• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

How Does One Use The Ordo Cantus Missæ?

Jeff Ostrowski · July 29, 2013

597 Gregorian Missal Gregorian Missal by Solesmes INALLY, HOW DOES ONE USE the pages of the Ordo Cantus Missæ? To repeat what has been said in the documents, the Ordo Cantus Missæ normally simply points to the official 1908 Graduale and says “take the chants from this Sunday.” For instance, in the sample page we’re about to examine, you can see that the “15th Sunday in Ordinary time” says, “Take the chants from the 10th Sunday after Pentecost”:

      * *  Example page from the Ordo Cantus Missae

But what about the “B” circled in pink and the “I” and “II” circled in green? What in the world do those mean? Steven Van Roode explains:

This is explained in the Praenotanda, n. 20 (p. 11) of the Ordo Cantus Missae. In the section ‘Proprium tempore’ the chants for each week are listed. Your scan is from this section. These chants are to be sung on Sunday and all weekdays, except for the days indicted by the indented characters at the end of the week’s list: letters A, B and C indicate that there are other chants for the Sunday of Year A, B or C (which are specified on pp. 62-64), and roman numerals indicate that there are other chants for weekdays in Year I or II, with the Arabic numerals indicating the weekday (2 = feria secunda = Monday, etc.); these are specified on pp. 65-74.

So, for the fifteenth week in Ordinary Time (n. 112) we have the chants of the Tenth Sunday after Pentecost from the 1961 Graduale Romanum:
      IN Dum clamarem
      GR Custodi me
      OF Ad te levavi
      AL Te decet hymnus

. . . except for the Communion:
      CO Passer invenit

. . . and ad libitum options:
      IN Ego autem cum iustitia
      CO Qui mandicat

So far, so good. Now we come to the “B” circled in pink. Apparently, there are other chants for Sunday of Year B (specified on p. 63):
      GR Ostende nobis

And there are other chants for Year I (Monday and Thursday) and Year II (Thursday) (specified on p. 70; note the arrangement of the data: left for Year I, right for Year II and centre for Year I ánd II):
      Year I (Monday): GR Anima nostra
      Year I and II (Thursday): AL Venite ad me

All these different chants match the readings of the Sunday or weekday and are duly given in the 1974 Graduale Romanum. I hope this explanation made clear how the OCM indicates alternative chants for Sundays and weekdays.

OK . . . SO WHAT?  What’s the lesson here?  What is my point, precisely?

My point should be obvious. The Ordo Cantus Missæ is incredibly difficult to use. It almost couldn’t be more confusing than it is. It is totally unhelpful.

The good news is that the hard work has been done for us already with the Solesmes 1974 Graduale, the Solesmes Gregorian Missal (2012), the Lalemant Propers, the Simple English Propers (CMAA), and many other collections. Therefore, you don’t have to fool around with the Ordo Cantus Missæ . . . which is probably why very few people own this book!

This article is part of a series:

Part 1   •   Part 2

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ordo Cantus Missae Last Updated: October 12, 2022

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The chapter decides to penalize singers or instrumentalists who are tardy by a few minutes at the same rate as if they had been absent the whole hour.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (2 June 1563 )

Recent Posts

  • “Reminder” — Month of April (2026)
  • “Gregorian Chant Isn’t a Platform for Your Personal Theories, Jeff” • (A Letter We Received)
  • Request From Australia
  • PDF Download • “Anima Christi”
  • PDF Download • “Rarer Than a Blue Moon” — Side-by-Side English Translation (Pius XII Psalter)

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.