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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Medieval Latin Catholics Sometimes Sang In Greek?

Jeff Ostrowski · August 5, 2013

N A RECENT ARTICLE, I mentioned that Latin has undergone many changes through the centuries. Looking at Medieval Latin, it’s not always easy to know what constitutes a true “error.” See, for example, Fr. Fortescue on the vocative of “Agnus” (The Mass: A Study of the Roman Liturgy, 1912, p. 388).

Speaking of scribal errors, the following is a passage by Dr. Peter Wagner (1865-1931), a celebrated scholar of Gregorian chant, member of Pope Pius X’s Commission to create the Editio Vaticana, and founder of the Gregorian Academy in Fribourg (the city where we took the Solemn Mass photographs for the Campion Missal):

Manuscripts of non-Roman origin but of the Roman Liturgy confirm the use of Greek chant in the Latin Church. Not infrequently we find the Greek Gloria and Credo (usually written in Latin character); I refer to Cod. S. Gall. 381, 382; the MS. 9449 of the National Library at Paris etc. Also at S. Blasien in the Black Forest the Gloria was sung both in Latin and Greek. A troper of Montauriol even has the Greek Sanctus and Agnus Dei provided with neums. The above mentioned Paris MS. (it belongs to the 11th century) has a number of chants in the Greek language for the Mass of Pentecost, in addition to which the Codex 1235 nouv. acquis. of the same Library, of the 12th century, indicates for the Circumcision the Alleluia verse Dies sanctificatus in Greek. The scribes seldom knew Greek, and so these renderings of Greek texts in Latin characters teem with mistakes of every kind. In the Paris MS. 9449 the Introit Spiritus Domini, which is provided with rich tropes, is followed by the subjoined text (fol. 49): “Natis thos o theos ke dios corpis this tesan ey extri autu kepye thosan oy me sontes autu a proposo tu autu. Gratias agamus alme Trinitatis semper. Pneupma tu kyrriu. Doxa patri ke yo ke ayo pneumati. Ke nim Kea im ke ystus oco nathon oeo non amen. Pneuma tu kyrriu eplyros empti oygumenu alleluja. Keu thu tbo tho sin craton panta tin nosin akyiphonis alleluia, alleluia, alleluia.”   [source]

The reader might appreciate “seeing with his own eyes” what Dr. Wagner is talking about. To see the Gloria, Pater Noster, and Credo from Cod. S. Gall. 381, click on the upper right image. To see the Gloria and Pater Noster from Cod. S. Gall. 382 (also mentioned by Dr. Wagner above), click here:

Y THE WAY, most people realize the church in Rome originally prayed in Greek (sometime before 350AD). Later on, this Greek liturgy seems to have been translated into Latin. The 1962 Missal contains Greek for Good Friday and, of course, the Kyrie Eleison toward the beginning of Mass. However, the Kyrie Eleison was added to the Western Rite centuries later (perhaps 700AD?) — it is not a remnant from the original Greek Mass, as far as we can tell. The Greek prayers on Good Friday, however, seem to be a vestige of the original Greek liturgy, which is pretty cool.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

We cannot exaggerate our indebtedness to Dr. Julian’s “Dictionary of Hymnology,” a monumental work, without which we could not have reached the high standard of accuracy, as to both texts and authorship, which we set before us when entering upon our labours.

— Committee for “New English Hymnal” (1906)

Recent Posts

  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches

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