• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Missa de Jerry Seinfeld” and Praying as a Family

Richard J. Clark · July 19, 2013

NE OF MY GREATEST LAMENTS as a full-time church musician is the inability to go to mass with my family with any regularity. With Saturday and Sunday evening masses and rehearsals, this precludes most any possibility. We get to attend mass together as a family perhaps four or five times a year, so when we do, it is a rare and special treat.

My wife and I met at church. Until we had children, she played clarinet at most every mass that I directed. Meanwhile, she has been quite saintly in handling our children by herself at our local parish, as it is now sometimes impractical for them to attend mass where I work. For example, she must negotiate with my three-year-old son, “the liturgist” who apparently knows exactly when mass should be over. Around the fifty-five minute mark, he expresses “in his own special way” the “dismissal.”

My son is also quite an expert in liturgical music, once yelling only a few rows behind the organist at another parish, “I want Daddy’s music! I want Daddy’s music. DADDY’S MUSIC!!” (I love my son. He’s a very good boy.) My poor wife, horribly embarrassed, was trying to quiet him, but little could be done to mitigate this social faux pas. I’m not sure if they’ve ever been back to that parish.

I digress.

Recently, we had such an opportunity to attend mass together as a family. It was even more extraordinary; while traveling with my wife’s extended family, we were all together at mass—all nineteen of us!

When traveling, of course, it is difficult to be picky about where to go. This particular mass that we attended (in an unnamed and undisclosed parish somewhere in America…) presented some “challenges” for me. The game show atmosphere and steady stream of jokes throughout mass grossly distorted the flow and shape of the liturgy. This included a well-timed joke about celibacy from the celebrant that drew riotous laughter. The music had nothing to do with the liturgical calendar, but was a list of “Catholic top-40” and was more closely related to the secular calendar. (OK, so the Lalemant Propers were out of the question.) The cantors were in fact quite talented and excellent, if for Broadway.

However, looking around, the church was full and the congregational singing was quite robust despite microphones set to eleven. (I’m dating myself again with the “Spinal Tap” reference.) The homily was in fact quite prayerful and intelligent despite the stand-up routine from the celebrant throughout the rest of the mass. The people seemed very happy to be there. The atmosphere was welcoming, if bereft of reverence and very much not my cup of tea. (Btw, welcoming and reverent environments are NOT mutually exclusive!)

In all of my dismay, in which I felt I was doing great penance to endure such a mass, I must remind myself that I am a huge sinner and far from perfect. (My great sinfulness has and will continue to be a regular topic in this blog.) Plus, I must be mindful that I wasn’t such a great liturgical musician twenty years ago. (Although the “Missa de Jerry Seinfeld” from a clearly intelligent celebrant is disheartening.)

(Please forgive me for this obnoxious post, because I am the luckiest man alive; I have the love of my family. Furthermore, the love of Christ should be good enough for me.) And therefore…

Someday, what I will remember most about this mass are none of its misguided liturgical abuses, however well received they were. What I will remember is that I knelt side by side with my daughter during the consecration. I will remember reciting the Creed in my fidgety three-year-old son’s ear as I held him. I will remember singing with my children, even if the music was not the best the Church has to offer. I will remember that I married a most wonderful woman from a wonderful family—that all nineteen of us made it to mass together. I will remember that we are united in the Eucharist—that the love of Christ is the center of our prayer, of our Universal Church, and of our family. For this unique time with God and with my family, I am deeply blessed and most grateful beyond words.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Urban VIII appointed four Jesuits to reform the hymns, so that they should no longer offend Renaissance ears. These four, in that faithful obedience to the Holy See which is the glory of their Society, with a patient care that one cannot help admiring, set to work to destroy every hymn in the office.”

— Fr. Adrian Fortescue (1916)

Recent Posts

  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Goofy 1974 Hymn • “A Man Can Kill With a Gun, a Bomb, or a Lance”
  • They did a terrible thing
  • What surprised me about regularly singing the Gloria in Latin

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.