seldom knew Greek, and so these renderings of Greek texts in Latin characters teem with mistakes of every kind. In the Paris MS. 9449 the Introit Spiritus Domini, which is provided with rich tropes, is followed by the subjoined text (fol. 49): “Natis thos o theos ke dios corpis this tesan ey extri autu kepye thosan oy me sontes autu a proposo tu autu. Gratias agamus alme Trinitatis semper. Pneupma tu kyrriu. Doxa patri ke yo ke ayo pneumati. Ke nim Kea im ke ystus oco nathon oeo non amen. Pneuma tu kyrriu eplyros empti oygumenu alleluja. Keu thu tbo tho sin craton panta tin nosin akyiphonis alleluia, alleluia, alleluia.”   [source]

The reader might appreciate “seeing with his own eyes” what Dr. Wagner is talking about. To see the Gloria, Pater Noster, and Credo from Cod. S. Gall. 381, click on the upper right image. To see the Gloria and Pater Noster from Cod. S. Gall. 382 (also mentioned by Dr. Wagner above), click here:

Y THE WAY, most people realize the church in Rome originally prayed in Greek (sometime before 350AD). Later on, this Greek liturgy seems to have been translated into Latin. The 1962 Missal contains Greek for Good Friday and, of course, the Kyrie Eleison toward the beginning of Mass. However, the Kyrie Eleison was added to the Western Rite centuries later (perhaps 700AD?) — it is not a remnant from the original Greek Mass, as far as we can tell. The Greek prayers on Good Friday, however, seem to be a vestige of the original Greek liturgy, which is pretty cool.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

Friedman met Egon Wellesz in Altaussee on one of the walks, and Egon started to speak about atonal music—and Ignaz replied: “No, no, no. Melody for me.”

— From the Life of Ignazy Friedman

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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