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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Splendid! A 2013 Recording By Cistercian Nuns

Jeff Ostrowski · June 6, 2013

OUNT Saint Mary’s Abbey is located in Massachusetts. This Abbey is home to some wonderful Cistercian Nuns who have produced a new Gregorian chant CD called To Pray In Beauty.

Believe it or not, pretty much every monastery in existence has created a CD or LP record over the years. I was surprised when I first learned this fact. Most of them sell these recordings in their bookstores. Sometimes (as with the De Silos monks, trained by Gajard) their recordings get “picked up” by a producing company and make it bigtime.

I can say that the Cistercian nuns of Mount Saint Mary’s Abbey have avoided the standard fare. Their CD is definitely worth hearing (and is offered at such a low price!). The voices are peaceful, beautiful, and they sing in tune! They include some selections on the CD that will be familiar to lovers of Gregorian chant, yet they also include some lesser-known pieces, like Avete solitudinis.

Furthermore, they sing the “Cistercian” variants of the chant, which are slightly different melodically than the versions Abbot Pothier included in the Editio Vaticana. The following audio excerpt will illustrate what I mean:

      * *  Excerpt: AVE MARIS STELLA [Mp3]

The CD is handsomely produced and packaged, as you can see by viewing the back cover.

Search Google for TO PRAY IN BEAUTY and you will find several ways of purchasing this fine CD.

TRACK LISTING:

1. Hymn Avete solitudinis (Mode 1) verses 1, 2, 5, and 6
2. Communion Simile Est (Mode 8)
3. Alleluia Justus Germinabit (Mode 1)
4. Introit Salve Sancta Parens (Mode 2)
5. Introit Dominus Dixit (Mode 2)
6. Communion Quinque Prudentes Virgines (Mode 5)
7. Communion Videns Dominus (Mode 1)
8. Gradual Christus Factus Est (Mode 5)
9. Introit Resurrexi (Mode 4)
10. Introit Quasi Modo (Mode 6)
11. Introit Viri Galilaei (Mode 7)
12. Introit Spiritus Domini (Mode 8)
13. Introit Exurge (Mode 1)
14. Alleluia Deus Judex (Mode 8)
15. Introit Esto Mihi (Mode 6)
16. Introit Omnia Quae Fecisti (Mode 3)
17. Introit Inclina Domine (Mode 1)
18. Introit Vocem Jucunditatis (Mode 3)
19. Hymn Ave Maris Stella (Mode 1)

From the official press release:

This new album comes with a 20-page booklet, including liner notes by Fr. Gabriel Bertoniere about the history of Cistercian chant. Also included are the English translations of the pieces sung in Latin. To Pray In Beauty: that is the ideal of monastics as they sing the Mass and the Hours in choir. Blessed Teresa of Calcutta expressed a similar ideal in her phrase “something beautiful for God.” The beauty is not for beauty’s sake; it is for God—for his glory. It was St Augustine, that great lover of beauty, who called God “Beauty ever ancient, ever new” and lamented “late have I loved Thee!” All created beauty reflects something, however faint, of the divine Beauty, but Gregorian Chant does so in a special way, for it is itself both prayer and beauty—but a beauty that reveals itself only gradually, disclosing ever new depths and connections.

The Cistercian version of the chants presented in this recording have always played an important role in the lives of the Cistercian nuns of Wrentham since the time of its foundation in 1949. In the early years of its history, chant alone was used to provide the musical setting for the Eucharist and the Liturgy of the Hours. Since English was introduced into the liturgy after Vatican II, the nuns gradually built up a rich repertory of chants in the vernacular, but twice a week they continue to use Gregorian Chant in the celebration of the Eucharist as well as at Vespers on Solemnities. Gregorian Chant is itself both prayer and beauty—but a beauty that reveals itself only gradually, disclosing ever-new depths and connections.


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“In condemning us, you condemn all your own ancestors—all the ancient priests, bishops and kings—all that was once the glory of England, the island of saints and the most devoted child of the See of Peter. For what have we taught, however you may qualify it with the odious name of treason, that they did not uniformly teach?”

— Father Edmund Campion (to the Anglicans about to murder him)

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