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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How Does One Use The Ordo Cantus Missæ?

Jeff Ostrowski · July 29, 2013

597 Gregorian Missal Gregorian Missal by Solesmes INALLY, HOW DOES ONE USE the pages of the Ordo Cantus Missæ? To repeat what has been said in the documents, the Ordo Cantus Missæ normally simply points to the official 1908 Graduale and says “take the chants from this Sunday.” For instance, in the sample page we’re about to examine, you can see that the “15th Sunday in Ordinary time” says, “Take the chants from the 10th Sunday after Pentecost”:

      * *  Example page from the Ordo Cantus Missae

But what about the “B” circled in pink and the “I” and “II” circled in green? What in the world do those mean? Steven Van Roode explains:

This is explained in the Praenotanda, n. 20 (p. 11) of the Ordo Cantus Missae. In the section ‘Proprium tempore’ the chants for each week are listed. Your scan is from this section. These chants are to be sung on Sunday and all weekdays, except for the days indicted by the indented characters at the end of the week’s list: letters A, B and C indicate that there are other chants for the Sunday of Year A, B or C (which are specified on pp. 62-64), and roman numerals indicate that there are other chants for weekdays in Year I or II, with the Arabic numerals indicating the weekday (2 = feria secunda = Monday, etc.); these are specified on pp. 65-74.

So, for the fifteenth week in Ordinary Time (n. 112) we have the chants of the Tenth Sunday after Pentecost from the 1961 Graduale Romanum:
      IN Dum clamarem
      GR Custodi me
      OF Ad te levavi
      AL Te decet hymnus

. . . except for the Communion:
      CO Passer invenit

. . . and ad libitum options:
      IN Ego autem cum iustitia
      CO Qui mandicat

So far, so good. Now we come to the “B” circled in pink. Apparently, there are other chants for Sunday of Year B (specified on p. 63):
      GR Ostende nobis

And there are other chants for Year I (Monday and Thursday) and Year II (Thursday) (specified on p. 70; note the arrangement of the data: left for Year I, right for Year II and centre for Year I ánd II):
      Year I (Monday): GR Anima nostra
      Year I and II (Thursday): AL Venite ad me

All these different chants match the readings of the Sunday or weekday and are duly given in the 1974 Graduale Romanum. I hope this explanation made clear how the OCM indicates alternative chants for Sundays and weekdays.

OK . . . SO WHAT?  What’s the lesson here?  What is my point, precisely?

My point should be obvious. The Ordo Cantus Missæ is incredibly difficult to use. It almost couldn’t be more confusing than it is. It is totally unhelpful.

The good news is that the hard work has been done for us already with the Solesmes 1974 Graduale, the Solesmes Gregorian Missal (2012), the Lalemant Propers, the Simple English Propers (CMAA), and many other collections. Therefore, you don’t have to fool around with the Ordo Cantus Missæ . . . which is probably why very few people own this book!

This article is part of a series:

Part 1   •   Part 2

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ordo Cantus Missae Last Updated: October 12, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Chants closely related to the readings should, of course, be appropriately transferred for use with these readings. For pastoral reasons also there is an option regarding the chants for the Proper of Seasons: namely, as circumstances suggest, to replace the text proper to a day with another text belonging to the same season.”

— Ordo Cantus Missae (1971)

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