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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Splendid! A 2013 Recording By Cistercian Nuns

Jeff Ostrowski · June 6, 2013

OUNT Saint Mary’s Abbey is located in Massachusetts. This Abbey is home to some wonderful Cistercian Nuns who have produced a new Gregorian chant CD called To Pray In Beauty.

Believe it or not, pretty much every monastery in existence has created a CD or LP record over the years. I was surprised when I first learned this fact. Most of them sell these recordings in their bookstores. Sometimes (as with the De Silos monks, trained by Gajard) their recordings get “picked up” by a producing company and make it bigtime.

I can say that the Cistercian nuns of Mount Saint Mary’s Abbey have avoided the standard fare. Their CD is definitely worth hearing (and is offered at such a low price!). The voices are peaceful, beautiful, and they sing in tune! They include some selections on the CD that will be familiar to lovers of Gregorian chant, yet they also include some lesser-known pieces, like Avete solitudinis.

Furthermore, they sing the “Cistercian” variants of the chant, which are slightly different melodically than the versions Abbot Pothier included in the Editio Vaticana. The following audio excerpt will illustrate what I mean:

      * *  Excerpt: AVE MARIS STELLA [Mp3]

The CD is handsomely produced and packaged, as you can see by viewing the back cover.

Search Google for TO PRAY IN BEAUTY and you will find several ways of purchasing this fine CD.

TRACK LISTING:

1. Hymn Avete solitudinis (Mode 1) verses 1, 2, 5, and 6
2. Communion Simile Est (Mode 8)
3. Alleluia Justus Germinabit (Mode 1)
4. Introit Salve Sancta Parens (Mode 2)
5. Introit Dominus Dixit (Mode 2)
6. Communion Quinque Prudentes Virgines (Mode 5)
7. Communion Videns Dominus (Mode 1)
8. Gradual Christus Factus Est (Mode 5)
9. Introit Resurrexi (Mode 4)
10. Introit Quasi Modo (Mode 6)
11. Introit Viri Galilaei (Mode 7)
12. Introit Spiritus Domini (Mode 8)
13. Introit Exurge (Mode 1)
14. Alleluia Deus Judex (Mode 8)
15. Introit Esto Mihi (Mode 6)
16. Introit Omnia Quae Fecisti (Mode 3)
17. Introit Inclina Domine (Mode 1)
18. Introit Vocem Jucunditatis (Mode 3)
19. Hymn Ave Maris Stella (Mode 1)

From the official press release:

This new album comes with a 20-page booklet, including liner notes by Fr. Gabriel Bertoniere about the history of Cistercian chant. Also included are the English translations of the pieces sung in Latin. To Pray In Beauty: that is the ideal of monastics as they sing the Mass and the Hours in choir. Blessed Teresa of Calcutta expressed a similar ideal in her phrase “something beautiful for God.” The beauty is not for beauty’s sake; it is for God—for his glory. It was St Augustine, that great lover of beauty, who called God “Beauty ever ancient, ever new” and lamented “late have I loved Thee!” All created beauty reflects something, however faint, of the divine Beauty, but Gregorian Chant does so in a special way, for it is itself both prayer and beauty—but a beauty that reveals itself only gradually, disclosing ever new depths and connections.

The Cistercian version of the chants presented in this recording have always played an important role in the lives of the Cistercian nuns of Wrentham since the time of its foundation in 1949. In the early years of its history, chant alone was used to provide the musical setting for the Eucharist and the Liturgy of the Hours. Since English was introduced into the liturgy after Vatican II, the nuns gradually built up a rich repertory of chants in the vernacular, but twice a week they continue to use Gregorian Chant in the celebration of the Eucharist as well as at Vespers on Solemnities. Gregorian Chant is itself both prayer and beauty—but a beauty that reveals itself only gradually, disclosing ever-new depths and connections.


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski
    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed

Random Quote

“The unity of language in the liturgy is so great a treasure for the Church that no advantage could compensate for its demise.”

— Dom Anselmo Albareda (2 January 1953), Father Nicola Giampietro, page 249

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